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|    alt.tv.buffy-v-slayer    |    Show about girl power, written by a dude    |    152,792 messages    |
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|    Message 151,468 of 152,792    |
|    David to All    |
|    =?UTF-8?Q?=E2=80=98Buffy_the_Vampire_Sla    |
|    11 Mar 16 18:17:29    |
      From: daviderl31@yahoo.com              ‘Buffy the Vampire Slayer’ Big Bads Ranked from Worst to Best                      Night has fallen on Sunnydale High School as a young couple looking to       find some privacy wander the darkened hallways. Spooked, the girl asks the       boy to take a look around, but as he turns to assure her they’re safe, the       once-helpless beauty easily sinks her teeth into his prone and unsuspecting       neck. So begins Buffy the Vampire Slayer, one of the most iconic series of       the ‘90s and what would become Joss Whedon’s first indelible mark on pop       culture.               The concept for Buffy is simple, centering around a “Chosen One” called       upon by the universe to protect the innocent world from various (and       seemingly endless) demonic shenanigans. That One is Buffy Summers, a clever       subversion of the “little blonde girl who goes into a dark alley and dies in       every horror film,” who reserves as much affection for frosted lip gloss and       miniskirts as for a freshly sharpened stake and a witty zinger. The series,       which ran on the WB (and later UPN) for seven glorious seasons, featured       Sarah Michelle Gellar in the titular role as a member of the eventually       nicknamed “Scooby Gang,” with Alyson Hannigan as the witchy Willow and       Nicholas Brendon as the ever-dopey Xander in tow. And while the scope of the       show was never what you could call small, each season was devoted to the       vanquishing of a unique “Big Bad” (a term eventually coined by Whedon in       Season 3), meaning a specific evil generally hell-bent on bringing       destruction to the world as we know it.               Impossibly, it’s been 19 years since ‘Welcome to the Hellmouth,’ the       series’ first episode, aired, beginning a legacy of female-centric       television and Whedon witticism that continue to this day. In honor of its       anniversary, we’ve got all seven of those Big Bads, ranked from the totally       silly to the deliciously evil. Cue that Nerf Herder theme song.                     7. The Initiative/Adam (Season 4)        While season four is home to the truly fantastic ‘Hush,’ it’s       largely notably for the series’ most lackluster Big Bad: The Initiative, a       shadowy government entity looking to develop a demon-human hybrid for the       purpose of creating super soldiers with otherworldly powers. If that sounds       ridiculous, that’s because it definitely is, and when a successful       experiment named Adam arrives as the season’s Big Bad incarnate, things       don’t       really improve. A misunderstood monstrosity modeled after the sentimental       Frankenstein character with none of his interesting qualities, Adam is a       poorly rendered and ultimately ludicrous villain. Thankfully, Whedon       jettisons him before the finale with little more than a sucker punch from       Buffy, allowing the truly brilliant ‘Restless’ to unfold untethered by the       silly mythology that preceded it.              6. The Master (Season 1)        Though his heavy-handed prosthetics aren’t the most well-aged effect       the show ever produced, The Master earns the distinction of inducting the       concept of the Big Bad into the Buffy lexicon, with a simple yet evil       mission: to undermine the world order and release hell on earth. Sure, those       kind of machinations looked at in the context of the series’ run sound a bit       like a yawn, but this Big Bad has enough accouterments (including a creepy       little child minion) to be plenty interesting. The Master combines genuine       threat with plenty of witty verbal gymnastics, and while he’s probably best       remembered for that iconic fruit punch mouth, it is worth noting that he is       one of the few evil forces to actually kill Buffy. That is, just before she       returns the favor by slamming him right through a glass ceiling.              5. The Trio/Dark Willow (Season 6)        In true Buffy form, the Big Bad of Season 6 is revealed through a       bait and switch, with many of the season’s episodes devoting time to The       Trio: a group of Dungeons & Dragons aficionados whose love for fictitious       land grabs soon turn into a desire to overtake the very real town of       Sunnydale. They’re taken less than seriously for much of the season, but in       one of the most shocking deaths of the series (I still don’t really want to       talk about it), Willow’s witchy powers turn from mildly grey to pitch black.       Devastated, she goes on the war-path, and at the height of her powers Willow       succeeds in looking particularly ominous. But as soon as Xander arrives and       the episode tips up into the yellow crayon denouement, you realize that not       even the darkest magic could split up this trio. Joss Whedon has gone on to       say that the true Big Bad of Season 6 is life itself, which explains the       season’s lack of real punch, but with Dark Willow’s help, one of the       show’s       most heartbreaking seasons is bolstered by one of the Scooby Gang’s more       human adversaries.              4. The Mayor (Season 3)        Richard Wilkins, mayor of Sunnydale and half-demon mensch, is a       fascinating and especially Whedon-esque combination of the psychotically       cheerful and the diabolical. Referred to simply as “The Mayor,” Season       4’s       Big Bad is singularly self-absorbed and focused only on his ascension, which       will find his mortal being transmuted into a higher form. Ultimately, he       finds his partner in crime in Faith, a slayer whose reckless spirit pushed       her away from her would-be partner, Buffy. Falling for the promise of       unmitigated demonic power (and the gift of a kick-ass apartment), Faith       develops a father-daughter relationship with the wannabe despot that is       almost kind of sweet until, you know, it’s not.              3. The First Evil (Season 7)        The personification of all the evil on earth able to assume the       appearance of any dead person to compel others to do its bidding? Count me       in! The series’ last Big Bad was specially calibrated to end the slayer line       as we know it, and remains the series’ most abstruse villain. Though The       First Evil is non-corporeal, it becomes best defined by a zealot-like       preacher named Caleb intent on tearing apart Buffy and her supporters. It       seems especially appropriate that the final season’s central antagonist       remain unvanquished even at the end of series, but without a specific figure       to pin your fear on, the First Evil is one of the series’ more muted Big       Bads.              2. Glory (Season 5)        Adding a little spice to the humdrum demon fighting is Glory, a god       from a hell dimension doomed to earth and forced to share a body with a              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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