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|    rec.arts.sf.composition    |    The writing and publishing of speculativ    |    144,800 messages    |
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|    Message 144,437 of 144,800    |
|    William Vetter to All    |
|    tea parties    |
|    08 Oct 15 17:54:54    |
      From: mdhangton@gmail.com              I found a book in a public library that I never encountered before.       The title is _The Fiction Editor, the Novel, and the Novelist_, by       Thomas McCormack. It's a book of the Eighties. As I understand it,       it's about a methodology for publishing editors to learn to be       competent publishing editors, but doesn't teach them to be publishing       editors. It has a few examples of what publishing editors should do       embedded in it. It is not an expecially well-organized book. If it       were printed today, one would assume it was an agglomeration of blog       entries.              Nevertheless, I found the following quote from somebody else within a       chapter of high-diction blather:              Here's an example of a principle from a celebrated editor of a       generation ago, William Sloane:       "The enemy of fictional density is the one-thing-at-a-       time scene, that simply shows you, the reader, one of the       facets of the story, whether it be something about the       characters or about the action or the setting, or whatever.       All too often this thin scene is invented to convey a piece       of factual information to the reader-a tea party where       the characters talk about their ancestors and their fami-       lies, and, perhaps, as an added fictional bit of icing on the       cake, announce that a new teacher is coming to town.       [But in] a good piece of fiction ... all parts of each scene       are working: characterization of the people, creation of       the physical world of the story, narrative motion, whet-       ting of anticipation, resolution of the mystery, characteri-       zation of the author-style inevitably does this-all the       dimensions, and all at once."              When I first saw it, I thought it was speaking to me about those       expositions in the form of dialog, where one character is a mentor       lecturing a golden child on Spaceflight as it came to be and currently       stands inside some worldbuilt setting while he's cooking spaghetti. I       scanned the pages with this quote on it for OCR to keep it before I       return the book (because it's giving me a headache), but now that I've       been looking at it for a while, the quote doesn't seem to apply as       much, nor does it seem so profound a quote...but there isn't so much       activity here so here are my electrons.              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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