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|    rec.arts.sf.composition    |    The writing and publishing of speculativ    |    144,800 messages    |
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|    Message 143,559 of 144,800    |
|    Brenda Clough to William Vetter    |
|    Re: Writers' return?    |
|    11 Sep 14 19:01:12    |
      From: BrendaWriter@yahoo.com              On 9/11/2014 5:18 PM, William Vetter wrote:       > On Wednesday, September 10, 2014 7:14:47 PM UTC-4, bre...@sff.net wrote:       >> Hmm. First paragraph of the novel I wrote this year:       >>       >>       >>       >> Although his wife's palate was discriminating to a nicety, neither Jack       >>       >> Wragsland nor Marilee cooked. Their virgin oven still had the       >>       >> energy-saver stickers on the door, and Jack kept paperback poetry       >>       >> anthologies inside. His breakfast reading goal was to catch up on all       >>       >> the verse he had missed by traveling almost 170 years into the future.       >>       >>       >>       >> Clearly it meets the rule.       >>       >>       >>       >> First paragraph of the novel I wrote last year:       >>       >>       >>       >> Calla did not need to look at her phone while texting, so she actually       >>       >> saw it happen. One moment the road in front of the car was more or less       >>       >> clear, except for Ponpet�s standard killer gridlock. The monumental       >>       >> stone triumphal arch commemorating her grandfather dominated the traffic       >>       >> circle they were stuck in.       >>       >> Then, flicking into existence like the special effect in a movie, was       >>       >> a totally odd man. In a long black coat and tall hat, he looked       >>       >> something like the young Abraham Lincoln.       >>       > I read a book named _Hooked_.       > It was about openings, and the idea that you can compel an editor to       > read the ms. by writing an opening with so many qualities.       > What aspects of these openings do you think tries to achieve this, or at       > least to draw the reader in?       > When I look at them with this question in mind, I can see that some aspects       do this, and some less so.       > I don't mean to say that it's possible to pack all desirable qualities into       an opening of every variety of story; often, I think, it isn't.       >       >              I do not think of it this way at all.              The fist sentence of the novel is the one that allows me to write the       second sentence. And the third. And roughly a hundred thousand more. If       it cannot do that, it's not the right first sentence.              Brenda                     --       My latest novel SPEAK TO OUR DESIRES is available exclusively from Book       View Cafe.       http://www.bookviewcafe.com/index.php/Brenda-Clough/Novels/Speak       to-Our-Desires-Chapter-01              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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