From: taffyxf@yahoo.com   
      
   Title: Forgive Us Our Trespasses   
   Author: Taffy Northwood   
   E-Mail: taffyxf@yahoo.com   
   Rating: NC17 (eventually)   
   Category: AU, MSR   
   Archives: Just ask.   
   Feedback: Never in bad taste    
   Disclaimer: Mulder, Scully, Skinner and any   
   other XF characters are on loan only.   
   Summary: In 1909 New York City, there were two   
   distinct and separate worlds: that of the very wealthy   
   and that of the very poor. Could love bridge the   
   great divide between those worlds for two star-crossed   
   lovers?   
   Author Notes: Like a huge part of the fandom, I've   
   become absolutely dotty over AU fic. This is my   
   modest attempt to put Mulder and Scully into another   
   time and place. Please be aware, this is a   
   work-in-progress.   
      
      
      
   Forgive Us Our Trespasses - Mathew Fox's story part 1   
      
   New York City - 1909   
      
      
   The slum is the measure of civilization - Jacob Riis   
      
   Even in the most abject poverty, children play, their   
   voices raised in excitement. They have no toys save   
   the things other people cast off, fragments of brick,   
   bits of wood, scraps of rag.   
      
   Fox raised his camera, carefully framing the children   
   in the shot. The ruddy-faced boy with the stick in his   
   hands would be the central figure, but Fox wanted the   
   to get the ragged girls on the stoop in the shot as well.   
      
   A dark-haired boy held the "ball" aloft, tightly-wrapped   
   rags around a stone. He wound up the pitch and Fox   
   depressed the button on his pocket Kodak.   
      
   "What yer doin', Mister?"   
      
   The boy stood on the sidelines of the game, his legs   
   badly bowed by rickets. Fox had captured this child   
   in the picture too. In fact, though the batter was   
   the central figure, this boy was the focus.   
      
   "I'm taking your photograph," Fox replied.   
      
   "Ain't that somethin'!"   
      
   Fox smiled. His subjects were not always so easy to   
   impress. On the piers and up in the Sixth Ward he   
   usually resorted to his clumsy but discreet Scovill   
   camera.   
      
   "I'll bring you a picture next time I'm here," he   
   promised.   
      
   "Golly, thanks, Mister," the boy said.   
      
   "What's your name?" *Boy on Clinton Street, New York   
   City, 1909* would do, but Fox preferred to know names.   
      
   "Benny Pinsker. What's your name?"   
      
   It sounded more like, "Whatcher name," but Fox's ear   
   had gradually become tuned to the argot.   
      
   "Mathew Fox."   
      
   When he first stumbled onto this exotic pocket of New   
   York, Fox had been overwhelmed by the noise and   
   stench. Since then he'd gained a fascination for the   
   languages, the foods, the people themselves. He   
   strolled the teeming streets, camera at the ready. He   
   watched, he listened, and most of the time he was   
   ignored.   
      
   In a narrow alley a girl was pulling laundry from a   
   clothesline and bundling it into a basket. He wondered   
   if she was a laundress but quickly abandoned that   
   thought. Laundresses were never as fresh and lithe as   
   this girl. Hot water and lye aged them early, scrubbing   
   gave the women enormous forearms and blistered red skin.   
   This girl's hands were delicate, her arms slender.   
      
   Daylight was fading, but Fox unfolded his camera and   
   checked the view.   
      
   There's an element of chance in photography. You   
   don't always capture what you want, and sometimes you   
   catch what you didn't see at all. The girl wore a   
   plain white shirtwaist and a trim blue skirt. He   
   watched as she struggled to fold the sheets into halves,   
   then quarters, then eighths before she piled them into   
   her basket. He clicked the shutter, and then wound   
   the film forward for another shot.   
      
   Perhaps one of these would come out. He'd learned a   
   few tricks in the darkroom and he hoped for the best.   
   Sadly, her best feature would be lost in the photograph.   
   The shining auburn hair piled atop her head would be   
   boring gray.   
      
   But now the girl turned to face him, and he lowered   
   his camera at her approach.   
      
   "I beg your pardon. I only wanted to take your   
   photograph," he said.   
      
   "You might have asked me first," she said. "Do you   
   always go about taking people's photographs without   
   their permission?" She held the basket against her   
   hip, leaning a bit to counter the weight.   
      
   "Yes," he answered, too surprised to lie. The people   
   he'd encountered in this neighborhood were rarely so   
   well spoken. Her voice was melodic; he picked up the   
   slightest lilt hinting at an Irish birth.   
      
   "How rude," she pronounced. Good heavens, she was   
   beautiful. Her skin was creamy white, the cheeks   
   pinkened by exertion. It was her eyes that left him   
   almost speechless, so blue and clear a man could   
   almost swim in them.   
      
   "Please forgive me, and let me explain. I'm not   
   trying to make portraits for a gallery. I want real   
   photos of people doing the things they do."   
      
   "And so you skulk about like a thief," she said.   
      
   She wasn't angry. She sounded like a tutor correcting   
   a backward pupil.   
      
   "Please accept my apology," he said.   
      
   She nodded and started up the steps of the stoop.   
      
   He watched her balance the basket against the door   
   until she could open it, then watched her disappear   
   inside.   
      
   He should have offered her a print, he thought. He   
   should have offered to carry the basket.   
      
   Twilight was approaching and now the streets were   
   filled with men and women, boys and girls, returning   
   from the factories. Barely time to stop in at   
   Penazek's grocery store before he headed home.   
      
   Fresh ground coffee scented the air in the grocery   
   and Fox took a moment to inhale and enjoy. Penazek   
   nodded at him from behind the long, cluttered counter   
   as he turned the handle of the large brass coffee   
   grinder. A little girl stood on a milk box, dusting   
   cans of pickled beets and evaporated milk.   
      
   "Mr. Fox the photograph man!"   
      
   "Hello, Anna! You're more beautiful than ever!"   
      
   Little Anna was always happy to see him or to pose for   
   him. Her father grunted a greeting.   
      
   "I know what you want," she said.   
      
   "Then you must be a very smart little girl," he said.   
      
   "But you always buy the same thing!" she crowed.   
      
   Penazek was already measuring a scoop of roasted   
   sunflower seeds into a paper bag. Fox placed a penny   
   on the counter.   
      
   "Show me the picture again," Anna begged.   
      
   Penazek gave her a little frown and shook his head.   
      
   "It's all right," Fox said. The photo was worn and   
   bent, although he always treated it with care.   
      
   He'd taken the photograph himself five years ago.   
   Unlike his current subjects, the young girl in this   
   picture was dressed in ruffles, her dark, curly   
   hair tied up with ribbons.   
      
   "Samantha, the beautiful lost girl. Maybe she's   
   locked in a dungeon, or under a spell," Anna said.   
      
   If only this was a fairytale, Fox thought.   
      
   "Maybe she is," he said as he slipped the snapshot   
   back in his pocket.   
      
   "Don't be sad. One day you'll find her," Anna said.   
      
   "Perhaps, one day," he said, softly. "So, young lady,   
   how is school?"   
      
   "Very good. I'm the only one in the whole class   
   who can do the seven timeses. Want to hear me? Seven   
   times one is seven, seven times two is fourteen--"   
      
   "Anna," Mr. Penezek interrupted as he bagged a   
   customer's purchase. "You bother Mr. Fox too much.   
   Your mama will be wanting help to make the supper."   
      
   Fox glanced at the clock behind the counter and   
      
   [continued in next message]   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)   
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