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|    alt.music.makers.soloact    |    The fun of being a one-man-band    |    1,456 messages    |
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|    Message 151 of 1,456    |
|    Tristan Bourdeau de Fontenay to All    |
|    Punk trio MARY & THE IMMACULATE REJECTIO    |
|    02 Nov 15 08:29:14    |
      From: sunofmusic@gmail.com              In the early days, punk rock was many things: loud, fast, unrefined,       rebellious and obnoxious, all in defiance of what was popular at the time.       While that influence has never entirely faded, 2015 sees few bands embrace the       gospel of the Germs or the        Cramps quite as dearly as Mary & the Immaculate Rejections.              Singer/guitarist Mary Lemanski started her professional music career at age       11, playing the pipe organ, of all things. Since then, she's released multiple       albums' worth of original music online, placing in various songwriting       contests and earning        showcases all over the country for her works in various genres. And all the       subtlety and nuance she's spent the last 16 years mastering are promptly       thrown out the window from the time the first buzzsaw guitar roars through the       speakers on her band's new        EP.              Actually, "You're My #1," muscular riffing aside, is a very sweet love song,       showing kinship with The Damned's undeniable sense of both melody and harmony.       The sweetness of the opener leads nicely into the PG-lechery of "Stoplight       Romance," a Fleshtones-       inspired romp about the fun of flirtation.              But it's with "Telemarketing Song" that Lemanski's sardonic side comes out. "I       hate people / 'cuz people suck" she helpfully explains during the song's       chorus, and it's not at first clear which end of a telemarketing call she's       speaking from. While the        song may end on a positive note, it's a delightfully snotty singalong and sets       up the EP's three final tracks.              "Living Free" is equal parts bittersweet remembrance of a past relationship       and winking self-deprecation. "Not cool then and still not now / It's just       emo," Lemanski drolly intones as bass and drums send the song into a       swing-beat breakdown. "Just like        me, not cool then, not cool now."              Finally, "All I Need Is Myself" closes the album on a defiant, aggressive       note. "You think you're something," Lemanski spits, "But       I'd rather be all alone / than spend more time with you." The song oozes       classic punk rock attitude and panche, and when the vocal slides off pitch in       the last chorus, it's the icing on the cake.              With Lemanski having opened for the likes of Marky Ramone & the Speed Kings,       D.I., Val Emmich, and Rev. Norb & The Onions, and bassist Harold Bertolis and       drummer Andy Trello having served as the powerhouse rhythm section from       Springfield bands Rotten        Monster and The Stifs, both Mary and her Immaculate Rejections are no       strangers to the stage. On November 14, they will hold an EP release show at       Springfield's suitably grimy Black Sheep Cafe, bringing the full weight of       decades of obnoxiously catchy        rebellion onto their audience. Lemanski will also do a solo electric       performance in Chicago at Elbo Room the following evening.              SAT 11/14 @ Black Sheep Cafe, 1320 S. 11th Street (Springfield, IL)       Mary & The Immaculate Rejections (EP release show)       with SAP, Los Injectors and Rotten Monster       7pm // $5              SUN 11/15 @ Elbo Room, 2871 N. Lincoln (Chicago, IL)       Mary Lemanski solo set       7pm // $9              SAT 11/28 @ Eagle's Club, 1035 N Vanderbraak Rd. (Green Bay, WI)       Rev. Norb and the Onions, Mary & The Immaculate Rejections, Phylums, Beach       Patrol, Sons of Kong, Urban Descent.       7pm // $6              Website: http://www.immaculaterejections.com       Music: http://www.dragndropbuilder.com/uploads/3/5/7/0/3570052/0       _youre_my_1.mp3              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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