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|    alt.conspiracy.area51    |    That little magical place in the desert    |    2,359 messages    |
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|    Message 661 of 2,359    |
|    Sokar949 to All    |
|    The Church of OZ: The Year 2100, The Sun    |
|    30 Apr 05 07:21:57    |
      From: Sokar949@msn.com              JOHN GALLIANO is one of the most influential fashion designers of our time.       Born in Gibraltar, he grew up in London and launched his own label before       becoming chief designer of France's haute couture flagship, Christian Dior,       in Paris.              John Galliano has created the most spectacular fashion shows of our time.       Since his 1984 degree collection, Les Incroyables, which metamorphosed his       London art school into a French Revolutionary street scene, he has       transported his privileged audiences to more exotic and sartorially blessed       places than they could possibly have imagined or experienced.              Whether he chooses to transform the Opéra Garnier in Paris into a party       thrown by the Venetian socialite, Marchesa Luisa Casati, or the none-too       salubrious platforms of Gare d'Austerlitz into a Moroccan souk - complete       with guest appearance from a couture-clad Princess Pocohontas - Galliano       never fails to convince. This despite the fact that his references come from       a dizzying array of rarely connected times, people and places. But then,       John Galliano's life has been rather richer than most - more often than not,       the vivid colour in his shows have been experienced at source first hand.              He was born in Juan Carlos in 1960 in Gibraltar, his father's homeland. His       mother is Spanish and he first went to school in Spain, reaching it via       Tangiers. "I think all that - the souks, the markets, woven fabrics, the       carpets, the smells, the herbs, the Mediterranean colour, is where my love       of textiles comes from," Galliano has said. In 1966, the family moved to       Streatham in South London, where John's father worked as a plumber. They       then moved to Dulwich, which remains the family home to this day. Galliano       attended Wilson's Grammar School for Boys where his academic performance       was, by all accounts, unremarkable. The same cannot be said of his       appearance. The young John and his sisters, Rosemary and Immacula, were       always dressed in immaculately pressed and starched clothes, even for trips       to the corner shop.              "I don't think people here understood where I was coming from," he said of       his early days in South London. "And I certainly didn't understand where       they were coming from. It was quite a shock coming from that sort of family,       that sort of colour. My mother brought it with her on the plane. You know,       the religious aspect and all that was still with us when we were at home."       It wasn't until the 16 year-old Galliano moved to City and East London       College to study design, that he discovered the arts and people "a bit more       like me". From there, he went on to Central Saint Martins art school and a       star was born. "I worked very hard. I was always in the library - sketching       endlessly."              The inspiration for his first collection came from Danton, a National       Theatre production on which he worked part-time as a dresser. There were       jackets worn upside down and inside out - this was the early 1980s,       deconstruction wasn't yet part of the fashion vernacular - and romantic       organdie shirts, accessorised with everything from magnifying glasses,       smashed and worn as jewellery to rainbow-coloured ribbons sewn onto the       insides of coats. "I was just so into that collection. It completely       overtook me. I still love it. I love the romance, you know, charging through       cobbled streets in all that amazing organdie. There are a lot of things in       that collection that still haunt me."              Fashion retailer Joan Burstein was so impressed that she immediately gave       the window of Browns, her London store, to the fledgling designer. The       clothes flew off the rails. Despite the universal acclaim - even       hysteria -in the next decade, not one, but two backers pulled out on       Galliano. For several seasons, he couldn't afford to show. In the early       1990s, disillusioned by the difficulties of running a fashion business in       Britain, he moved to Paris. There, Anna Wintour, powerful editor-in-chief of       American Vogue, took him under her wing and used her influence to secure him       a backer (PaineWebber International) and a venue (São Schlumberger's chicly       crumbling mansion).              The invitation was a rusty key. The supermodels of the day - Kate Moss,       Christy Turlington and Naomi Campbell - modelled for friendship rather than       their customary five-figure fees. There were only 17 outfits put together at       the last minute - all in black. (A few bolts of black fabric was all       Galliano could afford.) But what outfits. The show was a monumental       success - John Galliano had sealed his reputation as one of the great       designers of his time.              One man who clearly understood Galliano's genius was Bernard Arnault,       chairman of the luxury conglomerate LVMH. By the mid-1990s, Galliano had       reinvented the 1930s-line bias-cut dress and made it modern, as well as       creating narrow, very feminine tailoring which was the envy of those less       gifted. Yet it was still brave of Arnault to decide, in October 1995, to       install John Galliano as chief designer of Givenchy. To the French fashion       establishment, he seemed like a young upstart. The media was apoplectic and       Givenchy hit the headlines. "I really couldn't tell anyone about it,"       recalls Galliano. "Not even my mum and dad. If I told one person, that was       it."              It wasn't long before more rumours surfaced. Fellow British designer,       Alexander McQueen, was to take over at Givenchy, leaving Galliano to move to       the much larger and wealthier house - also controlled by Arnault - Christian       Dior. Today, John Galliano designs a dozen collections a year. Dior's       flagship boutique in Paris is a veritable superstore where customers queue       for everything from couture wedding dresses to shoes, and fragrances:       ever-anxious to buy into the image of the house that Galliano has       re-created.              This is not surprising because John Galliano is fashion's great romantic.       From his fantastical clothes, to his colourful background, Galliano's       charmed rise to fame reads not unlike a fairy tale. His genius is his       ability to communicate this through his clothes. He also has immense       ambition. Behind his gentle aesthetic, John Galliano is a powerhouse, a man       whose ambition to go down in history as one of fashion's great is awesome,       even intimidating. His long-time creative collaborator Amanda Harlech once       described disagreeing with him thus: "I did only once and I can only compare       it to being hit by a massive surfing wave. His indifference was absolute."              © Design Museum              BIOGRAPHY              1960 Juan Carlos Antonio Galliano is born in Gibraltar.              1966 The family move to London: living in Streatham, then Dulwich. Attends       Wilson's Grammar School for Boys, then City and East London College.              1981 Enrols at St Martins School of Art to study fashion design. Discovers       the Soho club scene. Works as a dresser at the National Theatre and as an       assistant to the tailor Tommy Nutter.              1984 Graduates from St Martins with a first class degree. His degree show -              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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