Forums before death by AOL, social media and spammers... "We can't have nice things"
|    rec.arts.sf.fandom    |    Discussions of SF fan activities    |    137,311 messages    |
[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]
|    Message 137,059 of 137,311    |
|    Evelyn C. Leeper to All    |
|    MT VOID, 10/31/25 -- Vol. 44, No. 18, Wh    |
|    02 Nov 25 10:56:24    |
      [continued from previous message]              film's credits say it is based on the "novel story" "The Golden       Man". There is no such novel, just a twenty-eight-page short       story. I read it in Judith Merril's anthology BEYOND THE BARRIERS       OF TIME AND SPACE. In the introduction to the story, Merril says,       "The theme [precognition] is handled here, with unusual dramatic       impact, by a young West Coast writer of exceptional promise."       Well, the anthology *is* from 1954.              But little of the story is left. Nicholas Cage has precognition,       but none of the back story is there, and Cage bears no       resemblance, either in appearance or in personality, to the       character in the story. Which is a pity, because the back story       seems particularly relevant to today's world. The plot is also       totally different. In fact, all that is left is the idea of       precognition (which Dick is better known for in "The Minority       Report", the film of which also made major changes to the original       story).              This is not unusual in films--taking a story and removing almost       everything from it when it is made into a film, or rather, a film       is made "inspired by" the story. This is why, by the way, that       whenever I am asked which of my favorite novels I would like to       see made into a movie, my answer is, "Please, God, none of them."       Not to mention that a novel is too long to make into a movie       without removing a lot. A better length is a novella, or even       shorter. As an example, I recently watched LAST AND FIRST MEN. It       would have fit right into the "Wavelengths" track at the Toronto       International Film Festival, a track devoted to the experimental       and avant garde, which Mark and I tended to avoid. A narrator       (Tilda Swinton), but no actors, and a lot of slow panning over       structures, landscapes, monuments, and who knows what, all in       black and white. And it covers only the Eighteenth Men in any       case. Lord knows what Olaf Stapledon would have made of it. [-ecl]              ===================================================================               Evelyn C. Leeper        evelynchimelisleeper@gmail.com                      Diets come and diets go but the girth abides.        --Mark R. Leeper              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]
(c) 1994, bbs@darkrealms.ca