On Sun, 02 Feb 2014 19:26:19 -0800, Salmon Egg   
    wrote:   
      
   >In article <9g6re9dshlal5edblj2hapmsu1dea1df43@4ax.com>, krw@attt.bizz   
   >wrote:   
   >   
   >> >Although sound although sound is a longitudinal (scalar) pressure wave   
   >> >in the air, the theory has much similarity to that of antennas. I have   
   >> >never heard talk of multipath problems with hearing aids. I do not   
   >> >understand how two small microphones space a small fraction of a   
   >> >wavelength apart can be processed to give directional patterns. U can   
   >> >understand that spacing BETWEEN ears can give rise to interferometric   
   >> >cues. When I asked if the two aids exchange audio information, the   
   >> >answer was no.   
   >>   
   >> We've been working with phased microphone arrays recently. It was   
   >> amazing to see that the recommended spacing for one solution was 11mm.   
   >> You're right, it doesn't make much sense, given common knowledge of   
   >> antennas.   
   >   
   >You would think that it would depend upon the frequency. I would be very   
   >surprised if there were no experiments listed in the literature that   
   >looked into how well the stereo effect was sensed as a function of   
   >frequency.   
      
   Yes, frequency dependence seems natural. These are audio frequency   
   microphones, 20-20K, so we're talking about a *lot* less than a   
   wavelength.   
      
   >Becaus sound is longitudinal. could it be that hearing aids process   
   >amplitude rather than phase for directional discrimination? I can   
   >picture two microphones angled with respect to each other with a   
   >difference of transduced amplitude because one is hit normally by the   
   >sound while the other is hit obliquely. It is sort of like the   
   >dependence of illumination of a surface being affected by the angle of   
   >incidence. Think Lambert's law.   
      
   Nope. These microphones are coplanar.   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)   
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