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|    alt.battlestar-galactica    |    Worshipping this overlooked Scifi show    |    119,658 messages    |
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|    Message 119,128 of 119,658    |
|    Joe to All    |
|    Re: The anti chrisian val (2/3)    |
|    27 Apr 11 15:09:04    |
      [continued from previous message]              > dedicated lieutenant. Apollo, Starbuck, and Sheba are brave and daring       > soldiers. Serena is a loving mother. And so on. Of course to keep them       > believable they are not perfect. Adama sinks into despair when his wife       > is killed and neglects his responsibilities. Starbuck is a gambler and       > a womanizer. Etc. From a literary point of view, they are all       > characters that we can like and care about. From a realism point of       > view, they are people we can readily see playing important roles in       > saving their civilization from destruction: they have the stature and       > the ability to make things happen.       >       > The remake tears all the heroes down. Starbuck (who is curiously recast       > as a woman) becomes an obnoxious troublemaker who is in and out of       > prison. Tigh is indecisive, petty, and an alcoholic. Adama is not       > widowed but divorced. Apollo is a self-centered jerk.       >       > In the original, Adama's son Zac dies bravely fighting the enemy while       > politicians dither about sending help. In the remake, Zac dies in a       > training accident and it's all Adama's fault because he pressured him       > to join the military when he had no desire or ability to pursue such a       > career. A loving father who grieves for his son is replaced with a       > tyrannical father who destroys his son's life -- literally in this case       > -- by setting standards that he cannot possibly meet. Wow, we've never       > seen that character in a Hollywood production before.       >       > The producer explained that they wanted to make the characters more       > "realistic". Sorry, but I have a hard time believing that this sorry       > set of losers could succesfully unstop a toilet, never mind save a       > civilization on the brink of destruction. Maybe people who spend their       > lives spaced out on drugs, who are consumed with petty jealousies, who       > cannot get along with any other human beings ... maybe such people can       > be succesful Hollywood film producers, but they rarely achieve great       > things in the real world.       > Pointless PC       >       > Oh, I mentioned that Starbuck, one of the fighter pilots in the       > original, was recast as a woman. I presume this was a nod to political       > correctness, but if so, it was rather pointless. The original already       > had a number of female fighter pilots among its characters. In the       > remake, as far as I could see they left out all the female fighter       > pilots, and then turned some of the male fighter pilots into females.       > Huh? They even changed a black male -- Boomer -- into a white female.       > Doesn't this just leave them even on the PC score card? They also       > changed Tigh from black to white, but maybe after they turned him into       > a drunken moron they figured it would be less PC to leave him black.       > Future Faith       >       > In the original, the people have a religion that at least some of them       > take seriously. Of course it's not Judaism or Christianity or Islam,       > because these religions are rooted in historical events that these       > people would know nothing about. So instead their sacred scriptures       > talk about how God saved their people when they fled the planet Kobol       > and that sort of thing. I found this one of the most interesting things       > about the original series: They had a religion that was not       > Christianity, but that was the sort of religion that a Christian would       > expect people living far away on another planet to have. Their religion       > is tied to specific historical events, it involves belief in God, and       > it inspires people to hope, ro right moral conduct, and to the pursuit       > of truth.       >       > In the remake, religion is something that inspires fanatics to kill       > innocent people.       > The way the future was       >       > In the original, the characters are proud that their technology is       > superior to that of their enemies. Technology is viewed as a creative       > act that people engage in to solve their problems. Their enemies use       > technology too, of course. Indeed their enemies are technology --       > they're robots. But this just means that technology can be used for       > good or ill. Indeed, this is pretty much the whole point of one       > episode, "The Gun on Ice Planet Zero": technology can be used for good       > or for evil, and it is the responsibility of people to use it properly.       >       > In the remake, people are afraid of technology. The fact that their       > technology fails them in a crucial scene shows that it is dangerous to       > rely on it. The fact that their enemies are robots is one more proof       > that technology is evil.       > Not unique       >       > Battlestar is far from the only example; it's just the last one I       > happenned to see.       >       > Remember Tom Cruise's Mission Impossible? The original series was about       > a group of dedicated, intelligent, highly-skilled spies who fight       > communism. Indeed, in the classic American tradition, they don't even       > work for the government: they're some kind of independent spy       > entrepreneurs. I don't recall the characters ever debating whether or       > not freedom is better than tyranny. The answer was obvious: they just       > went in there and did their jobs. In the remake, they are turned into a       > bunch of corrupt manipulators who kill innocent people just to protect       > their own positions. For of course, to modern Hollywood, the idea of an       > independant American who fights corrupt foreign governments as a "hero"       > ... they just don't see that as a believable character. It's almost a       > side note that the remake was completely unable to reproduce the thing       > that made the original series interesting -- their complex plots and       > sophisticated gadgets. The best they could come up with was a miniature       > hidden video camera. How clever.       >       > Remember A Very Brady Movie? The original was about a (mostly) loving       > family who solved their problems with honesty, integrity, and hard       > work. In the remake when the father talks about doing what's "right"       > it's a big joke, and the family is portrayed as a bunch of simpletons       > because they don't realize that homosexuality is okay now, etc. As the       > end credit rolls by, they play a song from the original that talks       > about a "time for change". But in the original the context was that a       > boy was growing up and now becoming a man. In the remake the context is       > clearly that morality has changed and these people just didn't get it.       >       > In the war movies of the 50's, courage and patriotism were the ideal.       > When a character ran from the battle this was a tragedy: If he was the       > hero in the story, in the end he would return to the fight braver than       > anyone. If he was the villain, his shame would be left as a disturbing       > message for all. In modern Hollywood, the character who stays to fight       > is portrayed as either a crazed killer or a dupe of the corrupt       > establishment.       >       > In the romance movies of the 50's, marriage and fidelity were the       > ideal. When a character considered an affair or divorce this was a       > tragedy: If she was the hero in the story, in the end she would return       > to her husband and repair the relationship. In modern Hollywood, a       > woman who abandons her husband is portrayed as liberated, finally       > overcoming societal conventions that would trap her in this loveless       > marriage. (Of course to make the story work, the abandoned spouse is       > always portrayed as inconsiderate, abusive, or otherwise at fault.) In       > the old Hollywood the ultimate romance was marriage. In the new       > Hollywood the ultimate romance is a one-night stand.       > Hollywood Revisionism       >              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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