Forums before death by AOL, social media and spammers... "We can't have nice things"
|    alt.tv.x-files.creative    |    Forum for wanna-be XF episode writers    |    1,627 messages    |
[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]
|    Message 495 of 1,627    |
|    theidiosyncraticstanwyck to All    |
|    [all-xf] NEW: Spectrum (5/10) (1/5)    |
|    17 Feb 05 20:05:39    |
      From: theidiosyncraticstanwyck@yahoo.com              Title: Spectrum       Author: the idiosyncratic stanwyck       Email: theidiosyncraticstanwyck@yahoo.com       Category/Keywords: AU, MSR, A (not too much)       Rating: R       Summary: A woman meets a man who opens her eyes to a vast,       unexpected spectrum of beautiful, terrifying possibilities.              Mini-notes: I'm posting this part early because it's brief,       and as a reward for those of you who have been so supportive.       I'm especially grateful to Angie, Siggy, and Kristy. Oh -       and I'm perfectly aware that Scully appears to behave very       oddly in Chapter 10; she will explain in her own time.              Chapter 9: Crimson              "Beauty's ensign yet is crimson in thy lips and in they       cheeks, and death's pale flag is not advanced." - Shakespeare              **              Scully's sleep-fogged brain sluggishly worked to process       the ear-piercing, inhuman screech that had yanked her from       slumber. For a moment she thought it was the warning cry of       the smoke alarm, but the apartment was silent, peaceful.              As her hammering heart slowed and sweat cooled on her body,       leaving her skin irritated and scratchy, she realized the       sound had come from within the cave of her own tortured       nightmares, a wail of jagged, choking despair. Panicked,       she groped for the bedside lamp. A pale yellow glow       suffused the room and she sat up, the cool, smooth       headboard wonderfully solid at her back.              If her dream had ever been coherent, now it was slipping       from her grasp, details fading as surely as shadows faded       in the light. She was left with a picture of herself       studying her own x-rays, her eyes riveted on the pale,       solid mass rooted at the center of her forehead, with the       sensation of cold hospital tile beneath her shuffling bare       feet, with blinding pain and Mulder's anguished eyes and       her life slipping away with each drop of rich crimson blood       trickling down her upper lip. One hand rose to her throat,       as if her fingers could touch the origin of her silent       scream. Her other hand drifted to her forehead, drawing       rings around the source of her phantom pain.              Scully folded her knees to her chest and drew the covers       over them. She couldn't stop shaking, trembling so       violently that she felt as if her entire body were       vibrating.              Remission was both the most beautiful and the most       treacherous word in the English lexicon. Six years ago Dana       had realized the fragility not only of human life but of       *her* life in the most brutal, personal manner possible.       Death had encroached too deeply upon Scully's life for her       ever to forget its indelible imprint; as if in retaliation,       she had lived the last several years as if she were       immortal. When you cheated fate once, it became easy to       imagine that you were stronger, smarter, more *permanent*       than death's reach.              This dream brought reality crashing down upon Dana. Death       was inevitable. In her mind Scully saw her blood spatter       across the pristine whiteness of a blank page and felt her       horizon shrink. Confronted with the immediacy of her own       mortality, Scully felt the sickeningly familiar internal       rot of a slow death.              Instinctively she cradled her lower abdomen, her muscles       quivering as they protected the place where her disease had       lived, had perhaps been reborn.              "It's not real," she whimpered, hoping frantically that the       sound of her voice would ground her in reality. Praying       that health and life *were* reality.              She forced herself to lie down but couldn't turn off the       light. The thought of darkness was unbearable. When she       closed her eyes she saw the flow of her blood widening from       a trickle to a crimson cascade, filling her lungs and       choking her.              Gasping for breath, she jerked upright and grabbed the       cordless phone. Her stiff fingers had pounded out the first       half of Mulder's number before she realized that he was in       San Francisco.              "Shit," she swore, dropping the receiver onto the       comforter. Her eyes roamed the room. He always stayed at       the same hotel on Nob Hill; if she called information and       got the number, she could be talking to him in minutes -       seconds, even. He might question her late-night phone call,       but he would not force her to explain. His sleepy monotone       would sooth her, wash over her like a healing balm.              In fact, the thought of Mulder had calmed Dana almost       enough to allow her to breathe normally. Replacing the       phone, she stood and smoothed the covers. There was no need       to call Mulder and worry him - and if she behaved in a       fashion so out of character, he would certainly worry. She       ambled into the kitchen for a glass of water, then looked       in on Chloe.              It was ridiculous to be so shaken. She'd had no symptoms to       suggest that her illness had returned, and her bout with       ovarian cancer in no way predisposed Scully to some sort of       bizarre brain tumor. This nightmare, she assured herself,       was merely a product of her imagination, just as all her       other dreams were.              Bathed in the light of day, figments from the dim reaches       of nightmares were supposed to vanish as suddenly as they       descended. Instead, as Dana sat at her desk at 9 a.m.,       surrounded by a cheerful pool of sunlight, she still felt       invaded, haunted. Scared.              With a sigh, she dropped her pencil and pressed her palm to       her forehead. Her movements endowed with a force that was       almost vicious, she flipped through her rolodex to the card       she was looking for. Dialing the number, she felt unsteady,       a little crazy.              The woman's voice was cheerful and businesslike when she       answered. "Good morning, you've reached the Women's Medical       Center of Georgetown. How may I direct your call?"              "I need to make an appointment with Dr. Maglione, please."              "One moment, ma'am. Let me transfer you."              The second voice was even more relentlessly peppy; perhaps,       Scully considered, she cloaked her voice in such positivism       because her job surrounded her with such a degree of       suffering and death.              "Oncology, this is Mary."              "Mary, my name is Dana Scully. I'd like to make an       appointment with Dr. Maglione."              Scully listened to the reassuring clicking of computer       keys. "Ms. Scully, I'm showing that you're scheduled for a       continuing care visit with Dr. Maglione in June."              Scully kept her voice low so that John couldn't overhear.       "Yes, but I'd like to come sooner, please, as soon as       possible."              "Have you developed any symptoms the doctor should know       about?"              "Ah, no. No. This is just for my own peace of mind."              Scully closed her eyes tightly, and when she opened them       the world danced and wavered. Wherever she looked, crimson       starbursts exploded in the center of her field of vision,       each explosion endowed with the destroying, life-taking       power of a drop of human blood.              **              Chapter 10: A Patch of Blue              "Send a long letter way back home, says, 'All that I know,       all that I know is the blue sky' - The farther I come, the       farther I fall - Whatever I knew is nothing at all..."       - Patty Griffin              **              Hypnotized by hours of staring at the busy gold and red       print of the airplane's upholstery, Mulder let the drab       beiges and browns of the hallway connecting the plane to              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]
(c) 1994, bbs@darkrealms.ca