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|    alt.books.inklings    |    Discussing the obscure Oxford book club    |    1,925 messages    |
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|    Message 1,088 of 1,925    |
|    Steve Hayes to All    |
|    Charles Willians and The City    |
|    22 Sep 08 20:17:27    |
      From: hayesmstw@hotmail.com              Lewis's commentary on Williams's poem The Vision of the Empire              Quote:       The image of the Empire is the final form of something that had always haunted       Williams and which he often referred to simply as "the City". The word is       significant. Williams was a Londoner of the Londoners; Johnson and Chesterton       never exalted more than he at their citizenship. On many of us the prevailing       impression made by the London streets is one of chaos; but Williams, looking       on the same spectacle, saw chiefly an image -- in imperfect, pathetic, heroic,       and majestic image-- of Order. Two passages from among many in his novels may       be quoted. One of from War in Heaven (Chapter V) where he is describing the       decline of what had once been a residential street. At least, one end of the       street shows mere decline, but at the other end new life is beginning for       there "a public house signalized the gathering of another code of decency and       morals which might in time transform the intervening decay". The proletarian       courtesy and community of a public house (with all the mutual forbearance and       observance of unwritten law which they imply) are a manifestation of "the       City". The other passage comes from The Greater Trumps. It comes from Chapter       4 and the reference to "the Emperor" is explained by the fact that Henry and       Nancy have just been studying the Tarot cards. They are in a car and have come       to a traffic block;              'A policeman's hand held them up. Henry gestured towards it. "Behold the       Emperor!" he said to Nancy. "You're making fun of me," she half protested.       "Never less," he said seriously. "look at him"... She saw in that heavy       official barring their way the Emperor of the Trumps, helmed, in a white       cloak, stretching out one sceptred arm, as if Charlemagne or one like him       stretched out his controlling sword over the tribes of Europe pouring from the       forests... The noise of all the passing street came upon her as the roar of       many peoples; the white cloak held them by a gesture: order and law were       there.'              Such is Byzantium -- Order, envisaged not as a restraint, not even as a       convenience, but as a beauty and splendour. Perhaps no element in Williams's       imagination separates him so wildly as this from other writers. The modern       world has planners and orderers in plenty but they are not often poets: it has       poets not a few, but they seldom see beauty in policemen.              Source: Lewis & Williams 1974:289              Comments, anyone?                     --       Steve Hayes       Web: http://hayesfam.bravehost.com/litmain.htm        http://www.librarything.com/catalog/hayesstw        http://www.bookcrossing.com/mybookshelf/Methodius              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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