From: anticreep12081970@gmail.com   
      
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   KENNETH MARTIN DOLAN WANTS DECLARED PUBLICLY THE ARTISTS LISTED AND   
   POLITICIANS LIKE THE BUSH AND GORE FAMILIES AND KENNETH MARTIN DOLAN AND THOSE   
   ON SOVIET UNION BLACKLISTS AS DISSIDENTS OF THE AMERICAN SOVIET UNION:   
   #######   
   KENNETH MARTIN DOLAN IN THE 1980'S BECAME FAN OF MUSICIANS LIKE STYX AND U2   
   AND THE POLICE BECAUSE THEY SUPPORT DISSIDENTS OF THE SOVIET UNION:   
      
   THE MUSICIANS OF "U2" THE MUSICAL GROUP BE ARE STRICTLY ANTI-COMMUNISM SINCE   
   AT LEAST 1976. INFESTED AND INFILTRATED LEGION AND COUNTERTERRORISM ARE NOT   
   ANTI-COMMUNISM.   
   ".…..Razumkov resorted to numerous absurd fabrications, as he deciphered   
   Kiss as    
   “Kinder SS,” chided The Village People with allegedly asserting American   
   racial    
   superiority, and even charged B-52, U2, and Prince with advocacy of nuclear   
   war and the    
   extermination of the Soviet nation...."   
   "....(page number) 39....   
   insisting that AC/DC’s “Back in Black” served as an official anthem of   
   the “Nazi Party    
   of America,” claiming that Kiss quoted Goebbels during show-opening   
   announcements,    
   accusing the leftist 60s rockers MC5 of anti-Communism, and attributing Blue   
   Oyster    
   Cult and Judas Priest with displaying swastikas and Third Reich banners on   
   stage.   
   16   
   Sobesednik further stuck to its credo of libel in its 1986 answer to a similar   
   letter    
   from a group of Dneprodzerzhinsk students, this time charging a Ukrainian   
   Komsomol    
   Central Committee executive officer Alexander Razumkov with the task. The   
   resulting    
   article bore all traits of propaganda, as defined by the Institute for   
   Propaganda Analysis,    
   including name-calling, glittering generalities, transfer, testimonial, the   
   card-stacking,    
   and the band-wagon, as he called to the consciousness of the “plain folks”   
   to resist what    
   he described as “mass bourgeois culture” that was “indivisible from   
   ideology.”17   
   Razumkov injected his response with an overdose of pseudo-patriotic pathos,   
   wondering   
   “why didn’t a fifth-grader’s hand tremble, when he stuck an AC/DC pin   
   next to his    
   Pioneer’s red bonnet, when that band’s song “Back in Black” became the   
   USA Nazi    
   Party’s anthem in 1980,” and charging many of Western artists with   
   “dirty propaganda of    
   anti-communism, cruelty, violence, and perversion.”18 The author shamed the   
   youngsters    
   into rejection of the “openly fascist” Western music and culture by   
   evoking the sacrifices    
   of the Soviet people during the country’s heroic struggle against the Third   
   Reich.    
   Keeping up with the hardline propaganda’s strategy of exaggerating and   
   perverting the    
   facts, Razumkov resorted to numerous absurd fabrications, as he deciphered   
   Kiss as    
   “Kinder SS,” chided The Village People with allegedly asserting American   
   racial    
   superiority, and even charged B-52, U2, and Prince with advocacy of nuclear   
   war and the    
   extermination of the Soviet nation.   
   19 Most of these and other disparaging examples..."   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)