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|    Message 191,970 of 192,336    |
|    gggg gggg to wlah...@gmail.com    |
|    Re: Roman Holiday (US)1953    |
|    31 May 23 13:12:53    |
      From: ggggg9271@gmail.com              On Thursday, May 5, 2016 at 5:08:44 PM UTC-7, wlah...@gmail.com wrote:       > Hey,        >        > In the spirit of full disclosure, I should mention that my love affair with       the golden age of Hollywood began to erode after seeing Michelangelo       Antonioni's L'Avventura on a hooky-playing afternoon in lower Manhattan when I       was in high school. Some        Hollywood films will never lose their luster for me and one of them is William       Wyler's The Best Years of Our Life that I consider the best film to ever come       out of any US studio. Wyler's reputation has been tarnished for some by the       writings of Andrew        Sarris and others and now the pendulum is swinging back toward Wyler and away       from unsupportable constructs such as a pantheon and the auteur theory.        >        > With the recent birthday celebration of Aubrey Hepburn and all the chatter       coming from the bio-pic of Dalton Trumbo - who co-wrote the screenplay - I       decided to re-see Roman Holiday, a film I hadn't seen in decades and was       pleasantly surprised in how        the script and direction cleverly re-imagines the usual Hollywood drivel. (If       Wyler was considered an auteur, he would have "subverted the genre" or some       other nonsense like that.)        >        > The story is of a young princess (Audrey Hepburn) on a European tour who       goes out for a lark in Rome after being given sleeping medication and ends up       asleep on a street bench and being helped by a newspaper reporter (Gregory       Peck) who doesn't realize        who she is. What makes the story work is what Sarris describes as "a lack of       feeling" on the part of Wyler as if the angst-ridden postures of Nicholas Ray       or Sam Fuller would bring some meaning or clarity to the film. Neither Peck or       Hepburn are        favorites of mine and what saves this film from being the usual Hollywood       hokum is - among others things - a wonderful and credible ending. Really good       stuff.        >        > Directed by William Wyler from a screenplay by John Dighton and Dalton       Trumbo. Cinematography by Henri Alekan and Franz Planer. Starring Gregory       Peck, Audrey Hepburn, Eddie Albert, Hartley Power, and Margaret Rawlings,       among other.              https://www.youtube.com/watch?v=hJ4ZU-FA5XA              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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