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|    Message 1,005 of 1,887    |
|    Hugh Jassman to All    |
|    Rhyme Torrents Discs 1 and 2 - Reviews (    |
|    31 Jul 06 01:32:33    |
      XPost: rec.music.hip-hop.nerdcore, alt.rap, alt.rap.highc       XPost: rec.music.alternative, alt.mp3, alt.flame       XPost: alt.rock-n-roll.metal.death, alt.nerd.obsessive, alt.os.linux       From: jasonzc@yahoo.com              Ah, Rhyme Torrents, the nerdcore hip-hop compilation CD project. I'm the       guy who put it together, but I don't think that should stop me from       reviewing it. In fact, it would probably give people an idea of why I       used the tracks I used, and also allow me to give some constructive       feedback in a somewhat objective manner. After all, no one has more       insight into the process than I.              This first disc is a bit "name" heavy, I feel. I wish I had been able to       spread these tracks more evenly over the first two discs, but I wanted to       give the early adopters the first slots. Still, time constraints, late       entries and other factors disrupted even that plan. Mainly because I lost       track of who signed on first when things began to get most hectic on the       announced day of release.              0. MC Frontalot with Baddd Spellah - "Nerdcore Hip-Hop 2006". This song       was a natural for inclusion. An entirely new remix of the song that       started it all. It hits so damn hard with Spellah's beat, I've almost       forgotten about the original, and the first remix. This is the defacto       standard for nerdcore. Front's rhymes are still fresh some six years       after the fact, and his MC persona shines through, complimenting the       backing track perfectly. Few of us will ever write a track this perfect       in our lives. The new mix includes moonshine jugs and slide whistles, and       even the addition of some six seconds of new Frontalot. ; ) Consider it a       teaser for his next CD, which promises to be a monster. A new track would       have been nice, true, but he was on tour at the time. Support him by       buying his CDs, shirts and going to shows, and you're assured a steady       flow of new tracks.              1. YTcracker - "White Warrior (Chris Diss)" If I didn't have the       Frontalot track to open the CD with, I would have gone with this. It is       the most scathing attack on MC Chris that you could imagine. YT flips the       Robotussin beat coupled with a little Gauntlet tie-in. Lyrically, he       emasculates Chris, pointing out that his fame comes mainly from his       Cartoon Network relationship rather than any extraordinary rhyme skills,       he sounds like a damn woman, and he's a bit of a poseur, overall. This       track is hard, and I kept it a secret for as long as I could, knowing       that so many Rhyme Torrents artists are MC Chris fans. Or, were, at       least. Many people were a bit perturbed by Chris's refusal to participate       in the project, or even respond to any email on the subject, instead       electing to have his lawyer or manager reply, asking for money. Way to       shoot your foot off, Chris. In true hip-hop style, YT climbed to the top       over the corpse of a former top dog. Lots of geek cred in this one,       including a few references to YT's somewhat legendary hacking skills.              2. Benjamin Bear - "Interlude" I probably shouldn't have placed this       track where I did, as it really sort of disrupts the musical flow early       on. Oh, well. Consider it a palate cleanser. It's a sharp jab at WoW       obsessives and the like, or as Futuristix Sex Robotz would say "internet       teenagers pretending to be gangster ass players". He even manages a       perfect Mike Myers imitation near the end. This is just a preview of how       cool Benjamin Bear is, with a mix of his street cred style coupled with       intimate geek knowledge.              3. Oddioblender - "Zombie Panic" This space was originally Odd's       "Gustuf's Blues", but he and I decided to move that to disc two, and       substitute this track instead. Mainly because so many people seem really       uptight as to what qualifies as 'nerdcore', and the whining hurts my       ears. Having said that, I'm glad we did it. It's a bass-heavy, ominous       track that really suits the theme of the lyrics, which should be obvious       based on the title. He's a hell of a producer that's starting to make       beats for all sorts of NCHH artists, and also a solid lyricist/MC in his       own right. The overall track and flow propel you forward with an actual       sense of tension and panic, which is a sign of good songwriting, I'd say.       The chorus is another bit of cleverness, as it's an emergency broadcast       riff that compliments the rest of the track well. Very much written like       a well-made Zombie video game. I'd like to hear more of this type of       track from Oddioblender.              4. Ham-STAR - "Off The Wheel" Ham-STAR really evokes a reaction from       listeners. People either dig it or loathe it. I think he's one of the       best lyricists on the discs. Working within the rapping hamster genre       (how nerdcore is that?), he weaves a tale of geeks finding their true       calling by abandoning their daily grind cubicle slave positions. It's       inspiring stuff, very original, and it's not just talk. Ham-STAR is       living the life. Instrumentally, the piano is nice, but the track does       lack a little 'oomph' in the production department. Still, it fits the       overall theme and style of Ham-STAR's work. Aside from the lyrics,       another stand-out part of the track is the sung chorus. And as for his       voice, if nerdcore is cool with men who sounds like ten year old girls,       girls who sound like ten year old boys, and crippled voice synthesizer       MCs, there is definitely room for a Ham-STAR in the pantheon of nerdcore       artists.              5. Beefy - "Tub of Tabasco" Beefy ended up being a huge disappointment.       He seems to entirely regret his involvement with the compilation, which       is a shame. Eh, he's pretty young, so I guess I shouldn't be bothered so       much. At any rate, this is a great track, better than anything he's ever       done before. It has a great backing track by Doc Popular, which is very       driving and varied. Lyrically, like all Beefy tracks, it's about himself       and his nerdcore cred. He's a peculiar beast, as he swings wildly from       low self-esteem to overestimating his importance in the scheme of things.       I guess one attitude is nerdcore and the other is hip-hop, so it's almost       logical, if a bit schizophrenic. The breakdown in the middle is a real       treat, with Beefy and his roommate/cohort attempting to rob a comic book       shop. In fact, Jones nearly steals the show with just a few spoken lines.       I hope he appears on more tracks. The chorus is perhaps used a few times       too many for my taste, but it's so damn catchy that you don't really       notice. He varies his delivery a lot, and manages to create a real       standout track, personality issues aside. It will be interesting to see       how he matures, musically, and as an individual.              6. Ultraklystron - "Five to Nine" This cat is so damn talented, it freaks       me out. His work is so melodic and catchy, I'm constantly blown away.       He's a very unlikely MC, maybe even for nerdcore. He's an anime fan with       press credentials, a cosplayer who's constantly surrounded by very hot       women, and a bit of a dandy. Effete, erudite, there are probably other       descriptors that begin with E that fit. He's just so damn fly as a       songwriter and as a rapper. I mean, sure he would get his ass kicked in       the hood if he came with this style, but this is nerdcore. Most of these              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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