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|    Message 27,034 of 27,547    |
|    Ronny Koch to All    |
|    Plagiarism and the Culture War: The Writ    |
|    16 Jan 24 14:03:55    |
      [continued from previous message]              The “conjoining of different sections of Boozer’s dissertation       could not have been done without great circumspection and       forethought,” notes Pappas, so “it gives lie to the notion that       King somehow plagiarized unintentionally.” Pappas further       discounts claims that King was unaware he had engaged in any       wrongdoing by observing that he had spent seven years in post-       secondary education, had taken a thesis-writing course, and had       been warned by an advisor that his paper nearly quoted another       work without attribution.              Many readers might wonder why King, an intelligent and capable       man, would cheat his way to a Ph.D. Of more relevance is the       question of why faculty let him do it. King’s doctoral advisor       also played the same role with Jack Boozer. He approved Boozer’s       paper in 1952 and just three years later stamped his imprimatur       on King’s purloined dissertation.              Nearly four decades later, when confronted with the same chance       to redeem itself in the wake of the plagiarism charges, BU chose       to cover-up once again. Then acting BU President John Westling       labeled the story “false,” claiming that the paper had “been       scrupulously examined and reexamined by scholars,” resulting in       the discovery of “Not a single instance of plagiarism.”              Clayborne Carson, editor of the federally-funded King Papers       Project at Stanford University, chose obfuscation over truth as       well. Carson sat on the information and denied early reports of       the preacher’s intellectual theft despite knowing about it three       years before the story broke. In early 1990, Carson told his       underwriter, the National Endowment for the Humanities. Like       him, the NEH didn’t think it necessary to disclose this       inconvenient information to the American public.              When it became obvious that King did, in fact, regularly       plagiarize, his academic cheerleaders chose to redefine       plagiarism rather then reassess the Baptist preacher. For       Arizona State University Professor Keith Miller, King’s       unattributed use of other scholars’ work is “synthesizing,”       “alchemizing,” “incorporations, “intertexulaizations,”       everything but the “p” word. “How could such a compelling leader       commit what most people define as a writer’s worst sin”? asked       Miller. “The contradiction should prompt us to rethink our       definition of plagiarism.”              While shameless intellectuals peddle baseless allegations about       the marital fidelity of Dwight Eisenhower or spin tales of       Thomas Jefferson begetting slave offspring, they consider it       blasphemy to honestly assess the plagiarism of Martin Luther       King. There are literally hundreds of books about King, yet one       would be hard pressed to find even a handful that address the       plagiarism question. With so much redundancy within this cottage       industry of publishing, one would think that authors would jump       at the chance to examine an unexplored facet of their subject’s       life – not so!              It would be wrong to think “plagiarist” every time one reflects       on the life of Martin Luther King. The Baptist minister led a       movement which secured voting rights for millions of Americans       deprived of suffrage and drastically reduced the amount of       racial discrimination present in the United States. Questions of       plagiary, adultery, and demagoguery (e.g., he labeled the       philosophy of Barry Goldwater, “Hitlerism”), are secondary.              Plagiarism and the Culture War is written with a sobriety that       is essential to effectively discussing such sensitive topics as       race and the shortcomings of a martyred hero. While       hagiographers may shout “racism” at any hint of imperfection       attributed to the slain civil rights leader, Pappas’ courageous       work assures that they can no longer continue this smokescreen       with any legitimacy.              “Our immense debt to the man and our respect for his memory do       not,” Pappas writes, “provide the slightest excuse for a       political agenda that credits him with virtues that he did not       have and successes that he did not achieve.”              Plagiarism and the Culture War uncovers what rational observers       have known about Martin Luther King for decades: that the man       canonized by the academic left was, merely a man. What it tells       us about intellectuals more concerned with “diversity” than       truth is far more revealing.              http://westernrevival.org/?p=59                             --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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