Forums before death by AOL, social media and spammers... "We can't have nice things"
|    rec.arts.sf.composition    |    The writing and publishing of speculativ    |    144,800 messages    |
[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]
|    Message 143,849 of 144,800    |
|    John F. Eldredge to William Vetter    |
|    Re: weather    |
|    22 Nov 14 00:23:06    |
      From: john@jfeldredge.com              On Thu, 20 Nov 2014 06:58:36 -0800, William Vetter wrote:              > On Wednesday, November 19, 2014 9:06:56 PM UTC-5, John F. Eldredge       > wrote:       >> On Mon, 17 Nov 2014 15:28:43 -0800, David E. Siegel (siegel@acm.org)       >> wrote:       >>       >> > On Saturday, October 25, 2014 11:16:04 PM UTC-4, William Vetter       >> > wrote:       >> >> On Sunday, October 5, 2014 8:53:55 PM UTC-4, J.Pascal wrote:       >> >> > On Sunday, October 5, 2014 5:45:42 PM UTC-6, William Vetter wrote:       >> >> > > On Sunday, October 5, 2014 3:18:46 PM UTC-4, J.Pascal wrote:       >> >> > >       >> >> > (...)       >> >> > >       >> >> > > > Saying "You can't use weather to indicate mood" is like saying       >> >> > > > "no more using short words and sentences to heighten a sense       >> >> > > > of urgency."       >> >> > >       >> >> > >       >> >> > >       >> >> > > There is another one they say universally...the character can't       >> >> > > look in a mirror and describe herself.       >> >> > >       >> >> > > The other day I was thinking about that, that there used to be a       >> >> > > TV show named "Quantum Leap" involving Scott Bakula, where he       >> >> > > looked in the mirror at the beginning of every episode.       >> >> >       >> >> >       >> >> > Of course that worked really well in "Quantum Leap" where Bakula       >> >> > ran around looking just like Bakula but for the story was actually       >> >> > in other people's bodies so we got to see in a reflection what he       >> >> > looked like to everyone else. Sort of like if there are vampires       >> >> > there's at least one instance of non-reflection required. :)       >> >> >       >> >> > But anyhow, the mirror description thing....       >> >> >       >> >> > Honest, I think that was a solution to a non-existent problem.       >> >> > Someone or other decided that a "good" writer in a single POV 3rd       >> >> > person narrative or 1st person never let anything on the page that       >> >> > their POV character wouldn't actually think. So since I already       >> >> > know that I have blond hair and blue eyes and am 5 feet tall I       >> >> > would never think about my blond hair and blue eyes. I might       >> >> > think about my height if the author asked me to get a bowl from a       >> >> > high shelf but in order to think about my *hair* I need to be       >> >> > looking in a mirror fixing it.       >> >>       >> >> I dunno. Women say, "I hate my hair" all the time. It's pretty       >> >> much universal. And black women have an even bigger thing about the       >> >> hair relaxer.       >> >> >       >> >> > Other solutions could be to have someone else say something       >> >> > like... "Julie, I sure do envy your beautiful blond hair... it       >> >> > flows like sunshine..." *Gak* And besides, this has to happen at       >> >> > the beginning of the story, and giving me a love-sick stalker just       >> >> > to describe my looks is even sillier than having me walk past a       >> >> > mirror.       >> >>       >> >> A stalker needs to appear frequently in the manuscript, be almost       >> >> inescapable, or the stalker is not a stalker, just an annoyance.       >> >> >       >> >> > And I imagine that people started to notice that "the mirror       >> >> > trick" seemed forced, too, and frequently applied...       >> >> >       >> >> > ...to a wholly made-up problem. Just describe your POV character       >> >> > and get it over with. If a mirror is *appropriate* then use a       >> >> > mirror. If a love-lorn stalker is *appropriate* use a love-lorn       >> >> > stalker. If it doesn't really matter what your POV character       >> >> > looks like, or what specie they are, or sex... then leave it out.       >> >>       >> >> I think you really need to let reader know if the POV character is       >> >> an alien quickly. And probably the gender. If they think the       >> >> author is playing games with them, like intentionally hiding that       >> >> the POV character is a female physician or a male nurse to prove the       >> >> reader is a sexist, they'll feel their intelligence is being       >> >> insulted.       >> >       >> > If it is too blatant yes. But it can work. I recently reread _Alien       >> > Island_       >> > (1970) by T. L. Sherred, and it is not until page 55 that the gender       >> > of the PoV character is clearly stated to be female, a point which       >> > soon becomes important. The character has two often but not       >> > invariably male occupations: bartender (as a cover) and intelligence       >> > agent (subordinate). There may have been a few cues, but they were       >> > too subtle for me to pick up on, and I suspect for most readers. I       >> > think it worked well in this particular case, and can work if it is       >> > well done. Of course default gender assumptions were perhaps even       >> > stronger in 1970 than they are now.       >> >       >> > -DES       >>       >> Melissa Scott's novel _The Kindly Ones_ never does reveal the gender of       >> the protagonist, Trey Maturin, and does so skillfully enough that I       >> didn't realize that I didn't know his or her gender until the second       >> time I read the novel. Maturin is always addressed by name, by title,       >> or in the second person. This is the only novel in which Melissa Scott       >> has done this.       >       >       > I have never seen this done by professional writers. What I meant when       > I originally mentioned this was that, at times, I have seen it in       > workshop manuscripts that represent perhaps the level of the 75th       > percentile of the slushpile where some young or inexperienced author has       > concealed the gender of a POV character in a piece of short fiction, or       > written almost entirely in character dialog with the purpose of       > concealing a gender of a physician, so that the physician can be       > revealed to be a woman in the final paragraph as a sort of twist ending.              Melissa Scott hasn't used the gender-hiding technique in any other       novels. I suspect she decided that it wasn't worth the effort to avoid       ever using a gendered pronoun.              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]
(c) 1994, bbs@darkrealms.ca