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|    alt.fan.frank-zappa    |    Underappreciated musical genius    |    39,879 messages    |
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|    Message 37,951 of 39,879    |
|    Bil to The old geezer    |
|    Re: If Leonard Nimoy & FZ are being Logi    |
|    27 Feb 15 14:48:36    |
      From: bilh@pd.jaring.my              On Saturday, February 28, 2015 at 1:41:24 AM UTC+8, The old geezer wrote:       > R.I.P Dr. Spock.              From the New York Times:              By Virginia Heffernan              Leonard Nimoy, the sonorous, gaunt-faced actor who won a worshipful global       following as Mr. Spock, the resolutely logical human-alien first officer of       the Starship Enterprise in the television and movie juggernaut "Star Trek,"       died on Friday morning at        his home in the Bel Air section of Los Angeles. He was 83.              His wife, Susan Bay Nimoy, confirmed his death, saying the cause was end-stage       chronic obstructive pulmonary disease.              Mr. Nimoy announced that he had the disease last year, attributing it to years       of smoking, a habit he had given up three decades earlier. He had been       hospitalized earlier in the week.              His artistic pursuits -- poetry, photography and music in addition to acting       -- ranged far beyond the United Federation of Planets, but it was as Mr. Spock       that Mr. Nimoy became a folk hero, bringing to life one of the most indelible       characters of the        last half century: a cerebral, unflappable, pointy-eared Vulcan with a       signature salute and blessing: "Live long and prosper" (from the Vulcan       "Dif-tor heh smusma").              Mr. Nimoy, who was teaching Method acting at his own studio when he was cast       in the original "Star Trek" television series in the mid-1960s, relished       playing outsiders, and he developed what he later admitted was a mystical       identification with Spock, the        lone alien on the starship's bridge.              Yet he also acknowledged ambivalence about being tethered to the character,       expressing it most plainly in the titles of two autobiographies: "I Am Not       Spock," published in 1977, and "I Am Spock," published in 1995.              In the first, he wrote, "In Spock, I finally found the best of both worlds: to       be widely accepted in public approval and yet be able to continue to play the       insulated alien through the Vulcan character."              "Star Trek," which had its premiere on NBC on Sept. 8, 1966, made Mr. Nimoy a       star. Gene Roddenberry, the creator of the franchise, called him "the       conscience of 'Star Trek' " -- an often earnest, sometimes campy show that       employed the distant future (as        well as some primitive special effects by today's standards) to take on social       issues of the 1960s.              His stardom would endure. Though the series was canceled after three seasons       because of low ratings, a cultlike following -- the conference-holding,       costume-wearing Trekkies, or Trekkers (the designation Mr. Nimoy preferred) --       coalesced soon after "Star        Trek" went into syndication.              The fans' devotion only deepened when "Star Trek" was spun off into an       animated show, various new series and an uneven parade of movies starring much       of the original television cast, including -- besides Mr. Nimoy -- William       Shatner (as Capt. James T.        Kirk), DeForest Kelley (Dr. McCoy), George Takei (the helmsman, Sulu), James       Doohan (the chief engineer, Scott), Nichelle Nichols (the chief communications       officer, Uhura) and Walter Koenig (the navigator, Chekov).              When the director J. J. Abrams revived the "Star Trek" film franchise in 2009,       with an all-new cast -- including Zachary Quinto as Spock -- he included a       cameo part for Mr. Nimoy, as an older version of the same character. Mr. Nimoy       also appeared in the        2013 follow-up, "Star Trek Into Darkness."              His zeal to entertain and enlighten reached beyond "Star Trek" and crossed       genres. He had a starring role in the dramatic television series "Mission:       Impossible" and frequently performed onstage, notably as Tevye in "Fiddler on       the Roof." His poetry was        voluminous, and he published books of his photography.              He also directed movies, including two from the "Star Trek" franchise, and       television shows. And he made records, singing pop songs as well as original       songs about "Star Trek," and gave spoken-word performances -- to the delight       of his fans and the        bewilderment of critics.                     But all that was subsidiary to Mr. Spock, the most complex member of the       Enterprise crew, who was both one of the gang and a creature apart engaged at       times in a lonely struggle with his warring racial halves.              In one of his most memorable "Star Trek" performances, Mr. Nimoy tried to       follow in the tradition of two actors he admired, Charles Laughton and Boris       Karloff, who each played a monstrous character -- Quasimodo and the       Frankenstein monster -- who is        transformed by love.              In Episode 24, which was first shown on March 2, 1967, Mr. Spock is indeed       transformed. Under the influence of aphrodisiacal spores he discovers on the       planet Omicron Ceti III, he lets free his human side and announces his love       for Leila Kalomi (Jill        Ireland), a woman he had once known on Earth. In this episode, Mr. Nimoy       brought to Spock's metamorphosis not only warmth, compassion and playfulness,       but also a rarefied concept of alienation.              "I am what I am, Leila," Mr. Spock declares after the spores' effect has worn       off and his emotions are again in check. "And if there are self-made       purgatories, then we all have to live in them. Mine can be no worse than       someone else's."              Born in Boston on March 26, 1931, Leonard Simon Nimoy was the second son of       Max and Dora Nimoy, Ukrainian immigrants and Orthodox Jews. His father worked       as a barber.              From the age of 8, Leonard acted in local productions, winning parts at a       community college, where he performed through his high school years. In 1949,       after taking a summer course at Boston College, he traveled to Hollywood,       though it wasn't until 1951        that he landed small parts in two movies, "Queen for a Day" and "Rhubarb."              He continued to be cast in little-known movies, although he did presciently       play an alien invader in a cult serial called "Zombies of the Stratosphere,"       and in 1961 he had a minor role on an episode of "The Twilight Zone." His       first starring movie role        came in 1952 with "Kid Monk Baroni," in which he played a disfigured Italian       street-gang leader who becomes a boxer.              Mr. Nimoy served in the Army for two years, rising to sergeant and spending 18       months at Fort McPherson in Georgia, where he presided over shows for the       Army's Special Services branch. He also directed and starred as Stanley in the       Atlanta Theater Guild'       s production of "A Streetcar Named Desire" before receiving his final       discharge in November 1955.                     [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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