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|    rec.arts.manga    |    All aspects of the Japanese storytelling    |    7,759 messages    |
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|    Message 7,460 of 7,759    |
|    Bobbie Sellers to Bobbie Sellers    |
|    Re: The Tezuka Osamu Story is out.    |
|    07 Sep 16 16:18:05    |
      From: bliss-sf4ever@dslextreme.com              On 08/25/2016 01:14 PM, Bobbie Sellers wrote:       > Hi typers and readers,       >       > One of my other friends on a mailing list pointed       > this out to me.       > This is a manga and it is about the creator of Astro Boy       > so I posted to raam as well as ram.       >       > I have ordered a copy from Amazon and hope to       > post a few lines about once I have it in hand but I       > figured that if others know about it they might       > be interested in this really big 1000 page manga.       >       > bliss                      Well the massive volume arrived earlier today and I have       read a 5th of the book already. The translation is good of course       being by Frederik L.Schodt who started translating Tezuka's work       in the 1970s. The art is excellent using lots of Tezuka's earlier       efforts and detailing his genius level artistic talent and his       extraordinary intellect. The artist who did the work was in charge       of Tezuka Production's work, Toshio Ban.               I have arrived at the section where Japan has surrendered to       the allies and when hope re-enters Tezuka's life and at several earlier       points it made me cry. This for me is the sin qua non of an excellent       manga. Throughout Tezuka's school years he drew and drew at least       3000 pages of manga right on through the war years despite official       condemnation of such work and discouragement from his Military Drill       Sargent.        We also get to see the civilian privation of WW II as the       food rations are cut and air raids drive city dwellers into the       countryside. Grave of the Fireflies it is not but everything but       the ashes of soldiers and cities were in short supply.               I mentioned last year that in the 4 volumes of Show:A History       of Japan Mizuki uses "Nozumi Otoku" aka "Rat Man" a character from later       work in Kitaro to explicate his creator's times. Here a character       "Shunsaku Ban" or "Mustachio", created in elementary school and used       in later stories is the narrator. Rat Man does not appear until page       93 of Showa but Mustachio is in at the beginning of the story. Mustachio       looks a little like the character trademark for Monopoly.               In one manga or another(Genshiken ?) I have read that there are       manga artists who must draw as Oguie in Genshiken and Osamu Tezuka was       of that class as he drew and drew then drew some more, while still a       child.               More about this later after I absorb about another 800 pages       taking my breaks with a SFP Library volume the intensively collected       "Superman: a 75 year celebration". Superman hit the news stands about       the time I was a year old so Clark Kent is my kohai. Some of these       strips and stories I had read earlier on my way thru elementary and       HS. Some I had missed and there are a few at the beginning which       only serve to illustrate how badly the creators drew.        Tezuka's art was vastly superior. Toshio Ban learned at       the elbow of Tezuka and his art is consistent with Tezuka's.               bliss              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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