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|    alt.culture.alaska    |    People's weird obsession with Alaska    |    51,804 messages    |
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|    Message 51,150 of 51,804    |
|    Jane Fonda Socialist Report to All    |
|    The Reckoning of Morris Dees and the Sou    |
|    30 May 21 20:58:45    |
      XPost: alt.gossip.celebrities, alt.politics.democrats.d, sac.general       XPost: alt.rush-limbaugh       From: jane.fonda.socialist.report@cnn.com              In the days since the stunning dismissal of Morris Dees, the co-       founder of the Southern Poverty Law Center, on March 14th, I’ve       been thinking about the jokes my S.P.L.C. colleagues and I used       to tell to keep ourselves sane. Walking to lunch past the       center’s Maya Lin–designed memorial to civil-rights martyrs,       we’d cast a glance at the inscription from Martin Luther King,       Jr., etched into the black marble—“Until justice rolls down like       waters”—and intone, in our deepest voices, “Until justice rolls       down like dollars.” The Law Center had a way of turning       idealists into cynics; like most liberals, our view of the       S.P.L.C. before we arrived had been shaped by its oft-cited       listings of U.S. hate groups, its reputation for winning cases       against the Ku Klux Klan and Aryan Nations, and its stream of       direct-mail pleas for money to keep the good work going. The       mailers, in particular, painted a vivid picture of a scrappy       band of intrepid attorneys and hate-group monitors, working       under constant threat of death to fight hatred and injustice in       the deepest heart of Dixie. When the S.P.L.C. hired me as a       writer, in 2001, I figured I knew what to expect: long hours       working with humble resources and a highly diverse bunch of       super-dedicated colleagues. I felt self-righteous about the work       before I’d even begun it.              The first surprise was the office itself. On a hill in downtown       Montgomery, down the street from both Jefferson Davis’s       Confederate White House and the Dexter Avenue Baptist Church,       where M.L.K. preached and organized, the center had recently       built a massive modernist glass-and-steel structure that the       social critic James Howard Kunstler would later liken to a       “Darth Vader building” that made social justice “look despotic.”       It was a cold place inside, too. The entrance was through an       underground bunker, past multiple layers of human and electronic       security. Cameras were everywhere in the open-plan office, which       made me feel like a Pentagon staffer, both secure and insecure       at once. But nothing was more uncomfortable than the racial       dynamic that quickly became apparent: a fair number of what was       then about a hundred employees were African-American, but almost       all of them were administrative and support staff—“the help,”       one of my black colleagues said pointedly. The “professional       staff”—the lawyers, researchers, educators, public-relations       officers, and fund-raisers—were almost exclusively white. Just       two staffers, including me, were openly gay.              During my first few weeks, a friendly new co-worker couldn’t       help laughing at my bewilderment. “Well, honey, welcome to the       Poverty Palace,” she said. “I can guaran-damn-tee that you will       never step foot in a more contradictory place as long as you       live.”              “Everything feels so out of whack,” I said. “Where are the       lawyers? Where’s the diversity? What in God’s name is going on       here?”              “And you call yourself a journalist!” she said, laughing again.       “Clearly you didn’t do your research.”              In the decade or so before I’d arrived, the center’s reputation       as a beacon of justice had taken some hits from reporters who’d       peered behind the façade. In 1995, the Montgomery Advertiser had       been a Pulitzer finalist for a series that documented, among       other things, staffers’ allegations of racial discrimination       within the organization. In Harper’s, Ken Silverstein had       revealed that the center had accumulated an endowment topping a       hundred and twenty million dollars while paying lavish salaries       to its highest-ranking staffers and spending far less than most       nonprofit groups on the work that it claimed to do. The great       Southern journalist John Egerton, writing for The Progressive,       had painted a damning portrait of Dees, the center’s longtime       mastermind, as a “super-salesman and master fundraiser” who       viewed civil-rights work mainly as a marketing tool for bilking       gullible Northern liberals. “We just run our business like a       business,” Dees told Egerton. “Whether you’re selling cakes or       causes, it’s all the same.”              Co-workers stealthily passed along these articles to me—it was a       rite of passage for new staffers, a cautionary heads-up about       what we’d stepped into with our noble intentions. Incoming       female staffers were additionally warned by their new colleagues       about Dees’s reputation for hitting on young women. And the       unchecked power of the lavishly compensated white men at the top       of the organization—Dees and the center’s president, Richard              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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