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|    alt.music.makers.soloact    |    The fun of being a one-man-band    |    1,456 messages    |
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|    Message 1,140 of 1,456    |
|    Ouisie to JimD    |
|    Re: I'm actually angry today.    |
|    16 Sep 18 11:51:51    |
      From: someone@anywheret.net              "JimD" wrote in message news:201809140101571804-email@nowherecom...              > Beats me. She makes no sense. If I crank the system at rehearsal, she       > gets all upset. So it's not really a " volume " thing. I really,       > seriously, can't figure out what she wants. If I could, I would have       > solved this long ago.              It seems that she doesn't know either, and that this problem is a relatively       recent one.              > Today, we had a rehearsal, just her and I, and to demonstrate how loud we       > have been playing onstage, I brough the system up to our stage levels.       > It's digital, I can look at the meters and do that. 110 db peak, average       > in the high 90's to low 100 range. Yep, that's just exactly where I       > thought we were. And it took me about half an hour to get my hearing back       > to usable so we would work on new tunes. Yet we play entire gigs at that       > level .....              Further damage to hearing.              > Actually, we had a productive day. Together we looked at a few videos on       > mixing and levels. The preferred level in a pro studio is such that you       > can TALK over the music, at conversational levels. If that's the case,       > and it is, then why are we rehearsing in the 90db range and playing out at       > 110db on the stage ? Because SOMEONE in the band is an idiot. Maybe more       > than one someone.              It's not worth going deaf over!              > We both agree that getting our loud drummer to back off the volume is       > hopeless.              You could always put him in a cage ;)              > She says her hearing is fine, and that she's had it checked in the last       > few years. Clearly, it isn't.              Not much of surprise there.              > Or, she's just very use to having the onstage level blaring, and she can't       > adjust to that not being there.              But that results in being used to not hearing very well as a result of       hearing loss.              > We did talk about the in ears some. She didn't bring her's today, so no       > trying them. What she is afraid of there is that, since we can't get the       > drummer to let up, she'll turn the in ears up and damage her hearing.       > That makes no sense to me. I won't turn mine up in any case, certainly not       > to mask drums.              A plexiglas cage would help.              > The SHURE 215's only block 25 or so db of outside sound. So, drummer       > hovering at 110,120 .... put the in ears in ... you get 85 to 90 db of       > acoustic bleed thru. To hear over that, she'll be running the signal in       > the 215's at 100 or more db. That scares her.              I wasn't aware IEMs could be cranked to hearing damaging levels.              > And those numbers are about right. I've tried using them early on with       > this crew, about 2 years back, and guess what ? The in ears won't go       > loud enough to hear.              Probably some lawyer circuit to limit hearing damaging levels.              > Yep, in my ear, maxed out, I can't hear the signal over the stage level.       > Because the Shure 215's only go to 107db, according to how I read the spec       > sheet.              That should be more than Plenty loud!              > So how do I expect them to work ? Why do I want her to try them ?       > Maybe just to prove that they wont, and just how loud our stage level is.       > Only then, do I hope she'll go along with doing whatever it takes to drop       > the levels. And that means get the drummer to let up, or else       .........              It's a simple engineering situation, and solution, and life is too short to       deal with those who want to make it any more than that...it only wastes       precious time, and Hearing!              > I thought about that. Talked to her this week. I've tried that before,       > for myself, in other bands. It would work if you had a big enough       > monitor.              I don't care to have to stick things in my ears, or do anything else because       of IDIOTS!!!       IDIOTS are Unnecessary, and They should be the ones to go!!!              > Turns out we do. She has a nice Yamaha floor wedge. We may use that this       > weekend. Problem is, this goes back to the same problem. Put a monitor       > there, turn it up loud enough to be clearly heard, and guess what ? The       > drummer will just play louder yet. How do I know this ? We've already       > tried it.              Those floor wedges can be pretty powerful - better to turn down instead!              > What did work once was we use the in ears, and get the drums far enough       > away that the in ears will work. Did that one time. Don't recall       > exactly, but I seem to remember wife was playing that gig, on her       > electronic drums ... so no stage level issues at all.              That's it, electronic drums - unless those are cranked up too.              > We're gonna try them this week at an outdoor concert we're playing.       > Maybe. Maybe in the end we'll just use some wedges. I dunno. This is       > wearing me out.              I'm sure of that, over and over and over ad infinitum ad nauseam.              > On another, more interesting point. A lady at our duo yesterday ask band       > girl after the show if she was really singing ? Lady said we sounded so       > good, she suspected that we weren't actually singing ( or playing ) but       > rather that we were just miming to the records.              That's disgusting! I'd be offended!              > Get that ? We sound so good, so much better than they expect live music       > to be, that some people don't believe we're actually playing and singing ?              You think that's something, wait until you get into Originals - they won't       believe what they're hearing, because it's probably been literally Decades       since they've heard FRESH MUSIC!!!              > And yet, on top of that, band girls ex musician buddies are beating her       > down telling her how bad our out front mix is.              Psychological Warfare is effective Only if the intended Victims/Targets GO       ALONG WITH IT!!!              > It's a crazy world. I have some good thoughts on this, but it's late. More       > tomorrow.                     JimD              It's the endless rehashing that makes it really Crazy!              Ouisie              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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