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|    alt.tv.simpsons    |    Worshipping Matt Groening    |    29,105 messages    |
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|    Message 28,241 of 29,105    |
|    Matt Garvey to All    |
|    Notes for WABF14 (MoHo House)    |
|    07 May 17 18:03:34    |
      From: mxg77@po.cwru.edu              Well, it's another Homer and Marge on the rocks episode (and another       Moe-reinvents-the-bar episode of sorts). It was OK, though the wrinkle of the       idle-rich-man-wager was interesting. A little silly otherwise. Hard to imagine       they might be split up - or        even tempted, especially given Marge's feelings on Moe. But fine. Medium       length was nice to see, commentary disparaging the way "act 4" has wound up as       well. Helps to be a Casablanca fan. I also don't fully get the title renaming       (is it a reference to        something?). I don't think Lisa had any lines.              DYN:       ...the opening STARTED with the couch gag (and the choral title showed up in       the first act)?       ...Itchy is somehow at Moe's bar opening (and so is Sideshow Bob)?       ...in the final bit on Smithers' contract, he mentions he wants to be       mummified with Mr. Burns "if" he passes?              Previous episode stuff       AABF11: Elton John (silent) is at the opening too (along with the other       "guest" I assume it's because he's British, but I can't help but think of the       romance plot of that episode too)       3F03: Paul McCartney as well              Meta       Moe (as narrator, anyway) comments on the "The Simpsons" chorus. Sector 7G       named for the first time in a while. Moe's tendency to call Marge Midge       brought up and explored. SNPP's crow and its caw seem to be significant for       Moe at the end, though I'm not        sure how. Birds Suddenly Appear. Homer ends his flip book with a Gracie Films       logo.              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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