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|    rec.arts.sf.composition    |    The writing and publishing of speculativ    |    144,800 messages    |
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|    Message 143,813 of 144,800    |
|    J.Pascal to William Vetter    |
|    Re: Getting old and knowing better somet    |
|    10 Nov 14 09:38:12    |
      From: julie@pascal.org              On Monday, November 10, 2014 7:53:48 AM UTC-7, William Vetter wrote:       > On Sunday, November 9, 2014 1:42:53 AM UTC-5, J.Pascal wrote:       > > So... I did nothing today, but I was thinking that I should open one of my       working files and plunge into an action scene that I figured out comes next,       pulls my people into the fray in a way they can't avoid because I'd been       trying to figure out why        they would start hunting monsters instead of just go home. The "but why me?"       question seems to be an important one and "because the author wants you to"       might be the real answer but there has to be a plot answer too, so, I'd       *found* the plot answer...       >        > You're making me think about character motivations. In The Scarlet       Pimpernel, young British gentry smuggle French aristocrats across the Channel       apparently for sport, perhaps for the same reason they terrorize foxes, or at       least, that's the only        explanation ever given       > .              Doing something for sport or on a dare or just to prove you can is great       motivation... but only for characters where that makes sense. Revenge is a       great motivator but only if that makes sense. "It seemed like a good idea at       the time" is fine motivation,        too. As is trying to impress the guy or impress the girl. Or being drunk.        One of my favorite Georgette Heyer romances the guy does what he does (mostly)       because he was very very drunk.              "Oooooo, Monsters! Lets go hunt them." is also fine. It just depends on if       your characters would react that way or not.               -Julie              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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