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|    alt.fan.godzilla    |    Hilarious Japanese monster movies    |    1,975 messages    |
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|    Message 214 of 1,975    |
|    M to All    |
|    Re: The Good, the Bad, the Ugly    |
|    05 Sep 03 17:28:25    |
      XPost: alt.movies.monster       From: xplar@netscape.net              The problem, is Rhindle's opinion reads like he's stating it as fact. Most       is simply opinion - 2nd worse G film he's seen, found the characters       uninteresting, felt the suit looked too much like a dinosaur instead of a       kaiju, didn't like Ghidrah being portrayed as good, found no credibility in       the ending, fight scenes were too manga-like, story was redundant by       focusing on his second appearance, and found G2000 a better film - that is       all opinion based on the dubbed, Sci-Fi print and all are valid as opinion.       Some are issues he has with Kaneko's decisions, others, (like the 2nd       appearance storyline), are not of Kaneko's choosing but of Toho who were       experimenting with different continuities. For Rhindle to attribute that to       Kaneko, means he believes Kaneko had absolute control over the picture and       contradicts what he stated in a later reply. In essence, Rhindle blankly       stated what he didn't like and didn't care who was responsible for it. Fine.       What is not opinion, but actually critique, is his take on the editing.              "The film seemed to be edited by a first-year film school student. Shots       were too long or useless. The director seemed to have no idea how to build       suspense."              To pin Kaneko for suspense problems from an altered cut, shows a complete       lack of knowledge on editing. Simply because Rhindle *did not watch*       Kaneko's version, yet, he's trying to blame him for it. To say scenes are       too long or felt useless is opinion because it's something that can be       argued. But when shots - any full shots - are removed, the pacing of the       film is altered. The more it happens, the greater the change. When       commercial breaks are added, (when none are intended), it also changes the       pace, (whether someone personally understands a commercial break or not is       irrelevant, unless they think the commercial apart of the film). There is       simply no movie that can maintain its intended level of suspense with       commercial breaks, because it is literally a *break* from the film that       allows you to concentrate things other than the movie. It's a forced pause       that detracts, because each scene is supposed to build on the previous in       numerous ways. When you factor in removed shots, a film's tempo is now       totally disrupted.              I found certain scenes linger or don't play well in the subtitled, uncut       version, but that's my opinion as someone who edits and it's completely       subjective. I wouldn't attribute the Sci-Fi airing to anyone actually       involved in the filmmaking process. They had no control over its outcome. If       Kaneko had the choice of commercial interruption or not, I believe he would       have chosen the latter, as well as unedited...and subtitled...and       widescreen.              "Rhindle The Red" |
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