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|    Message 489 of 1,627    |
|    Rae Lynn to All    |
|    New: Our Darker Purpose (1/1) by Rae Lyn    |
|    13 Feb 05 18:24:17    |
      From: claypotato@netscape.net              OUR DARKER PURPOSE              by Rae Lynn       (claypotato_AT_netscape.net)              RATING: PG              CLASSIFICATION: SA              SPOILERS: Through "Grotesque."              KEYWORDS: Post-episode for "Grotesque."              ARCHIVE: Please inquire within.              SUMMARY: Mulder and Scully and the aftermath of "Grotesque." Scully's POV.              AUTHOR'S NOTES: Well, folks, I’ve fallen off the fanfic wagon once       again. This story has already been written in the fanfic community --       many, many times -- but it's hard for anyone who eats MulderAngst for       breakfast to resist the siren song of trying their own hand at a       post-"Grotesque" fic. Midway through the writing of this fic, I       attended a very weird production of "King Lear," hence the title and all       the quotes, which belong to Shakespeare.              DISCLAIMER: All the characters contained within are the property of       Chris Carter and Ten Thirteen Productions. No profit will result from       this story and no copyright infringement is intended.       ____________       "The weight of this sad time we must obey;       Speak what we feel, not what we ought to say.       The oldest hath borne most: we that are young       Shall never see so much, nor live so long."       --Shakespeare, King Lear (last lines)       ____________              Nearly every argument Mulder and I have had about our partnership has       begun or ended the same way, as if something in me can't resist pointing       out to him what he once accepted without question but now stubbornly       refuses to acknowledge. Why was I assigned to you in the first place,       Mulder? To debunk your work. To discredit your theories. To piss you       off. And I have done that, and somehow managed to validate you at the       same time. My scientific inquiries have only intensified Mulder's       passion, his paranoia, his pursuit of the truth. Like a Hydra. Cut the       head off Mulder's unique investigative philosophy and more will grow in       its place.              In the three years Mulder and I have been partners, I have found myself       living two lives. Mulder's and my own. For three years I have been       holding the future of Mulder's work in my hands.              Mulder's life.              Partners are supposed to look out for each other. I have pressed my       hands into Mulder's flesh and felt rivulets of blood flow through my       fingers. I have shone penlights into Mulder's eyes and willed his       pupils to dilate. I have burst numbly into emergency rooms only to       watch Mulder code on the table. I do it because it's Mulder, because I       know he would walk barefoot over broken glass for me if I -- or anyone       else -- asked him to. All the while I've tried not to think about the       absurdity of it, or the odds stacked against one woman up against a       formidable force. Dana Scully, meet Darkness; and get comfortable with       it, because you two are going to be at each other's throats for a long,       long time.              I knew when I met Mulder that I would be expected to hold his life in my       hands.              But nothing in the Federal Bureau of Investigation's code of conduct       ever prepared me to safeguard his sanity.              Mulder's lifeless eyes and stumbling steps as I ordered him repeatedly       to get in the car. Mulder's bloodless face, glazed with fever, his       shirt still incriminatingly spattered with his father's blood.              The rigid outline of Mulder's back, these last few days, the tenseness       that gripped his shoulders as I watched him walk away from me.              I hadn't answered when Skinner asked me if I was worried about him.       Even my silence felt like a betrayal to the man I once thought only of       in terms of superlatives: the most articulate, the most passionate, the       most intelligent, the most infuriating. I felt that man slipping away       from me and this time there was no physiological source to explain it away.              I told Mulder I was scared. It was simpler than telling him the truth:       that I was terrified. For him, for all of us. It was a shortcut to the       truth I could never admit to him: it is easier to watch Mulder die than       to watch him go mad.       It felt like a lifetime before I heard the comforting wail of ambulance       sirens arriving. Still hunched over Patterson, I don't dare look up at       Mulder kneeling beside us, still clutching his cell phone, his head       bowed as if for a benediction. A final prayer for peace.              There had been a struggle. But Mulder -- usually so impetuous, so       reckless in his pursuit -- had been precise. He had not shot to kill.       Patterson, I decided as the EMTs approached, would live, at least long       enough to torture Mulder with his madness. Just as I had tortured       Mulder with my pointed questions, with the unwelcome concern he must       have felt radiating off me in waves. I was scared, Mulder. I didn't       know where you were. As if Mulder didn't already do a stunning job of       torturing himself.              This thing exists, Scully. It's real.              And it had been. As real as the bullet in Bill Patterson's chest.              The paramedics who arrive are efficient, separating my hand from       Patterson's breast and herding Mulder off to one side.              "Agent Mulder, we're going to need to take your statement," says a       police officer. Mulder nods mutely and follows the officer to a dark       corner of the roof before I can even open my mouth in protest.              "Agent Scully, we'd like you to ride with us," says a paramedic, and I       watch helplessly as the distance between Mulder and I grows. Mulder       would crawl to the ends of the earth for me, but tonight he can't even       bring himself to traverse the length of Mostow's roof.              _______________              At the hospital, I find myself supervising Patterson's transfer from       backboard to gurney and then, literally, washing my hands of him. As I       emerge from the ladies' room I spot a familiar figure striding       purposefully down the hallway -- the only body language other than       Mulder's I would have no trouble picking out of a crowd.              Assistant Director Skinner must feel the same way, because he makes his       way over to me immediately.              "Agent Scully," he says. "I received a call from local PD that there       was a shooting at Mostow's studio, but they weren't clear on the       details." His eyes track grimly to my bloodstained sleeves and I know       what he must be thinking. If there is blood on my hands, it must be       Mulder's. After all, it always has been.              "It was Patterson, sir," I say quickly. "They're working on him in the       ER."              Skinner considers this impassively for a moment before asking me where       Mulder is.              "He's still at the scene. They're taking his statement," I say, and       suddenly I realize that I am desperate to see him -- and determined to       *see* him, this time, all of him, not the pale shadow who's been living       inside my partner for days.              Skinner looks at me closely. "His statement?" he says. "He hasn't been       taken into custody?"                     [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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