From: stiegdyan@gmail.com   
      
   Cute is one of the great tracks from the Basie band of the 1950s, and one of a   
   series written and arranged for the band by Neal Hefti for the Count Basie   
   Band. This is the original stock arrangement as published in 1958 and not the   
   exact arrangement as    
   recorded on the Atomic Basie album. This makes a nice show spot for your   
   drummer. There is not a full score with this arrangement, though a Conductor   
   lead sheet is included. A great tune, and classic Basie! The mp3 is courtesy   
   of The Strayhorns.Ranges:   
   Trumpets 1-4 Gb5, F5, F5, F5 Trombones 1-4 Fb4, E4, Eb4, Eb4.   
      
      
    Bunny Berigan :"I love music but I hate the music business".    
    Rowland Bernart Berrigan. Born Nov 2, 1908 in Hilbert, WI. Died Jun 2, 1942   
   in New York, NY.   
    Bunny Berigan, during 1935-1939, was arguably the top trumpeter in jazz (with   
   his main competition being Louis Armstrong and Roy Eldridge). Blessed with a   
   beautiful tone and a wide range (Berigan's low notes could be as memorable as   
   his upper-register    
   shouts), Berigan brought excitement to every session he appeared on. He was   
   not afraid to take chances during his solos and could be a bit reckless, but   
   Berigan's successes and occasional failures were always colorful to hear, at   
   least until he drank it    
   all away.   
    Bunny Berigan played in local bands and then college groups in the Midwest.   
   He tried out for Hal Kemp's orchestra unsuccessfully in 1928 (rejected because   
   of his thin tone, remarkably) but showed tremendous improvement by 1930 when   
   he was hired. After a    
   few recordings and a trip to Europe, Berigan joined Fred Rich's CBS studio   
   band in 1931, where (except for a few months with Paul Whiteman) he would   
   remain up to 1935. Berigan soon gained a strong reputation as a hot jazz   
   soloist and he appeared on quite    
   a few records with studio bands, the Boswell Sisters, and the Dorsey Brothers.   
   In 1935, he spent a few months with Benny Goodman's orchestra, but that was   
   enough to launch the swing era. Berigan had classic solos on Goodman's first   
   two hit records ("King    
   Porter Stomp" and "Sometimes I'm Happy") and was with B.G. as he went on his   
   historic tour out West, climaxing in the near riot at the Palomar Ballroom in   
   Los Angeles.   
    Berigan soon returned to the more lucrative studio scene, making his only   
   film appearance in 1936 with Fred Rich. In 1937, he joined Tommy Dorsey's band   
   and was once again largely responsible for two hits: "Marie" and "Song of   
   India." Berigan's solos on    
   these tunes became so famous that in future years Dorsey had them written out   
   and orchestrated for the full trumpet section. After leaving Dorsey, Bunny   
   Berigan finally put together his own orchestra. He scored early on with his   
   biggest hit, "I Can't Get    
   Started." With Georgie Auld on tenor and Buddy Rich on drums, Berigan had a   
   potentially strong band. Unfortunately, he was already an alcoholic and a   
   reluctant businessman. By 1939, there had been many lost opportunities and the   
   following year Berigan (   
   who was bankrupt) was forced to break up his band. He re-joined Tommy Dorsey   
   for a few months but never stopped drinking and was not happy being a sideman   
   again. Soon Berigan formed a new orchestra, but his health began declining,   
   and on June 2, 1942, he    
   died when he was just 33. What would this brilliant swing trumpeter have done   
   in the bop era?   
    Bunny Berigan's life is definitively profiled in Robert Dupuis' book Elusive   
   Legend of Jazz. — Scott Yanow, All Music Guide   
      
   Cute count basie full score pdf   
   Download File https://tinurll.com/2wH3Pj   
      
      
    eebf2c3492   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)