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|    alt.fan.mst3k    |    Mystery Science Theatre 3000    |    377 messages    |
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|    Message 271 of 377    |
|    Joseph Nebus to All    |
|    MiSTed: The Tale of Fatty Coon, Part I (    |
|    31 Dec 16 08:27:27    |
      XPost: rec.arts.tv.mst3k.misc, alt.tv.mst3k       From: nebusj-@-rpi-.edu              [ SEASON TEN opening. ]              [ 1... 2... 3... 4... 5... 6... ]              [ SATELLITE OF LOVE. TOM is reading a newspaper and chuckling as MIKE and       CROW enter. ]              TOM: Hee heee!       MIKE: What's up there, Thomas?       CROW: He finally noticed they print the 'Jumble' answers upside-down.       TOM: I'm now a happy subscriber to the Ironic Comics page.              [ MIKE takes the paper from TOM's hands. CROW peeks at a corner, letting the       paper flap over his beak. ]              TOM: 'Beetle Bailey' as Wagnerian opera! Fred Basset portrayed by a very       long duck! 'The Lockhorns' with neither lock nor horn!       MIKE: Hey, I like this Clip-Art 'Cathy'. She married Irving Berlin.       CROW: Wait, this is just 'Henry'. What's ironic about that?       TOM: What's *not* ironic about 'Henry'?              [ MADS sign flashes. ]              MIKE: Ahp. Agatha Crumm is calling.                     [ CASTLE FORRESTER. PEARL, PROFESSOR BOBO, and the OBSERVER are at a table. ]              OBSERVER: I love 'For Better Or For Worse, And It Turns Out, Worse.' [ To       PEARL's withering indifference. ] It puts at the end of every strip Anthony       whining how 'I have no home!'       PEARL: OK, Mark Trail. We've tried everything to break your spirits.        We've tried bad movies.       BOBO: We've tried telephones!       PEARL: We've tried fan fiction.       OBSERVER: We've tried advertisements!       PEARL: We've tried the most Ruby-Spearsish Hanna-Barbera Christmas specials!       BOBO: I love that one with Goober and Gumdrop!       OBSERVER: Now let's try ... young-reader animal fantasy!       PEARL: Your experiment for today is the first five chapters of Arthur Scott       Bailey's 1915 piece of ouvre _The Tale of Fatty Coon_.       BOBO: See if you learn something special from all this adorable animal       fantasy!                     [ SATELLITE OF LOVE. MOVIE SIGN and general chaos. ]              MIKE: Oh, no! Animal fantasy!       TOM, CROW: AAAAGH!                     [ 6... 5... 4... 3... 2... 1.. ]              [ THEATER. ALL file in. ]              > SLEEPY-TIME TALES              TOM: So ... uh ... good night?              > THE TALE OF FATTY COON              CROW: From Buster Keaton through learning there *is* such a thing as bad       publicity.              > BY ARTHUR SCOTT BAILEY              TOM: o/` Arthur was born just a plain simple man o/`              > ILLUSTRATED BY HARRY L. SMITH       > NEW YORK              MIKE: Illustrated by Harry L Smith and the New York dancers!              >       > 1915              > I       >       > FATTY COON AT HOME              TOM: Just sitting around the home ...              >       > Fatty Coon was so fat and round              CROW: Oh come *on*.       MIKE: Man, 1915 and they're ahead of our lead joke.              > that he looked like a ball of       > fur, with a plumelike tail for a handle. But if you looked at him       > closely you would have seen a pair of very bright eyes watching you.              CROW: From the tail?       TOM: Raccoons can see very well through their handles.              >       > Fatty loved to eat.              CROW: And that's all the personality he'll need!       MIKE: Pretty much all the personality I have.              > Yes---he loved eating better than anything       > else in the world. That was what made him so fat.              TOM: 'I'm getting ready to hibernate for winter!'       CROW: 'It's May.'       TOM: 'I don't want to get caught by surprise.'              > And that, too, was       > what led him into many adventures.              CROW: Like the adventure of Waffle House At 3 am.       MIKE: Taking his life and his maple syrup into his own paws.              >       > Close by a swamp, which lay down in the valley, between Blue       > Mountain and Swift River,              TOM: Burger King on the right and if you come to the old middle school       you've gone too far.              > Fatty Coon lived with his mother and his       > brother and his two sisters.              CROW: And his mayonnaise.              > Among them all there was what grown       > people call "a strong family resemblance," which is the same thing as       > saying that they all looked very much alike.              TOM: What, because all raccoons look the same to you?              > The tail of each one of       > them---mother and children too---had six black rings around it. Each of       > them had a dark brown patch of fur across the face, like a mask.              MIKE: _Clonus: The Ranger Rick Project_.              > And---what do you think?---each of them, even Fatty and his brother and       > his sisters, had a stiff, white moustache!              CROW: This is getting near body shaming, Mister Arthur Scott Bailey.              >       > Of course, though they all looked so much alike, you would       > have known which was Mrs. Coon, for she was so much bigger than her       > children.              TOM: And she had that ISO 9000 consulting job for Lockheed.              > And you would have known which was Fatty---he was so much       > rounder than his brother and his sisters.              CROW: And he had a bear claw in his mouth.       MIKE: The pastry?       CROW: We'll see.              >       > Mrs. Coon's home was in the hollow branch of an old tree.              TOM: They were the first wave of gentrification moving in.       MIKE: Classic cycle. Starving artists, hipsters, raccoons, rents go up.              > It       > was a giant of a tree---a poplar close by a brook which ran into the       > swamp---and the branch which was Mrs. Coon's home was as big as most       > tree-trunks are.              MIKE: Look, it's a tree, all right? I'm Arthur Scott Bailey, I got       bigger fish to fry than specifying poplar trees.              >       > Blackie was Fatty's brother---for the mask on his face was just       > a little darker than the others'.              TOM: *Blackie* Coon?       MIKE: Oh dear Lord.              > Fluffy was one of Fatty's sisters,       > because her fur was just a little fluffier than the other children's.              TOM: *Fluffy* Coon?       CROW: When Andrew WK visits Anthrocon?              > And Cutey was the other sister's name, because she was so quaint.              TOM: I feel like I need to apologize and I don't even know who to.              >       > Now, Fatty Coon was forever looking around for something to       > eat.              MIKE: 'Here's a thing!' (Gulp)       TOM: 'That's a vase!'       MIKE: Needs honey mustard.'              > He was never satisfied with what his mother brought home for him.              CROW: 'Crawdads and berries *again*?'       MIKE: 'No, this is berries and Crawdads.'              > No matter how big a dinner Mrs. Coon set before her family, as soon as       > he had finished eating his share Fatty would wipe his white moustache       > carefully---for all the world like some old gentleman---and hurry off in       > search of something more.              MIKE: 'Fatty, that's a rock.'       CROW: 'That's a rock with ranch dressing.'              >       > Sometimes he went to the edge of the brook and tried to catch       > fish by hooking them out of the water with his sharp claws.              TOM: 'Best case scenario, I catch a snack. Worst case, I touch a goldfish.        Either way, a win!'              > Sometimes       > he went over to the swamp and hunted for duck among the tall reeds.                     [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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