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|    alt.politics.communism    |    Whats yours is mine...    |    8,857 messages    |
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|    Message 8,570 of 8,857    |
|    Pure Malice to All    |
|    Horse-faced saggy-butt and out-of-work K    |
|    03 Jul 17 12:08:23    |
      XPost: alt.drugs.meth, neworleans.general, nj.politics       XPost: alt.fan.letterman       From: pure.malice@salon.com              Well, at least we know there’s still a line.              On Tuesday, when Tyler Shields’ intentionally provocative photo       of comedian Kathy Griffin holding what appeared to be the       bloody, severed head of President Trump hit social media, the       condemnation was swift, complete and unequivocal. Whatever her       initial intention, Griffin found herself the subject of       something that has become increasingly rare in American       discourse: bipartisan, multicultural agreement.              Virtually everyone in America was horrified.              Some, including Donald Trump Jr., attempted to politicize the       moment by making Griffin a de facto spokeswoman for “the left,”       but it was impossible to make that stick.              No one, not even the president’s most outspoken critics,       defended the image.              Instead, the words “vile,” “disgusting” and “unacceptable”       united the social media response from both sides of the aisle       and every social stratum. By late Tuesday afternoon, Griffin had       called for Shields to take the image down and issued an abject       apology via Instagram. Stripped of her usual high-glam look,       Griffin conceded that the image was too upsetting and literally       begged for forgiveness. “I’m a comic, I cross the line, I move       the line and then I cross it. I went way too far.... I made a       mistake and I was wrong.”              For many, the apology was too little too late; the president and       the first lady took to Twitter on Wednesday to express their       personal hurt and outrage, and CNN, which had initially taken a       “wait-and-see” attitude, quickly announced that it was firing       Griffin from her 10-year gig as co-host of its New Year’s Eve       countdown with Anderson Cooper.              (There have also been calls for further cancellations, including       Griffith’s July 7 appearance “In Conversation” with Sen. Al       Franken [D-Minn.] at the Wallis Annenberg Center for the       Performing Arts in Beverly Hills. Franken told CNN the event       will go on as planned.)              Cooper let his feelings be known almost immediately, tweeting       that he was “appalled by the photo shoot Kathy Griffin took part       in. It is clearly disgusting and completely inappropriate.”              His reaction sparked, in turn, a fair amount of social media       scoffing, as many pointed out that Cooper recently had been       involved in professional line-crossing.              In the wake of Trump’s recent firing of FBI Director James B.       Comey, Cooper had suggested to Trump supporter Jeffrey Lord that       if the president “took a dump on his desk” Lord would defend it       (for which Cooper then apologized) and rolled his eyes at a       response from Kellyanne Conway (for which he didn’t.)              Of course, “the line” has always been open to negotiation. As       was written in the 1987 film “Broadcast News” — which remains       the bible of the intersection of news, politics and popular       culture — sometimes it’s hard to avoid crossing the line       “because they keep moving the little sucker.”              But it has not vanished entirely, or even moved as far as       Griffin and Shields thought it had.              Which is strangely reassuring given the state of our nation,       where just last week Greg Gianforte, campaigning to become a       House representative for Montana, reacted to a reporter asking       about healthcare by body-slamming him.              For which Gianforte also apologized, but only after he had won       the seat.              Indeed, in the almost two years since Trump entered the       presidential race, many seemingly unmovable boundaries have been       breached and redrawn.              As a candidate he crossed lines of civil conduct, threatening       Hillary Clinton directly with jail (“Lock her up”) and seemingly       with assassination (when he suggested that Clinton’s bodyguards       disarm and “let’s see what happens” or that “the 2nd Amendment       people” might have a solution should she, as president, curtail       their rights.)              A similar vitriol fuels the Trump White House, where late-night       rage-tweets against individuals, Democrats and the “fake media”       have become the new normal. And increasingly, the media are       responding with a new normal of their own. After Comey was       fired, Cooper was not the only journalist to vent his emotions;       as my colleague Lorraine Ali wrote, even Wolf Blitzer blanched       and Chuck Todd was reduced to a flabbergasted “Wow.”              Traditional news outlets, including this one, are pushing back       with the type of direct and often accusatory language — the       accurate use of the word “lie,” for an example, became a topic       of media debate — rarely used for a sitting president, much less       one in office for less than six months.              And as for comedians, well, Trump’s bare-knuckles approach suits       most of them just fine. After the election, Seth Meyers revealed       a surprisingly deadly aim, Jimmy Kimmel recently became the face       of healthcare, and Stephen Colbert, having re-embraced stinging       political humor, shot to the top of the late-night ratings,       leaving Jimmy Fallon to regret that he ever thought to muss       candidate Trump’s hair.              Indeed, until Griffin’s photo went live, it seemed there was       nothing negative a comedian could say about Trump that would get       them in trouble; when Colbert recently went on a profane rant       that included a crude reference to the president’s mouth,       #firecolbert spluttered briefly to life and quickly went out.       Colbert apologized, but to anyone who found his remark       homophobic, not to the president.              Far more alarming is the ongoing, and increasingly vitriolic,       battle between average citizens; the red/blue conflict, which       normally recedes after a presidential election, has grown only       more pronounced. Even as statues dedicated to the Confederate       generals who literally wanted to divide the country are pulled       down, another division, deeper and more difficult to define,       takes firmer root.              Social media, particularly Twitter, has never run on subtlety or       complex thought; for better or worse, a single remark or image       can spark a trend or ruin a career.              That it has become the main platform of political discourse       makes fading lines only blurrier. “It was only a joke,” a       refrain once restricted to sassy teenagers, has become the       standard excuse for an offensive or objectionable remark, and       one the president has used often.              But as the professional comedian just discovered, some jokes       really aren’t funny and some lines still cannot be crossed.              And though it would have been better to be reminded of this in       another, less offensive and news-cycle-generating way, it’s       still good to know.              http://www.latimes.com/entertainment/tv/la-et-st-kathy-griffin-       20170601-story.html                      --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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