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|    alt.arts.poetry.comments    |    Feedback on eachothers poetry apparently    |    45,517 messages    |
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|    Message 43,993 of 45,517    |
|    Will-Dockery to All    |
|    Re: Harlan Ellison: Ranger Days (2/5)    |
|    22 Dec 25 00:55:19    |
      [continued from previous message]              > was being said, but could only note with a peculiar sinking feeling       > that the       > manager's eyes grew wider and wider. The manager then hurried over to       > the       > magician who then whispered into his ear, and it was the magician's       > turn for       > his eyes to grow wide.       >       >       > Their meal was uninterrupted. Having left the restaurant, Joe asked       > Harlan       > what he had told the manager. Harlan said that he told the manager       > that Joe's       > father had been a theatrical agent who specialized in novelty acts,       > vaudevillians, and magicians. One day, a magician had killed Joe's       > father.       > They were in the restaurant celebrating Joe's release from jail on       > assault       > charges from brutalizing a magician.       >       > Joe has not been the the restaurant since.       >       > After more embarrassing stories had been told, both featuring and void       > of       > Harlan Ellison, the floor was opened to questions. One question,       > regarding       > Harlan's appearance on the program Politically Incorrect, aroused       > Harlan's       > ire. He said that one of his opponents on the program was a black       > woman       > conservative, which was a concept he though patently ridiculous. He       > then       > proceeded to expose her ignorance when they were talking about the       > communist       > witch-hunts of the '50's and the Hollywood black lists:       >       >       > "And this idiot narc, this squealer, is coming off on how great Kazan       > is, who       > ratted on people, people who couldn't work for a decade. And I said to       > her,       > 'where are you gettin' this crap? Are you readin' it in a book?' And       > she said,       > 'no, I didn't read it in a book.' And I said, 'what book did you ever       > read on       > the black list?' She said, "I never read a book on the black list.'       > 'So what       > did you read?' And she goes and hauls out the goddamn fax that they       > [the       > staff of her radio program] sent her that day. And I said, 'how dare       > you come       > on TV and pretend you have an opinion when you're as dumb as a pile of       > mud!"       >       > [non Ellison content snipped]       >       > Ellison called such TV executives, "Bo-stick-stone stupid." He       > elaborated       > that, when he started in television decades ago, at least the execs       > were       > familiar with some books, plays, and films. Then they only knew film.       > Then       > they only knew TV. Today, they only know the TV of the last 15-20       > years,       > "which is why they worship shit like The Partridge Family and The       > Flintstones,       > and we know that we're in the twilight of Western Civilization when       > Pauly       > Shore becomes a star."       >       >       > Ellison prescribed the stupidity of TV executives to a combination of       > arrogance and stupidity inculcated by MBA programs. "There's no way       > through       > it, around it, below it, or above it," he said, "they've got your ass       > every       > time." He continued, "every time you think you've taught them a lesson       > they       > send in another cadre of morons. The universities are turning them out       > faster       > than we can beat them down!"       >       > [non Ellison content snipped]       >       >       > Kittman then asked the question, it seemed to him that a lot of       > science       > fiction actors were 'phoning there performances in.' How did the panel       > feel       > about that? O'Hare, the only actor in the group, answered that he felt       > that       > the performers were doing well, but that SF bumped up against a glass       > ceiling       > of credibility, that it could not as a medium be taken seriously.       > Therefore,       > very little adult science fiction was produced, or that it led to       > minimal       > characterization with which there is little for an actor to work with.       > Harlan       > then began to explain his frustration about the current crop of poor       > 'Sci-Fi'       > movies ‹ an important distinction from SF. Sci-Fi movie, Ellison       > claims, are       > there for an audience who only want to "see shit exploding." Sci-Fi       > movies       > such as the recent film Independence Day, he says, are devoid of any       > exploration of character. They are not about "people who hurt, or       > love, or       > fear." Characters in such productions are of no interest; to       > paraphrase, they       > are animatronic robots going through their paces, waiting for the next       > special effect to happen. Such films reminded him of Flashdance. He       > capped       > his screed whimsically by saying that Caddy Shack was better than       > Independence Day ‹ but that both were better than any Chris Farley       > movie.       >       >       > -- Harlan Ellison Q&A Session       >       > Harlan had an hour or so Saturday night. He chose to answer audience       > questions rather than do a reading, which he saved for Sunday morning.       > When       > asked about his time in the Army, he replied that it hadn't been one       > of the       > happiest times in his life. He was court-martialed several times,       > though       > never convicted. As an alternate to prison, the superiors he offended       > made       > him do filthy, demeaning tasks, such as cleaning out the grease traps       > of Army       > sinks. He also trained as a Ranger.       >       >       > His first scrape with military justice occurred when Harlan was first       > drafted.       > He had been shipped out to Fort Dix, NJ, for basic training. It was       > raining,       > and he was issued a hot, stiff, ugly, olive-drab rain coat. He got off       > the       > bus at Fort Dix and was immediately harangued by a passing Corporal.       > The       > Corporal ordered Ellison to the Mess.       >       >       > At the Mess, he was made to wash pots. However, the sink was only a       > few       > inches shorter than the 5'5" Ellison; further, it and the pans soaking       > within       > were filled with scalding-hot water. Harlan was made to pull the pots       > out and       > scrub them clean.       >       >       > He did his best. His hands burned in the water. The Corporal would not       > let       > him remove his heavy raincoat, now stifling. The heat finally got to       > Harlan       > and he fell, face-forward, into a pot. His face, his lips, his eyes,       > were       > scalded. He jerked back up. Burned and in pain, he went over to the       > Corporal       > and said that he couldn't stand it; that his group was probably being       > processed already; that he wanted to rejoin his company. The Corporal       > screamed back that Harlan should get back to work. They yelled back       > and forth       > for a moment with Harlan demanding to see the company commander; then       > the       > Corporal pushed him.       >       >       > Bad move. Harlan picked up a huge, black-iron frying pan and hit the       > Corporal       > upside the head. His tormentor flew across the floor of the kitchen,       > leaving       > a thin trail of blood behind on the floor.       >       >       > Ellison ran. As he himself put it as he retold this tale, "feets,       > don't fail       > me now!" He ran through awful, viscous, stinking, New Jersey mud. He       > ran       > through the motor pool, jeeps of MPs circling. He ran up the steps of       > the       > Orderly Room, the company commander's office, and straight into the       > office of       > the Officer on Duty.       >       >       > The OD, a Second Lieutenant, looked up calmly at Ellison. Harlan       > poured out       > his tale of suffering. When Harlan had finished, the Second Lieutenant       > said,       > in a Southern drawl, "I think you're a coward, boy."       >       >       > Harlan hit him.       >       > The Second Lieutenant went flying backwards, falling into the       > collection of       > quart-sized beer-bottles (called 'ponies' in those days) he kept on       > his       > baseboard.       >       >       > Two huge black sergeants came in a restrained Ellison, pinning him       > back       > against the wall. "Cool it, baby," one whispered quietly into his ear.       >       >       > The Second Lieutenant was up, screaming that Harlan would end his ;²`       > to the Earth's core to escape.       >       > Now, the sergeants despised the Second Lieutenant. He was a racist       > Southerner,              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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