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|    Message 911 of 1,627    |
|    msnsc21 to All    |
|    [all-xf] Land of the Living I by ML 3/6     |
|    13 Feb 06 15:52:36    |
      From: msnsc21@yahoo.com              OK to send to newsgroup; I'll send to Gossamer and Ephemeral.              Land of the Living I       by ML       ~Headers and notes in Prologue. This is all story.~              ~x~              Chapter Two              "Maybe dreams are the answers to questions we haven't yet       learned to ask." -Fox Mulder              Coward. Idiot.              He lies on the sofa, staring at nothing. All talk and       no action. Not even much talk, really. When it comes       right down to it, he choked. Everything he wants, sitting       right there next to him, and he is too petrified to make a       move.              Maybe he should just drive them back to the airport in the       morning. If the whole week is going to be like this, there       is no point in continuing.              After he heard Scully's bedroom door close he'd taken their       nearly untouched food back to the kitchen and cleaned up. He       came back out to the living room and flopped down on the sofa.       He thinks of all the things he'd wanted to say and do, and how       differently he thought this evening would end. Instead, here       he is, camped out on the couch, alone as usual, dreaming of       Scully, instead of kissing and touching her.              Now that she's here, he's not sure how to deal with the reality       that things are changing between them. He has been afraid all       along that Scully will convince herself that getting closer is       a bad idea. She will rationalize herself out of it, and then       do her best to make him do the same. That's her usual MO with       an X-File she can't believe in. He wonders if all this talk       about his "feelings" are a cover for her reluctance.              And he's afraid that if he makes a move to touch her, he will       lose all control. He scared her in Victorville, he thinks,       and he doesn't want to do that again. He is still, first and       foremost, her friend.              He doesn't want to think about this right now. The silence       in the room oppresses him. He flips on the television, hoping       to dull his senses with whatever mindless drivel there is. The       sound is very low, but it helps drown out the roar in his ears.       Eventually the remote falls from his loosened grip and he dozes       off.              x-x-x              Scully brushes her teeth, washes her face, and tries not to       think about the man she left in the living room. It doesn't       do any good. She can't think of anything else. Despite her       best intentions, they've almost fought, after only a few hours       together. Is this what the week is going to be like?              She hadn't really expected him to behave as he had in       Victorville. She isn't quite sure what she expects, though.       She thought about it on the plane, has been thinking about it       nearly every moment the week they were apart. What does she       want? Mulder asked her, and it seems only fair to give him       an answer. She will, however, insist he's clear about what       he wants, too. This "I want what you want" crap is not going       to cut it.              She can hear the mumbling of the television from the living       room. She imagines Mulder sprawled on the sofa, watching       whatever with half-shuttered eyes.              Maybe she should just go out there, forget the words, just       love him and let it be enough.              Why does it always have to be so difficult for them? Both       professionally and personally, everything is a struggle. She       supposes that it's partly due to their own natures. They are       both driven, though Mulder is much more single-minded that       she is.              Maybe this is still too soon. His mother has been dead such       a short time, and the mystery of Samantha's disappearance       revealed -- not solved, exactly, but an answer that Mulder       seems to be able to live with has been achieved. Still, to       plunge directly into any change in their relationship could       be a big mistake. Maybe he's realizing this, too.              She sighs again. It's useless to conjecture. She thought       she understood in Victorville, that his actions had been born       of reaction and maybe panic. Her suggestion that he take some       personal time had evidently been taken as a sort of challenge       by him. *I will if you will*, each daring the other to make       the first move. Well, they have--Mulder in asking her to come       out to California, and she in actually coming out. They are       equals; equal in risk, equal in emotional investment.              It's time to admit, once and for all, how they feel about each       other and what they want to do about it. Maybe they both do       want the same thing. But they both have to admit it. She is       willing to admit it first, if that's what it will take.       Having decided at least that much, Scully turns out her light       and tries to sleep.              x-x-x              She dreams of Teena Mulder, of seeing her at Bill Mulder's       funeral. So stoic, so patrician-looking. She'd accepted the       flag from the coffin as her due but without emotion.              Mrs. Mulder turns as she approaches, listening to what Scully       has to say without comment. How can she be so calm with her       ex-husband dead and her son missing? Has she put two and two       together? Does she know what her husband was involved in?       What her son has been doing? Mrs. Mulder says all the right       words, but in this dream-state Scully feels that she's hiding       something. This is not something that occurred to her at the       time, and Mrs. Mulder had flown right out of her mind once the       Englishman approached her with his warning.              The dream changes abruptly and now it's only Mrs. Mulder, her       hand out to Scully, asking, almost beseeching...              Scully rouses herself, her heart pounding. She must have been       whimpering in her sleep; she can still hear the echo of it in       her ears. But no, she still hears it, coming from the other       room. It's Mulder, not so much whimpering now as shouting       incoherently. Scully hesitates only a moment before opening       her door and going out to the living room.              Approaching Mulder quietly, she lays a hand first on his arm,       then on his forehead, smoothing the hair away. She says his       name softly. "Mulder. Mulder, it's me, wake up."              "Scully," he says urgently, not quite awake yet.              "Mulder, it's okay. I'm here, I'm okay." He realizes it's       Scully, patting his arm, stroking his forehead. Her hands       are cool and he struggles to sit upright, as though the action       will loosen the last grip the dream has on him.              He reaches blindly for her and she allows him to, opening her       arms, crooning soothing nonsense to him. Eventually his       breathing slows and he rests his head on her shoulder.              "You okay?" she asks, stroking his hair.              He nods. He can't help thinking that this is so much better       than comfort over the phone. "I'm sorry I woke you," he says       in a gravelly voice. "Did I wake you?"              "I was awake anyway." She starts to add more, but thinks       better of it. He has his own bad dreams. He doesn't need       to be burdened with hers, too.              They sit together on the sofa, arms around each other. It       feels so comfortable. The harsh words they traded earlier       might never have been spoken.              Mulder, however, feels compelled to mention them, taking the       blame in typical fashion. "I'm sorry for how I behaved       earlier."              "I'm sorry too," she says. "It was the jet-lag talking, I       guess."              "You have nothing to be sorry for," he says. He shifts              [continued in next message]              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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