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|    magsrose@comcast.net to All    |
|    [all-xf] New - Decoding the Enigma - 4/2    |
|    05 Jul 06 08:57:33    |
      C019D9C090E03@comcast.net> ab528d49       Title - Decoding the Enigma       Authors - Amy Jonas and MagsRose       E-mail - adjonas2000@yahoo.com or magsrose@comcast.net       Rating - FRT-13 (PG - 13)       Category - AU/Gen/Het       Archive - Just let us know.       Feedback - Yes, please. Any kind is always welcome. We just like to know       someone is reading this stuff.       Disclaimer - Without Prejudice. The names of all characters contained here in       are the property of Chris Carter, et. al. No infringements of these copyrights       are intended, and are used here without permission. All original characters       are the sole property        of Mags or Amy and may not be used without the author's permission.       Summary - In 1940, Private Investigator, Melvin Frohike thought he was working       on a simple missing person case but he soon found himself embroiled in       something far more sinister.       Authors' notes - After seeing the Maltese Falcon, Amy presented Mags with an       idea for The X-Files characters in an Alternate Universe. Intrigued by the       possibilities, Mags suggested a co-authoring effort. The result is the story       you see here. Thanks        to Erynn and Alison for betaing this for us.              Additional Author's notes: Edward R. Murrow's words in this and subsequent       scenes are quoted exactly as they were broadcast in 1940. This first one is       off the historical timeline by about 3 days.                     Chapter 4                                   “This-- is Trafalgar Square. The noise that you hear at the moment is the       sound of the air raid sirens. A searchlight just burst into action off in the       distance; there's another searchlight. You see them reach straight up into the       sky and occasionally        they catch a cloud and seem to splash on the bottom of it. One of the       strangest sounds one can hear in London these days -- or rather these dark       nights -- just the sound of footsteps walking along the street, like ghosts       shod with steel shoes.”              Jimmy leaned back in his seat. The steady hum of traffic on the next street       was a startling contrast to Edward R. Murrow's vivid and disturbing radio       report from London. Whenever he listened to one of these reports, he was       reminded how lucky he was to        be so far from war torn Europe and the atrocities perpetrated by a mad       dictator.              Like everyone else, he and his friends talked about the war, whether the U.S.       should get involved or stay neutral. Jimmy often thought it was only a matter       of time before his country stepped in. How could it not? So many people were       dying; countries        were being enslaved as much as their citizens were. Not to act went against       everything the United States stood for. But Jimmy worried about that, too.              Jimmy sighed, snapped off the radio and looked at the converted warehouse       across the street. He still needed to figure out what he was going to ask       Professor Langly and Miss Harlow. He had never interviewed anyone before and       he hoped he didn’t sound        like the rookie he actually was.              Opening the car door, he grabbed his camera from the passenger seat then       climbed out. Before he left The Gazette he had made sure he had plenty of       film. He was still irritated he hadn’t been able to find Professor Langly and       Yves Harlow’s pictures in '       the morgue'. He had looked everywhere and bugged the librarian until she had       kicked him out.              It was strange, he thought as he crossed the street, it was like they'd simply       vanished.              “Hello?” Jimmy called out when no one answered his knock. “Professor Langly?        Miss Harlow?” He knocked again, louder this time. The frosted glass rattled       in the doorframe. “Professor Langly, it’s Jimmy Bond from The Gazette.”              He waited, listening. He couldn’t hear any sound that might indicate someone       coming to answer the door.              “Good job, Jimmy,” he rebuked himself. “They’re probably running errands. Or       maybe went out to eat.” Jimmy let out a frustrated breath. He should have       called first, let them know he was coming. Who knows when they’d get back?              He sent one last hopeful look at the door before turning to leave.              He paused.              He looked back at the door, ignoring the niggling guilt for what he was about       to do then wrapped his hand around the doorknob and twisted. The door opened       easily.              “Professor Langly? Miss Harlow?” He called out, just in case they were hard       at work and hadn’t heard him before.              No answer.              His conscience told him he should call later and set up an appointment.              Or he could just write a quick note letting them know he stopped by and found       the door unlocked. But he had no paper.              He remembered the desk Yves had been working at had been cluttered with       paper. This realization made him push the door open the rest of the way and       walk in.              He stopped and stared at the room in disbelief. There were no papers, no       desk, no filing cabinets, no nothing. The thought scrambled around his brain       that maybe he was at the wrong address, the wrong warehouse. There were       several and they all looked        very similar.              Yeah, he thought sarcastically, and the New York Yankees hadn’t won the World       Series last year.              As he navigated the perimeter of the room, he saw the large, freestanding       chalkboard Professor Langly had been scribbling his arcane equations on lying       on the floor. Jimmy picked it up, careful to touch only the outer edges then       stepped back.              Someone had erased everything. He grabbed the top of the board and flipped it       over to examine the other side. It too had been cleaned off.              But they hadn’t pressed hard enough. There were pale, faint impressions of       numbers and other symbols. Some were smeared but others were still intact.        Jimmy raised his camera and snapped several pictures.              “What are you doing?” A gruff voice demanded. “This is private property!”              Jimmy whirled around, his heart thumping in his chest. A burly, elderly man       stood in the doorway glaring at him. A caretaker of some sort, Jimmy guessed.              “Well,” the man demanded.              “I was looking for the people who work here,” said Jimmy. “Do you know where       they went?”              “You crazy? No one works here.”              “But they were here,” Jimmy protested. “A beautiful woman with long black       hair, olive complexion, has an English accent. And a man. Thin, about six       feet and long blond hair, wears glasses.”              “Son, this is an empty storage building.” The man said patiently, slowly, “has       been for years.              “That can’t be,” said Jimmy with a shake of his head. “I talked to them just       a few days ago.”              “Let it go, son,” the man advised.              “You do know then,” Jimmy said with growing excitement. “It’s ok. I’m a       reporter. My name is…Jeffery Spender,” Jimmy nearly tripped over the blatant       lies but he rushed on, “with the D.C. Gazette. She called me.” Another lie       but it wasn’t an absolute        lie, he tried to reassure himself, since the professor had called the paper.              The man considered Jimmy as if sensing the kernel of truth in his words. “I       don’t know about a man,” he finally said, “but the woman paid me to get rid of       everything.”              “Why did she do that,” Jimmy asked puzzled.              “She didn’t tell me,” the man said, turning to leave. “I’ve got to get back       to work."                     [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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