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|    Message 190 of 1,627    |
|    Susan to All    |
|    xfc: Late Shift (1/1)    |
|    26 Sep 04 14:22:09    |
      From: susanf34@comcast.net              *NO ARCHIVE*                            Title: Late Shift       Author: Susan       E-mail: susanf34@comcast.net       Classification: vignette, Skinner's POV       Spoiler: latter part of fourth season, cancer arc       Archive: No archive without permission.       Disclaimer: Sadly, these characters don't belong       to me.              Summary: All that matters is that a good friend       of yours is hurting.       *****************************************************              Late Shift       by Susan       ~~~~              12:13 am                     You press the button and wait for the elevator to       take you up to his floor.              You know you really shouldn't be going over to       his apartment this late just as you know the       whole spiel about getting too close to the agents       that work under you.              And yet none of that matters to you right now.              All that matters is a good friend of yours is       hurting, and you need to make sure he's okay.              You walk down the hall and knock on the door.       "Agent Mulder? It's Assistant Director Skinner."              You wait for him to answer, but get no response.              Is he out somewhere getting into trouble, or is       he sitting in the dark closing himself off from       the rest of the world again the way he did when       she was missing?              You hope it's neither.              "Agent Mulder, open the door," you say in a louder       voice.              And then he does.              His shoulders are slumped, his face unshaven, his       eyes filled with fear, and you immediately notice       the bottle of vodka in his right hand. Thankfully,       it looks like he only drank about a fourth of it.              "Hey sir, come on in...join the party. I've got       a spot for you right over here," he slurs, pointing       towards nowhere in particular.              You walk inside, close the door, survey the room.       It's dark with only the television on, and you can       see his darkness too, rolling off of him in thick       black waves.              "It looks like you already started without me,"       you say, taking off your coat and sitting down       in the chair across from his couch.              He walks over to the couch, plops down on it.       "Scully's dying, you know," he blurts out as he       takes a swig from the bottle, then slams it back       down on the coffee table. Surprisingly, it doesn't       break.              You lean forward in your chair, study the broken       man in front of you, and try to think of the right       thing to say to him, but you can't, because you       feel like you're breaking too.              Scully's dying of cancer, and there's not a damn       thing you can do to stop it.              You tried to save her, and him too, but the deal       you made with the devil left you with nothing.              And them with even less.              "I know she is," you finally say, "but you can       save her, Mulder, just as you have before."              He stares at you then, his face drawn, his lids       heavy as he lays his head back against the cushion.       "I don't think I can this time," he says quietly,       his eyes closing as he finally gives in to his       exhaustion.              "Yes, you can," you say in the dark, grabbing the       blanket from the end of the couch and carefully       covering him up with it. Then you take the bottle       of vodka from his hand, carry it out into the       kitchen, and pour it down the sink.              When he wakes up in the morning, you know he'll       be angry with you for what you've done, and he'll       probably be embarrassed too, but right now none       of that matters to you.              All that matters is that you're here.              You're here because you need to be and because       she can't be.              And you're here for as long as it takes.              Finding the coffee in the cupboard, you start up       the machine, then pull out your phone and dial       the number that she gave you.              When she answers, you can hear the beeping of her       monitor in the background, but you make yourself       ignore it, and you tell her that you'll stay with       him to make sure he's okay.              She thanks you for what you're doing, and though       you're glad you can help, you wish you could do       more.              And you wonder if she wishes you could too.              The coffee nearly finished brewing now, you say       goodbye to her and stuff the phone back in your       pocket, then take a mug down from the cupboard       and pour yourself some when it's done.              Later when you go back out to the living room       to check on him, you're not surprised to find       him sleeping soundly, and you breathe a sigh of       relief, knowing that for at least a little while,       all the darkness that surrounded him earlier is       gone.              Making yourself comfortable in the chair across       from the couch, you pick up the remote and change       the channel, then slowly drink your coffee, and       though you know you'll be exhausted when morning       comes, it doesn't matter to you right now.              All that matters is that she's counting on you to       take care of him tonight.              And you won't let her down.                            ~end~              possibilities       http://possibilities.bravehost.com/              the bare essentials       http://www.geocities.com/filesfan34/                                                 To post, mail to xfc-ATXC@yahoogroups.com       To subscribe, mail xfc-ATXC-subscribe@yahoogroups.com       To unsubscribe, mail xfc-ATXC-unsubscribe@yahoogroups.com       Yahoo! 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