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|    rec.arts.sf.composition    |    The writing and publishing of speculativ    |    144,800 messages    |
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|    Message 143,566 of 144,800    |
|    Nicky to William Vetter    |
|    Re: Writers' return?    |
|    12 Sep 14 08:14:27    |
      From: nicky.matthews@btinternet.com              On Friday, September 12, 2014 12:38:15 PM UTC+1, William Vetter wrote:       > I think about it that way to an extent.       >        > Below is an opening. I try to begin in a conflict. Bring reader into       setting and world fast. Show the POV character's station in the world, age,       gender directly; make it in no way a struggle to figure out.       >        > You can see immediately reasons why it will never be published...there are a       lot of exotic character relationships, but the SF elements are subdued. But       this is the best I can do to make the opening strong in this story. I see       pulling the reader in        as an aspect of art and skill. About editors, it has more to do with being a       prostitute.        >        >        >        > "Jin Yu, where is your slave tag?"       >        > "I don't know." I threw it in the woods.       >        > Wai Jan bent over to poke into the space under the        >        > oven with a burning stick, then shoved it further into the        >        > fire. She made a big deal out of her stupid oven, said its        >        > bricks were dug out of the ruins of Denver and some other        >        > town, that nobody had made any good oven bricks for two        >        > thousand years. "Lauren will be upset if she sees you        >        > without your tag."       >        > Her voice made my head hurt. "If Lauren owns me, then        >        > how come the tag has a mark on it that Indians put on their        >        > cows?" I saw the brand last fall when they brought in a        >        > steer's hindquarters for Wai Jan to braise.       >        > Wai Jan straightened. When she frowned, her rounded        >        > nose crinkled and you could see into the nostrils. She had        >        > big boobs like the White Women, but she was shorter.        >        > "We've explained this to you before. You're a very        >        > beautiful child. You're old enough for someone to take you,        >        > a strange Navajo or Apache. Nobody would steal from Chief        >        > Brightknife."       >        > Then nobody would make me work in a fake restaurant. I        >        > mean, what was it? Just a hogan with a sign over the door        >        > that had Chinese letters burned onto it with a hot coal.                     It's interesting. I don't think the exoticism is a problem. Maybe the voice is       a little uncertain in that the narrator uses an odd mix of language registers       that don't immediately gel but that might be explained later.              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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