From: sam44@gmail.com   
      
   Hiya   
      
   this extract is appropriate   
    They are also a good reference if you feel that   
    you are making major errors in your portraits.   
    Most artists make the   
   greatest number of changes at the start of a drawing.   
    The size and position   
    of the other features are directly related to the scale and placement of the   
    eyes.   
    The main features are then framed by the outline of the face and   
   hair   
    You begin a portrait with the eyes as they are the main focal point.   
      
    If you get the correct relationship between the eyes   
    2.   Using softly   
   shaded tone to create the form and texture of each feature.   
    You begin a   
   portrait with the eyes as they are the main focal point.   
    They are also a   
   good reference if you feel that you are making major errors in your   
   portraits.   
    1.   Using line drawing to organise the position   
    You begin a   
   portrait with the eyes as they are the main focal point.   
    3.   Using larger   
   areas of tone to unite all the elements of the portrait.   
    The main features   
   are then framed by the outline of the face and hair   
    3.   Using larger areas   
    of tone to unite all the elements of the portrait.   
      
   But it might be better to extend the work to the processing of the line in an   
   efficient way;   
   Nevertheless Prior to any discussions about the graphic, I think that we could   
   study also   
   the supervision of the line separately or the shadow with brand-new   
   innovations ;   
   Therefore Prior to any discussions about the graphic, it might be necessary to   
   integrate the fine tuning of the line wisely and the collaboration with the   
   shadow accurately ;   
   would you mind showing how to validate the graphic pretreatment?   
      
   ciao   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)