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|    Message 151,594 of 152,792    |
|    David Samuel Barr to All    |
|    Obit: John Vulich, 55, Hollywood make-up    |
|    20 Oct 16 23:26:33    |
      From: dsbarr@mindspring.com              -------- Forwarded Message --------       Subject: John Vulich, 55, Hollywood make-up artist (Buffy, X-Files,       Babylon 5)       Date: Fri, 14 Oct 2016 07:17:33 -0700 (PDT)       Newsgroups: alt.obituaries              http://variety.com/2016/film/news/john-vulich-dead-buffy-x-files-1201887277/              Home | Film | Obituaries       John Vulich, Makeup Artist on ‘Buffy,’ ‘X-Files,’ Dies at 55              Pat Saperstein Deputy Editor       @Variety_PatS              John Vulich, who won three Emmys for special effects makeup for “The       X-Files,” “Buffy the Vampire Slayer,” and “Babylon 5” with his team       at       Optic Nerve Studios, and created makeup effects for numerous horror       films, died in his sleep Wednesday morning in Los Angeles. He was 55.              One of the first films he worked on was George A. Romero’s 1985 “Day of       the Dead,” for which he created the zombie “Bub.” Raised in Fresno,       Calif., he got his start in the business working for makeup pros such as       Greg Cannom and Tom Savini.              During the 1980s he also worked on “Troll,” “The Lost Boys,” “Fright       Night Part 2,” and the TV show “Werewolf.”              He supervised makeup effects for the “Night of the Living Dead” remake       in 1990, then went on to work on films such as “The Dark Half” and       “Being John Malkovich.” In television, he worked on “Charmed” and       “Babylon 5” before working on 30 episodes of “The X-Files.” Vulich also       worked on the series “Angel” and on numerous episodes of “Buffy.” In       2005, he returned to zombies with two films in the “Return of the Living       Dead” series.              In an interview with a “Return of the Living Dead” website, Vulich       talked about his approach to makeup. “One of the first things I do, when       reading a script, is to try and pay close attention and get a good sense       of what design aesthetic would properly suit the film. It’s also       important, in my opinion, to try to stay original, keep away from       copying the work of others and avoid clichés of the genre. For instance,       with the remake of ‘Night of the Living Dead,’ we felt that what made       the original film so frightening was the believability of the make-up.       They looked like they were the next door neighbor, come back to life       after some dreadful accident, not some creature from beyond the grave.”              He also worked on special effects for films such as the notorious 1994       Roger Corman-produced “The Fantastic Four,” “The Prestige,”       “Ghoulies,”       “The Texas Chainsaw Massacre 2,” and “Madhouse.”              After founding Optic Nerve with Everett Burrell, he sold the studio to       colleague Glenn Hetrick.              More recently he had been working with his childhood friend,       actor/director William Butler, producing shows and interstitials for the       Disney Channel. He most recently was working with veteran producer       Anatoly Fradis.              Vulich is survived by his mother Franca, his stepfather John, and his       longtime girlfriend Nicole and her daughters.              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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