From: dicksilk@gmail.com   
      
   The scene opens up with the dreamer seated at a park picnic table, the kind   
   often found in public parks where the table and bench are all made from   
   concrete, set into a concrete base, so that the table and (two) benches are   
   fixed and immovable (short of    
   perhaps a MASSIVE lightning strike or a wrecking ball / bulldozer.)   
      
   Starting in first person (analogy coincidental?) "I" was seated at the table,   
   and for relative / directional purposes, facing east, with the benches and   
   table aligned north-to-south, thus, the dreamer was sitting *facing* the   
   table, and the other bench    
   was on the other side of the table.   
      
   "I" was struck by the fact that "I" was stark naked, not a stitch of clothing   
   nor ring, watch, nada, and *somewhat* excited / somewhat curious that "I" was   
   *completely* "aroused" as well.  The "omniscient, narrative mind" was slightly   
   amused at the    
   observation that "I" hadn't felt this *particular* way (about being excited at   
   being naked) since just before or around puberty, when I realized I could "run   
   around the house" naked when no one else was home.   
      
   There was a "re-focusing" on this scene, as more of the surrounding area was   
   "encompassed" in the observation:  This was *very much* like a Tennessee State   
   park such as at the coves set up around Center Hill Lake for boaters / campers   
   / the public.     
   There was even a building off to the dreamer's left, similar to the public   
   restrooms that exist (or used to, at any rate, back when the public was   
   "innocent" (and "decent," NOT like the drug-addled, sometimes violent and/or   
   mentally ill homeless in    
   California or New York of these times / the "Biden installation" / "End of   
   Days.")   
      
   In what was likely a "simple transition," from the bench to the building, "I   
   found myself" ("the dreamer is") inside a building, near an outside wall, with   
   what appears to be a swimming pool (with the typical, surrounding concrete   
   patio area) on the    
   other side of the wall.  In keeping with the layout from the opening scene at   
   the picnic table, this building would (possibly) be what was spotted to the   
   dreamer's left, north of the table.  The dreamer is on the inside (south side)   
   of the northern wall    
   of that building, with the pool area to the north (outside) of that wall.   
      
   What comes next was "curious," bordering upon the "voyeur" side of "sin"—   
   [Editing note:  while using duckduckgo.com to look up the spelling of the word   
   "voyuer" (as I'm far more familiar with the Star Trek show, "Voyager") the   
   first result was "   
   voyeurweb.com" which is *definitely* an "adult" website!]   
      
   There was an adult female lying upon a chaise lounge, presumably getting a sun   
   tan, although the perspective of her body was toes-toward-the-north, which   
   means the entire layout of this "Eden Park" is either:  A) set in the Southern   
   Hemisphere, or B)    
   simply "reversed," as in "real life" (IRL) it would've made MUCH more sense   
   for her toes to have been pointing "south" if set in the Northern Hemisphere,   
   in order to get a "better tan."  Then again, perhaps it was laid out with the   
   building to the south    
   of the pool in order to add a shaded side to the patio area?  [I know, I tend   
   to get "caught up" in "directional orientation," but when conveying a dream,   
   why not at least establish an orientation?  Characteristic of Gina noted from   
   decades past— she    
   once mentioned she prefers to avoid direct sunlight, so as to fade / hide her   
   facial freckles.]   
      
   There was not a direct view of the female's head.  Apparently, the view was   
   being provided by a security (?) camera mounted to the outside of the wall,   
   pointed northward towards the pool, and she had possibly positioned herself   
   there intentionally so    
   that her face was not visible (remind you of anyone?) and the camera was   
   sending its feed to a display panel.  At least, that makes objective sense.    
   In the dream, the vision was simply of the nude female's body (did I forget to   
   mention she was naked?     
   Oh well...) then of the camera (that looked like something out of 1970s   
   photography, with a light-colored, rectangular body and a large, black, round   
   objective lens) mounted using a type of pivotable structure, similar to the   
   way a spotlight swivels on a    
   police car, with a hand-grip control inside the driver's door.  In this case,   
   the camera's positioning control was on the dreamer's side of the wall, and   
   whether or not the dreamer tried to pivot the camera for a better view or not   
   is simply not    
   remembered clearly (if it *were* remembered clearly, I'd have written about it   
   in some type of PG-rated context.)   
      
   For the record, the dreamer and the female on the lounge chair were the only   
   two folk in the dream.  It started at around clarity 10, then went to 9+, then   
   9.   
      
   I wonder if the written story of "Adam and Eve" in the Book of Genesis may   
   have been some "dream journaling" courtesy of Moses?   
      
   PS:  I went to bed last night / woke up pondering the relationship between   
   "Love" and "authority."  This morning, the principle that "Unity includes   
   duality; duality excludes Unity" reminded me that #OnlyLoveCreatesUnity, thus,   
   Love *includes* authority;    
   authority "authors" love.  This has a bit of Biblical correlation, such as   
   biblehub.com/john/5-19.htm but this is the space for dreams, rather than   
   Biblical discussion.   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)