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|    rec.arts.manga    |    All aspects of the Japanese storytelling    |    7,759 messages    |
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|    Message 7,137 of 7,759    |
|    Bobbie Sellers to Kenneth M. Lin    |
|    Re: Pataliro    |
|    13 Dec 12 15:07:33    |
      From: bliss-sf4ever@dslextreme.com              On 12/13/2012 10:23 AM, Kenneth M. Lin wrote:       >       >       > "Bobbie Sellers" wrote in message news:kabjpd$lpc$1@dont-email.me...       >        snip       >       >       > In Hen, Satou-kun is the effeminate one and Suzuki-kun is the tall boy that       > is attracted to him. It's probably the author's early work and not very       > coherent or interesting. First of all, they and other characters keep       > calling these two "fags" but from I have read so far, I am not sure if that       > is the case.                I never got to that point,       >       > His current work, Gantz is somewhat more interesting in a science-fiction       > way but it's also just really drawn out and a "mission" often lasts an       > entire volume and I have no ideas where he's going with the whole thing. So       > in a sense it's entertaining in an episodic manner but it doesn't feel as       > it's progressing toward something.               Well don't take the idea of progression toward a definable end point as       important. Take a look at US comics like Superman which keeps       finding ways to continue with no true end to adventures or villians       in sight. Same goes for Batman and most of the superheroes in costume       genre.       >       > I wonder what the whole reason behind Japanese manga artists drawing       > Japanese people as more "Caucacian" in appearance. In some books I have       > read, they'd without hesitation draw other Asians as slanted eyes but keep       > themselves looking pretty with big eyes and different hair colors. It       > started with Tezuka but it says a lot about how much Japanese have       > embraced/envied European culture starting in Meiji era (so as not to become       > a colony like China, Vietnam, Cambodia, and other neighbors and started       > their own empire.)               Ok first of all Japanese manga artist tend to draw all the       good characters in the big-eyed style that they found in the American       comics that were popular before WW II in Japan. Anyone with tiny eyes       is presumed to be less than good. Hair colors are meant to distinguish       between characters. And embracing European knowledge was essential to       escaping the primitive technology they had during the Tokugawa       shogunate. I mean they had no powerful weapons to compare with the       Europeans and Americans. After the US Civil War the weapons were       even more advanced. And the Europeans could scarcely go a generation       without a conflict breaking out and this advanced military science       and technology.        The Japanese government was originally an Empire of Japan.       That is the powerful moved the emperors and empresses out of       communication with the rest of society. In addition the tax exemptions       granted to religious establishments and some nobles ruined the tax       base of the nation. This impoverished the central government        In 1174 or so the Warrior class (Samurai) took control because they       were capable of doing so. First they had battles between the Taira and       the Genji who were families that derived from the Imperial bloodline but       had been given family names and separated from the Imperial court to       take up useful tasks(as the Emperor understood it) in       society including being warriors and the leaders of warriors.        After about the year 1000 these were the people who       pushed the aboriginal people to the North and finally onto       Hokkaido, the northernmost island.        Anyway the Taira first did the Genji down then the       Genji aka Minamoto struck back with a vengeance and suppressed       all of the main Taira clan. Then the leader of the Genji       usually known as Minamoto Yoritomo managed to set up a government       in Kamakura and was awarded the title of Shogun by the Emperor       (who had very little choice). The interesting thing is that       Yoritomo did not want to be in Kyoto because the Imperial       Court's focus on artistic pursuits had weakened the Taira.        After a lot of fighting over who would take power       in the 1600s the Tokugawa emerged as the indisputable rulers       and brought the rest of the local (samurai) lords to heel.        In the 1800s the rest of the world was very curious       about Japan and trade was expanding so the Black Ships of the       USA pushed themselves on Japan by force majeur. This caused       incredible upset to Japanese society. Taking advantage of this       the plutocrats of former samurai lords overthrew the Tokugawa       and raised the young Emperor (called Meji after death) to be the       figurehead of their modernizing nation. And they treated the       common people very badly during this period.        So for about 700 years the nation was an Empire       only in name but a military dictatorship in practice.        Now the oligarchy of the plutocrats who were the       true rulers began to create a colonial empire. Following       Meji the Emperor was very weak so Hirohito his brother?       was made his regent. The Japanese were not taken too       seriously by the European colonial empires and despite       Japan having beaten certain groups during WW I refused       to let Japan take possession of land held by Germans       and the like. This caused the Japanese to grant more       power to the military and to the industrial combines       that lead to WW II. After the restoration of Imperial       rule, the rulers had suppressed Buddhism as an imported       religion and elevated Shinto to a State religion which       taught that the Japanese were a semi-divine race and       the Emperor was the Sun Goddess direct descendant       and so empowered by her to rule the Earth. In addition       the military was taught a particularly brutal version       of bushido the codified rules the Samurai had lived by.        And you have to read a lot of manga to       cover all the ways the Japanese have portrayed themselves       in art. You might look at the work of Yoshino Tatsumi       especially the biographical "a Drifting Life" about       the development of the author as a manga artist,        He has lots of other work that depicts Japan       after wW II in a raw and brutal style. But if you       want a good story find Ashita no Joe aka Tomorrow's       Joe and look at the depiction therein. This is on       Stoptazmo.com and may be in other places and it is       a grim tale of a driven boxer.               Pretty tired now and I have errands yet to       run.        bliss              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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