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|    Message 136,617 of 137,311    |
|    Tim Merrigan to Gary McGath    |
|    Re: MT VOID, 04/11/25 -- Vol. 43, No. 41    |
|    15 Apr 25 08:28:41    |
      From: tppm@rr.ca.com              On 4/15/2025 3:03 AM, Gary McGath wrote:       > On 4/15/25 2:43 AM, Cryptoengineer wrote:       >       >> Unless the race of the character is part of the story, I don't       >> see that it matters. Oddly, in Bridgerton (I only watched the       >> first season), race is mentioned at least once.       >       > Soprano Kathleen Battle has been noteworthy as Pamina in _The Magic       > Flute_. Because of a racial subplot, Pamina is supposed to be white, but       > no one really cares. In opera, physical suitability for the role doesn't       > matter. I've seen a singer who was well over 6 feet tall play a half-       > dwarf in Wagner. Heavily built women singing the leading part in _La       > Traviata_, a woman who's dying of tuberculosis, have become a standing       > joke. I recently heard of a production of _Fidelio_ where Leonore, who       > is a woman disguised as a man until the final scene, was played by a       > woman who was eight months pregnant.       >              Famously the admonition "it ain't over till the fat lady sings"       references Brunhilde's final song in the Ring Saga. In "reality"       Brunhilde, a Valkyrie and warrior maiden, would not have been fat, her       combined jobs having kept her in shape.              --              Qualified immunity = virtual impunity.              Tim Merrigan              --       This email has been checked for viruses by AVG antivirus software.       www.avg.com              --- SoupGate-DOS v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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