Forums before death by AOL, social media and spammers... "We can't have nice things"
|    alt.music.rush    |    Meh I think a tad overrated but okay...    |    1,606 messages    |
[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]
|    Message 1,048 of 1,606    |
|    fpjesus2000@gmail.com to Le Chevalier Blanc    |
|    Re: Time Signatures    |
|    22 Apr 15 12:05:17    |
      On Thursday, July 23, 1992 at 11:32:44 PM UTC+1, Le Chevalier Blanc wrote:       > I've been thinking about this for a while and wanted to get use the        > net's vast array of knowledge to answer the question(s):       >        > Which Rush song has the most time signature changes in it?       > Which Rush song has the most unique time signatures in it?       >        > I'm thinking of complete time signatures, not riffs or solos (for        > example, the guitar/bass/drum run at the beginning of YYZ wouldn't        > count, but the intro would).        >        > Examples of songs that change often are Limelight, Losin' It, and        > The Camera Eye. e.g. Losin' it starts in 5/4, moves to 4/4, back        > to 5/4, 4/4, the solo is in 11/8 and the end of the solo slips into       > 6/8. Limelight hops between 4/4, 7/4, 6/8, etc...       >        > -Dave Easter       >        > --        > David J. Easter ) ...!uunet!altos!deaster | deaster@altos.COM (Honarary       Weasel)       > Support Engineer) "Chivalry is not dead, it's just paralyzed from the neck       up."       > Altos Computers ) Disclaimer: mine, mine, mine; get, get, get; mine, mine       mine!       > "Sadder still to watch it die than never to have known it." -Rush `Losing It`              īThe Camera Eye 10/8 then 11/8 then 12/8 then back to 11/8              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]
(c) 1994, bbs@darkrealms.ca