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|    rec.arts.sf.composition    |    The writing and publishing of speculativ    |    144,800 messages    |
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|    Message 143,394 of 144,800    |
|    Nicky to J.Pascal    |
|    Re: How do you prioritize your projects?    |
|    25 Aug 14 02:24:53    |
      From: nicky.matthews@btinternet.com              On Friday, May 23, 2014 10:11:57 PM UTC+1, J.Pascal wrote:       > On Friday, May 23, 2014 1:37:18 PM UTC-6, William Vetter wrote:       >        > > A couple months ago, you had a thread that talked about the Wall. I see       this as more or less the same issue, where the author begins a manuscript with       a lot of enthusiasm, reaches some point at maybe 20K words or so, feels he has       lost the suspense        momentum, wrote a couple scenes that can't hold readers, the dialog is talking       heads, whatever. Then there is not what we call writer's block, where he is       unable to write anything; but he can only repeat the scenario with some other       story manuscript.       >        >        >        > Yeah, there's that.       >        > I have a bad case of Squirrel!!! I mean, um, being distractable.       >        > So the answer might be training myself to write very very fast, to get past       the point where, Oooooh, Shiny! I mean, get as much possible done while the       enthusiasm for a new idea lasts.       >        >        >        > But that's just part of it.       >        >        >        > I have lots of half started projects and since I like most of them I       probably don't want to abandon them because they've got *something* compelling       about them, right? And since the idea is to pick something and work on it       until the end... how do        people pick what to work on?       >        >        >        > Because I know that writers usually have a gazillion ideas at any given time       and even people with no "Squirrel!" problem still have to pick and choose       between them and decide what to spend time on.       >        >        >        > I was wondering if anyone had a method that was objective enough to       hopefully avoid the "Er, this story is a stinker, why am I not working on that       other one?" problem.       >        >        >        > What sort of criteria do you go by?       >        >        I just saw this and have the same problem.       Logically I suppose I go for the one most likely to make me money- because I'm       a kids' writer a book for kids is more likely to get sold than one for adults       ( which is why two of the books I want to revise are adult books and always       slipping to the        bottom of the pile.)       Currently I am also looking at the ones that need less work. ( just did a       list which is too dull for anyone else to read but in deciding what was wrong       with them and how much work they need have just come up with a schedule.)        So my new advice is to list everything you have going on, the time you       estimate it will take to finish them ( ie how much needs doing) rank by almost       readiness then re rank those that even if finished will never sell/ give you       satisfaction/whatever you        care about most. Whatever is left at the top of the list, write.       Nicky (YMMV)              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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