From: INVALID_SEE_SIG@example.com.invalid   
      
   This is a big one for me. Back in the late 80's / early 90's, this guy   
   and Christopher Hogwood led the "original instruments" revolution in   
   classical music. (Hogwood died in 2014 at age 73.) I was one of the   
   weirdos whose imagination it captured. At the same time, I got hugely   
   into Paul Badura-Skoda, who played early 19-century music on early   
   19th-century pianofortes that he restored himself.   
      
   The movement called for strict adherence to tempi, valveless horns[1],   
   skin drumheads, gut strings. It didn't always work 100% -- the   
   Norrington recording of the Beethoven piano concertos with Melvyn Tan   
   (a fine pianist) are more annoying than illuminating because the solo   
   instrument just plain sounds kind of bad. But when it worked, holy   
   crap. It was like hearing the Eroica again for the first time.   
      
   [1] I have attended a couple of such concerts, and you can see the   
       horn players dissasembling and reassembling their horns between   
       movements because it's the only way they can shift keys.   
      
   The movement has faded for sure, but my personal friend John   
   Gardiner[2] is still out there with his orchestra carrying on the   
   tradition with excellent results.   
      
   [2] Well, I said hello to him that one time, and he said hello back.   
      
   Anyway, RIP. Here is a pretty good appreciation:   
      
   https://www.classicfm.com/music-news/sir-roger-norrington-has-died-aged-91/   
   --   
     _+_ From the catapult of |If anyone objects to any statement I make, I am   
   _|70|___:)=}- J.D. Baldwin |quite prepared not only to retract it, but also   
   \      /  baldwin@panix.com|to deny under oath that I ever made it.-T. Lehrer   
   ***~~~~----------------------------------------------------------------------   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)