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|    Message 200 of 1,366    |
|    Traudel to All    |
|    March 9th - St. Catherine of Bologna (1/    |
|    09 Mar 08 12:19:36    |
      From: richarra@gmail.com              March 9th - St. Catherine of Bologna, Poor Clare V (RM)        (also known as Catherine de'Vigri)              Born in Bologna, Italy, September 8, 1413; died there on March 9, 1463; name       added to the Roman Martyrology by Clement VIII in 1592; canonized 1712 by       Clement XI; bull of canonization published by Benedict XIII in 1724.              At age 11, the patrician Catherine de'Vigri became lady-in-waiting to       Margherita d'Este at the ducal court of Nicholas III d'Este at Ferrara,       where she was given a good education. After Margherita's wedding, Catherine       (age 13) joined a sisterhood of virgins in Ferrara, who lived according to       the rule of the Franciscan tertiaries. Largely as a result of her efforts,       this company formed itself into a convent of Poor Clares.              In 1432 Catherine took solemn vows and soon became mistress of novices. In       1456, she traveled to Bologna to oversee the building of the Poor Clares'       Corpus Christi Convent and became abbess of the new foundation. She was an       effective novice mistress and superioress. Catherine's incredible zeal and       solitude for the souls of sinners made her pour forth unceasing prayers and       tears for their salvation.              From an early age Catherine was subject to visions, some of which from their       nature and effects she judged to be diabolical temptations, while others       were consolatory and for her good. One Christmas she had a vision of the       Blessed Virgin with the infant Jesus in her arms, which is reproduced often       in art since.              The learned saint recorded her soul's struggles and mystical experiences in       a Latin work entitled Manifestations. She also wrote Latin hymns, and       composed and painted-including a self- portrait that is really quite good.       The transfiguration of her prematurely aged, plain features often observed       in her life was even more remarkable after her death. She also had a talent       for calligraphy and miniature painting; a breviary written out and       ornamented by her still exists at the Bologna convent.              Her life and the occurrences after her death were described by an       eyewitness, Blessed Illuminata Bembi:              "Thereupon the grave was prepared and when they lowered the corpse which was       not enshrined in a coffin, it exhaled a scent of surpassing sweetness,       filling the air all around. The two sisters, who had descended into the       grave, out of compassion for her lovely and radiant face covered it with       cloth and placed a rough board some inches above the corpse, so that the       clods of earth should not touch it. However they fixed it so awkwardly that       when the grave was filled up with earth it covered the face and body       nevertheless.              "The sisters came to visit the churchyard often, wept, prayed, and read by       the grave and always noticed the sweet odor in the air around it. As there       were no flowers or herbs near the grave- nothing but arid earth-they came to       believe that it arose from the grave itself.              "Soon miracles occurred, for some who visited the grave in ill health were       cured. Therefore the sisters repented that they had interred her without a       coffin, and complained to their father confessor. He a man of sound judgment       asked what they wanted to do about it.              "We replied: 'To take her out again, place her in a wooden coffin and rebury       her.' He was taken aback by this request it was 18 days after her death and       he thought that by now the corpse must be decomposed. We, however, pointed       out the sweet odor, and finally he granted permission to disinter her,       provided no smell of putrefaction would make itself felt during the digging.              "When we found the body and laid the face free, we found it crushed and       disfigured by the weight of the board placed above it. Also, in digging,       three of the sisters had damaged it with the spade. So we placed her in a       coffin, and made ready for re-interment, but by some strange impulse were       driven to place her for some time under the portal.              "Here the crushed nose and the whole face gradually regained their natural       form. The deceased became white of color, lovely, intact, as if still alive,       the nails were not blackened, and she exhaled a delicious odor. All the       sisters were deeply stirred; the scent spread throughout the church and       convent, attaching itself to the hands that had touched her, and there       seemed to be no explanation for it.              "Now after having been quite pale, she began to change color and to flush,       while a most deliciously scented sweat began to pour from her body. Changing       from paleness to the color of glowing ember, she shed an aromatic liquid       which appeared sometime like clear water and then like a mixture of water       and blood.              "Full of wonder and perplexity we called our confessor; the rumor had       already spread to the town and he hurried to us accompanied by a learned       physician, Maestro Giovanni Marcanova, and they closely observed and touched       the body. Others joined them: priests, physicians, laymen." The whole of       Italy converged to see her, and her body was placed on a chair in a special       chapel behind bars and glass, and to this day is kept there in a mummified       condition (Attwater, Benedictines, Delaney, Encyclopedia, Husenbeth,       Schamoni).              In art, Saint Catherine is a Poor Clare carrying the Christ Child. Sometimes       she is shown enthroned with a cross, book, a cross on her breast and bare       feet (Roeder). Catherine is the patron of artists (Attwater).                     <><><><>       "Believe me that the mortification of the senses in seeing, hearing, and       speaking, is worth much more than wearing chains or haircloth"       -St. Francis de, Sales              St. Aloysius Gonzaga was admirable for mortification of the eyes, for it is       narrated in his Life that he never looked any woman in the face. After he       had served the Empress as page for two years, a report was spread that she       was coming into Italy, where he happened to be, and some congratulated him       on the prospect of seeing his mistress again. But he replied: "I shall not       recognize her except by her voice, for I do not know her face:" His rare       mortification was well rewarded by God even in his life, for he was never       attacked by temptations of the flesh.              (Taken from the book "A Year with the Saints". February - Humility)              Bible Quote:       16 For all that is in the world, is the concupiscence of the flesh, and the       concupiscence of the eyes, and the pride of life, which is not of the       Father, but is of the world. (1 John 2:16)                     <><><><>       A Hymn to our Blessed Mother, Momento Salutaris. It is taken from the Hour       of Sext of the Little Office of the Blessed Virgin Mary. The Little Office       is available from both St. Bonaventure Press and Angelus Press, and online       at http://members.tripod.com/~gunhouse/.              Memento salutis auctor.       Quod nostri quondam corporis,       Ex illibata virgine       Nascendo, formam sumpseris.              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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