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|    Message 344,345 of 345,374    |
|    davidp to All    |
|    The White-Minstrel-Show Version of Histo    |
|    17 Sep 23 21:27:37    |
      From: lessgovt@gmail.com              The White-Minstrel-Show Version of History       By KEVIN D. WILLIAMSON, Aug 20, 2016              A familiar tale about class in America gets a poor retelling in a new book.       Nancy Isenberg has produced, in White Trash: The 400-Year Untold History of       Class in America, a dreadfully stupid and lazy book. It is badly written,       poorly conceived, and incompetently executed. Isenberg would join the long       line of American debunkers        and would-be debunkers of a familiar and surpassingly tedious sort: “Sure,       Americans sent a man to the moon, but what about the United Fruit Company in       Guatemala back in 1954? Huh? Huh?”              Isenberg’s argument, if we may be so generous as to call it that, is this:       The American culture was not born ex nihilo on July 4, 1776, and in the       English parts of the New World colonists reproduced some form of the English       class structure; the freedom-       seeking Puritans were not alone, but were joined by all manner of riff-raff       dispatched by English powers as a form of domestic social hygiene, making the       United States a kind of Australia before there was an Australia; the United       States today is not a        society without class divisions.              Well, raise my rent.              Virginia was named for an English queen and its settlement was sponsored by a       knight. Its basic law was a royal charter, and its economy was shaped in no       small part by indentured servitude and chattel slavery. These are not       egalitarian arrangements, and        they did not produce egalitarian outcomes. This is not “untold history.”       This is history told, and told, and told again. Life in early-17th-century       Jamestown, Isenberg tells us, was not unlike the world of William       Shakespeare’s Merchant of Venice;        what we are to take from the fact that an English settlement was culturally       consistent with the work of an English playwright working at approximately the       same time (1596 in this case) is anybody’s guess.              About 20 pages in, I found myself thinking: “I wonder when we get to       NASCAR?” Obviously, you cannot have an intellectually lazy and       cliché-ridden book about white-trash culture without NASCAR, preferably with       a tangential report on the box-office        performance of Smokey and the Bandit in 1977. That would be like having a       batty and ignorant book on African-American culture without fried chicken and       watermelon. Rest assured, you’ll get your NASCAR, your Dukes of Hazzard, and       more.              But it’s a while coming. The structure of the book reeks of sophomore-level       procrastination. Perhaps this will be more obvious to you if you’ve ever       been obliged to write something long and complicated on a deadline and       performed poorly. (Not that I        would know anything about that.) The first chapter of the book is the book       essay, a distillation of the book’s argument that usually is submitted to       publishers as part of a book proposal. You aren’t supposed to publish the       book essay, but Isenberg        seems to have done that or something quite close to it. So what we have is a       brief version of the book’s overall argument, followed by a series of       half-thought-out chapters in which we are treated to reports on Thomas       Jefferson and class, the Civil War        and class, the Great Depression and class, each connected only vaguely, if at       all, with the others, and an epilogue.              You will not be surprised to learn that Jefferson had attitudes about class       that were more or less characteristic of a man of his day, and that popular       attitudes toward the subject changed slowly over time in response to       historical events. It may be that        all of this could add up to an illuminating account of class differences in       the United States, and maybe even an account of persistent social injustice of       a kind, but, if it does, that has escaped Isenberg entirely.              She does not even seem to read her own sentences, at least as they relate to       one another in sequence, e.g.: “[Benjamin] Franklin was not sympathetic to       the plight of the poor. His design for the Pennsylvania Hospital in 1751 was       intended to assist the        industrious poor, primarily men with physical injuries.” I found myself       blinking and rereading that sentence, and wondering how and why a man who was       not sympathetic to the plight of the poor should design a charity hospital for       their benefit. It is        true that Franklin, like charitable men before and after and now,       distinguished between different kinds of poor people, between the so-called       deserving poor and ordinary bums, partly as a moral exercise and partly as a       kind of philanthropic triage,        resources being limited. But there is not an ordinary reading of the English       words “was not sympathetic to the plight of the poor” that describes a man       who undertook to relieve the plight of the poor through charitable works.              Franklin particularly perplexes and vexes Isenberg. He was a fugitive from an       apprenticeship to his older brother (a form of indenture) and was from a       family of modest means. Isenberg writes: “He had arrived in Philadelphia in       1723 as a runaway, meanly        dressed in filthy, wet clothing.” Given this fact, she is scandalized by       Franklin’s later complaints about “vagrant and idle persons”       congregating in Philadelphia. (The more things change . . .) One wonders       whether Isenberg has ever been to        America. Franklin, as Isenberg might learn from reading Isenberg, was a man       who began with very little and who managed to rise in Philadelphia — and       rise and rise until he became its most celebrated resident — despite being       an outsider to the Quaker        mafia that ran the place and having no real connections to the        Proprietors,” the Penns and allied families who dominated the colony       socially and economically. How did that happen? Isenberg knows: “Quaker       patrons,” including the lawyer Alexander        Hamilton (no relation to that guy Aaron Burr shot), “a non-Quaker leader of       the Quaker Party,” along with “liberal Friends, who were not exclusive       about who should wield influence within the political faction of the Quaker       Party.” Which is to say,        Franklin rose in no small part through his own hard work and cunning but was       also enabled by an open, liberal, cosmopolitan, commercial society in which       one’s original station in life was not necessarily one’s final station —       i.e., he rose because        of the very American order whose liberality this daft book was written to       debunk.                     [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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