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|    alt.arts.poetry.comments    |    Feedback on eachothers poetry apparently    |    45,517 messages    |
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|    Message 44,434 of 45,517    |
|    Will Dockery to All    |
|    Re: Apple Montage / Will Dockery (1/2)    |
|    10 Jan 26 21:05:25    |
      From: user3274@newsgrouper.org.invalid              mpsilvertone@yahoo-dot-com.no-spam.invalid (HarryLime) posted:       > Will Dockery wrote:       >> mpsilvertone@yahoo-dot-com.no-spam.invalid (HarryLime) posted:       > >> Will Dockery wrote:       >       > >> Apple Montage       > >>       > >> Sneaking around       > >> with Cousin Jenny,       > >> smoking menthol       > >> beyond the sheds.       > >>       > >> Late summer vacation 1973       > >> in the backwoods of Tennessee.       > >>       > >> To the right       > >> behind the barn       > >> were apple trees.       > >>       > >> There were several       > >> of those trees       > >> and other trees       > >> behind them       > >> beyond a field       > >> and behind them, other trees.       > >>       > >> Later, I stood near       > >> as a crowd       > >> watched Pops and my Uncle       > >> cooking apple butter;       > >> stirring the brown gunk,       > >> boiling in a huge black kettle.       > >>       > >> I saw my father       > >> secretly pass       > >> a wine bottle       > >> to my Uncle Clarence.       > >>       > >> I went from       > >> breathing cold mist       > >> out back behind the barn,       > >> to breathing       > >> the hot misty steam.       > >>       > >> The air smelled of apple fumes       > >> and strong booze.       > >>       > >> -Will Dockery       > >>       > >> And here I thought you were going to ask if you could use my de-cluttered       version for your next Twitter poem.       >       > > Refresh my memory?       > >       > > I'd like to see that.              Where is it, I'll ask again?              > >> No, I wrote about the clutter in the thread, not the poem.       > >>       > >> The poem is an almost perfect poetry montage as it is..       > >>       > >> Here ^^^       > >>       > >> This is still obvious ^^^       > >>       > >> Define "poetry montage."              The term is very easy to understand.              I think you actually know that, Harry.              > >> See my poem "Apple Montage" for an example of ause of montage in poetry.       > >>       > >> Here ^^^       > >>       > >> Wikipedia is a good start on defining "montage":              Except there's not an entry about montage effects in poetry.              > > Dockery: There's no entry on the use of montage in poetry, though.       > >       > > MMP: Let's ask Dunce's "trusted source":       > >       > > "A montage poem layers disparate images, fragments, sounds, and ideas from       various sources (like newspaper clippings, songs, slogans) to create a new,       complex whole, reflecting fragmented modern life, much like film editing. It       juxtaposes these        elements without traditional narrative, inviting the reader to find meaning in       the connections, contradictions, and rhythms between them, as seen in works       like Langston Hughes' Montage of a Dream Deferred."       > >       > > Well, lookee lookee. Dunce's "trusted source" uses practically the same       description that I've been putting forward.       > >       > > NOTE that it's a non-narrative poem juxtaposing images and ideas to create       a "new, complex whole."       > >       > > Holiday Season fits this description to a T.              Again, in your biased opinion.              Apple Montage uses montage effects in several levels.              It's not a surprise you can't accept that, Harry.              > >> https://en.wikipedia.org/wiki/Montage_(filmmaking)       > >>       > >> Here is Wikipedia's definition (as per your link):       > >>       > >> "A montage (/m'nˈt'ː'/ mon-TAHZH) is a film editing technique in which       a series of short shots are sequenced to condense space, time, and       information. Montages enable filmmakers to communicate a large amount of       information to an audience over a        shorter span of time by juxtaposing different shots, compressing time through       editing, or intertwining multiple storylines of a narrative.       > >>       > >> "The term has varied meanings depending on the filmmaking tradition. In       French, the word montage applied to cinema simply denotes editing. In Soviet       montage theory, as originally introduced outside the USSR by Sergei       Eisenstein,[1] it was used to        create symbolism.[2] Later, the term "montage sequence", used primarily by       British and American studios, became the common technique to suggest the       passage of time.[3]       > >>       > >> "From the 1930s to the 1950s, montage sequences often combined numerous       short shots with special optical effects (fades/dissolves, split screens,       double and triple exposures), dance, and music."              My poem uses montage effects, again, it's a poem, not s film.              > > Dockery: That's film, my montage is in poetic form.       > >       > > MMP: Not according to the definition given to you by both myself and       Dunce's "trusted source."       > >       > > You poem has a narrative. Your poem does not juxtapose various       images/ideas/sounds/etc. to create a larger, all-encompassing concept.       > >       > > One could also argue that yours is not even in poem form -- it's a pair of       two short anecdotes from your past in fiction form.       > >       > >       > >> As previously pointed out, my poem uses montage effects in poetry form.       > >>       > >> Dockery: My poem definitely used montage, this is an argument that is       apparently ongoing.       > >>       > >> MMP: As previously noted, it uses a transitional scene that *could* be       considered a "montage sequence" in terms of a montage employed as a cinematic       technique to show the passage of time. But even if it were, it would not make       your poem an "montage        poem." Nor would the use of a transitional effect be considered more       important than either of the scenes is links -- and certainly not to such an       extent that it would become the title. If that were the case, can you imagine       how many old movies would        have been named "Train Montage" or "Daily Calendar Page Montage"?       > >>       > >>       > >> Dockery: Interesting that I was watching a television program about Orson       Welles just last night, where montage was mentioned.       > >>       > >> MMP: Interesting that a renowned filmmaker would have used montage       effects in his films? And how does the use of montage in Citizen Kane       illuminate your supposed use of montage in your poem?       > >>       > >> Dockery: Like it or not, my poem does use montage.       > >>       > >> The entire poem is montage, using montage effects.       > >>       > >> MMP: Like it or not, your entire poem is formatted as two scenes with a       transitional bridge.       > >>       > >> Again, here is the definition of a montage poem:       > >>       > >> "A montage poem layers disparate images, fragments, sounds, and ideas       from various sources (like newspaper clippings, songs, slogans) to create a       new, complex whole, reflecting fragmented modern life, much like film editing.       It juxtaposes these        elements without traditional narrative, inviting the reader to find meaning in       the connections, contradictions, and rhythms between them, as seen in works       like Langston Hughes' Montage of a Dream Deferred."       > >>       > >> Dockery: I've known about montage since the 1970s.       > >>       > >> MMP: I watched Siskel and Ebert as well. But I only had a superficial       understanding of montage until I read "Film Sense" by Eisenstein. Did you       read Eisenstein in the 1970s?       > >>       > >> Dockery: I know exactly what a montage is, and knew from the start.       > >>              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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