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|    alt.religion.roman-catholic    |    Jonah is the original Jaws story...    |    1,366 messages    |
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|    Message 582 of 1,366    |
|    Waldtraud to All    |
|    September 22nd - St. Phocas the Gardener    |
|    22 Sep 09 12:44:18    |
      From: richarra@gmail.com              September 22nd - St. Phocas the Gardener, Martyr               St. Phocas martyred gardener from Sinope, on the Black Sea performed his       duties with care and purpose; gave food and lodging to any to any stranger       in need; lived as an anchorite pursuing prayer and contemplation; suffered       martyrdom for being a Christian; beheaded by soldiers who were given orders       to look for Phocas in order to try him for his faith; inadvertently, the       soldiers stayed at Phocas when they asked him for a place to sleep; when       they told Phocas their mission and asked his whereabouts, he prepared       himself for death by digging his own grave; in the morning, he admitted to       the soldiers that he himself was Phocas and calmly faced his death. Gardener       by trade, Phocas led a life of simplicity, oneness with nature, and a purity       recalling God's creation of the first human gardeners, Adam and Eve              THE STORY OF a unique archaeological find, dubbed 'the unluckiest church in       the world', has been pieced together by an archaeologist at the University       of Warwick. Intriguing fragments of mosaic began washing ashore on the Black       Sea coast in the early 1990s, and were brought to the attention of the       museum at Sinop in Turkey. The source of the fragments was discovered to be       at the edge of a cliff top, where Dr. Stephen Hill began work on a project       to halt the erosion that threatened to destroy the site.              Hill and his team soon found themselves, however, embroiled in something       more complex than the rescue mission they had embarked upon. Expecting to       find Roman architecture from the 2nd century, the archaeologists instead       discovered the remains of a Christian church from the 4th century, an       extremely early find, given that Christianity had only just emerged as a       tolerated religion at that date. After working on the project for more than       eleven years, Hill is amazed at how the research has come together in its       latter stages: "It was only towards the end of the excavation process and       into the post-excavation analysis that the complexity of the successive       problems became apparent - so the whole story unfolded somewhat like a       detective story."              One of the most surprising revelations was the discovery of a baptismal       font. Fonts served a specific purpose for the Christian community, and to       find one in such a remote location posed an absorbing question. The       worshippers at this secluded church would most likely have been monks,       already baptised and with no need of a font - so why was one built there?       Researchers believe the answer may be connected to the story of Phocas,       patron saint of gardeners and mariners. Popular stories of this man tend to       concentrate on the peculiar, not to say lurid, circumstances of his death.              Legend has it that Phocas led a simple life in obedience to God, some time       in the third or fourth century. He spent his days helping those in need,       growing flowers in his garden and praying - all of which, apparently, did       little to endear him to the Roman authorities, who ordered his assassination       as part of their persecution of Christians. Two soldiers were dispatched for       Sinop on the Black sea coast with instructions to kill Phocas on sight.       However, the executioners had trouble finding anywhere to stay as night       fell, and without knowing it they turned up outside their victim's       residence. As befitted his character, Phocas offered them shelter and food       for the night, but over supper learned of his killers' intentions. Without       revealing himself, he offered to show them the way to their target in the       morning. Once they had gone to sleep, Phocas went into his garden and dug a       grave for himself, before spending the rest of the night in prayer. When the       soldiers arose the next day, their host told them that Phocas was now at       their disposal, and revealed his true identity to them.              The would-be assassins were thrown into turmoil, appalled by the thought       that they must kill the man who had shown them such kindness. Phocas himself       resolved their dilemma, by explaining that to die for his faith would be the       highest honour. He entreated them to carry out their duties, which they       eventually did. The kindly gardener was beheaded and buried in the grave of       his own making.              A cult surrounding the martyrdom of St. Phocas grew up, and his grave may       have become a place of pilgrimage. If so, then the church built in his       memory was probably built on the site of his death, and designed to       accommodate the needs of these early pilgrims. One of these needs was       baptism, hence the font. Analysis of the archaeological findings by Hill and       his team has revealed that the troubles of Phocas's putative church bear       comparison with those of the man himself. It appears that the church would       originally have been situated in a valley floor, subject to melt-water       flooding and landslides, and an unwise place to build at all.              Before its completion in the fourth century, an earthquake struck the region       and severely damaged much of the church's structure. A whole section of the       new building was abandoned, with the builders sealing up the doors and       windows and reinforcing the remaining walls. The setbacks continued. The       intricate floor mosaic, which first alerted archaeologists to the site, was       completed by the builders but subsequently abandoned when a flood deposited       a thick layer of sediment over it. Then as the main part of the church was       being fitted with decorative sculptures and embellishments, a second       earthquake hit. Archaeological evidence for this comes from the remains of       the sculptures, which would have been fitted to the building before being       finely carved on site.              The unfinished works of art mark the abandonment of attempts to ever       complete the church as a place of worship.The remaining part of the church       was subsequently used as a pottery, although it was later subject to another       landslide. The porch of the church survived for some time, and appears to       have been used by opium smokers, who left behind poppy seeds and part of a       pipe some time in the middle ages.              The site now lies at the very edge of a cliff overlooking the Black Sea,       which has already claimed chunks of the precious mosaic. Hill reports that       sea defences he has applied appear to have reversed the erosion, and the sea       is now depositing material to protect the cliff, but Turkey's seismological       disturbances present another threat to the site - and a quandary for       archaeologists.              To dig or not to dig? Further parts of the structure currently lie under a       thick deposit of topsoil, which acts as good protection from future       earthquakes in the region. Hill is concerned that investigating this area              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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