From: sunofmusic@gmail.com   
      
   Killer Tracks, one of the world's leading producers of pre-cleared production   
   music, is introducing two new labels to the U.S. production market featuring   
   the work of some of the best up-and-coming music talent from the UK and beyond.   
      
   BLOCK, created in partnership with renowned urban and hip-hop management firm   
   London Boy Entertainment and launched in the UK by Universal Publishing   
   Production Music, draws on the urban scenes in England and the United States   
   to produce hip-hop flavored    
   tracks crafted for television, film, radio and advertising. The label's   
   initial plans are for a series of releases featuring work from artists on the   
   LBE roster including Tiago, Alan Sampson, ADB and Charles Drew.   
      
   Sound Pocket Music was created by a team of top British music supervisors with   
   deep experience in television, independent film and advertising. Its releases   
   feature specially commissioned tracks spanning a range of genres and styles   
   including orchestral,    
   cinematic, acoustic, pop, electronica and emotional. Soundtrack    
   omposers/producers on its roster include Aaron Wheeler (Being Human), Louise   
   Dowd (The Chatroom), Sam Hooper (The Fallen), Ben Parsons (Kings of the Wild),   
   Lennert Busch (Room 8) and    
   Stephen McKeon (The Clinic).   
      
   "We are very excited to bring these two labels to the U.S. as each represents   
   a slate of artists who are pushing boundaries and creating new sounds," said   
   Andrew Donahue, Killer Tracks Director of Marketing. "BLOCK is a great source   
   for authentic, high    
   quality urban beats. Their writers are working with high profile recording   
   artists and labels around the world. Sound Pocket represents talented, young   
   British music supervisors and composers who bring fresh energy, and know how   
   to write for the screen."   
      
   LBE Managing Director Sef Naqui calls the partnership with Killer Tracks an   
   opportunity to introduce the label's artists to storytellers worldwide. "It   
   creates the potential for great media coverage for our incredible artists," he   
   says. "And for Killer    
   Tracks clients, it means access to music from the next big urban artists   
   before they break."   
      
   Killer Tracks has enjoyed tremendous success in introducing independent labels   
   to the U.S. production music market. Last year, it launched Volta Music, a   
   boutique trailer music label that has generated music placements in the   
   Showtime series Billions,    
   ads for ICON Motorsports, Universal Studios' Halloween Horror Nights, and the   
   video game WWE2K.   
      
   Killer Tracks will be showcasing new releases from BLOCK, Sound Pocket Music   
   and the rest of its premium catalog at NAB (Booth SL 7616) April 18-21 in Las   
   Vegas. On April 20 at 3 p.m. and 4 p.m., Blue-eyed soul singer Luke McMaster   
   will also give a    
   special live performance at the Killer Tracks booth showcasing songs from his   
   album, I Feel Alive, the latest release in Killer Tracks' groundbreaking   
   Artists Series.   
      
   About Killer Tracks   
   Killer Tracks is a global source for pre-cleared music for film, television,   
   advertising and interactive media. With more than 2,700 active albums from 37   
   global libraries, the Killer Tracks catalog spans every genre and features   
   original works from some    
   of the music industry's most innovative composers, artists and producers. The   
   premium catalog is continuously enhanced with exclusive recordings and new   
   music updates. Friendly, knowledgeable support is always available through a   
   dedicated team of music    
   search specialists and licensing experts. When music matters, rely on the   
   production music experts at Killer Tracks.   
      
   For more information, visit www.killertracks.com or follow @killertracks on   
   Twitter and Instagram.   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)