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|    rec.arts.poems    |    For the posting of poetry    |    500,551 messages    |
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|    Message 499,743 of 500,551    |
|    HarryLime to W.Dockery    |
|    Re: The Psycho-epistemolgy of MMP (2/4)    |
|    04 Feb 25 18:52:11    |
      [continued from previous message]              >>>>>> This is opposed to Roark, who is willing to risk       >>>>>> everything he owns, and all of the progress he has made in the hierarchy       >>>>>> of his chosen field, to be true to his personal values.       >>>>>       >>>>> The difference between them is not whether they were true to their       >>>>> values, but what values they were true to. Roark valued creativity,       >>>>> doing things; Wynand valued having power, "running things" and the       >>>>> people who did them.       >>>       >>>> Again, that was not my reading (which the internet interpretation       >>>> confirms).       >>>       >>> No, the quote you googled does not confirm that. According to your       >>> googled quote, Wynand was already thoroughly corrupted "by the time we       >>> met him" in the novel.       >>       >> LOL! Is that what you're harping on?       >>       >> His past is part of his character. You can't dismiss a character's       >> backstory just because it happens outside of the narrative's timeframe.       >>       >> As you're a writer, I can't believe that I'm having to explain this to       >> you.       >>       >>       >>>> You don't seem to be getting the full picture of Wynand's character --       >>>> but then you *always* recast everything in the simplest of       >>>> black-and-white terms.       >>>       >>> I am getting that you identify with Wynand.       >>       >> And, once again, you're mistaken.       >>       >> You should really stop trying to read things into my statements. I       >> choose my words carefully, and say exactly what I mean.       >>       >> I do not identify with Wynand in the least. Wynand is everything that I       >> am not: rich, self-made, successful, powerful, dependent upon public       >> acceptance, and willing to compromise his ideals.       >>       >> I do, however, *understand* the fictional character better than you, as       >> your understanding of both Rand and Nietzsche is faulty, and you seem       >> incapable of grasping any concept in its full complexity, having to       >> pigeonhole it into simplistic, black and white components that often       >> undermine its original intent.       >>       >>       >>> So it's fair for us to       >>> identify you with him; the thoroughly corrupted power seeker - not       >>> beyond redemption (since there probably is a real person under all those       >>> socks, and it may show itself one day) - but not redeemed at present.       >>       >> Wrong again.       >>       >> 1) Whether I'm corrupted is a moot point as my basic ideals (youthful       >> and present day) stem from a Luciferic belief system (similar to those       >> of both Nietzsche and Rand). Since, in such a system, "Good" and "Evil"       >> are seen as relative to the individual, words like "corrupted" become       >> meaningless. Unless you want to argue that one could become "corrupted"       >> into accepting the standards of conventional morality.       >>       >> 2) I am not a power seeker, insofar as I do not actively seek to become       >> empowered. I believe that I would make the ideal Philosopher Prince (as       >> per Machiavelli) or Philosopher King (as per Plato), and believe that       >> the world would only benefit from my leadership... but that is purely a       >> matter of speculative masturbation. I am content to remain a working       >> class peon in society, and to devote my writing to exploring the eternal       >> truths of one's inner soul.       >>       >> 3) Since there is no difference between any of my so-called "socks"       >> (apart from their names), the "real person" is not hidden underneath       >> them in any way.       >>       >> In Marginalia 194:1,2, Poe wrote that:       >>       >> "If any ambitious man have a fancy to revolutionize, at one effort, the       >> universal world of human thought, human opinion, and human sentiment,       >> the opportunity is his own — the road to immortal renown lies straight,       >> open, and unencumbered before him. All that he has to do is to write and       >> publish a very little book. Its title should be simple — a few plain       >> words — “My Heart Laid Bare.” But — this little book must be true       to its       >> title.       >>       >> "Now, is it not very singular that, with the rabid thirst for notoriety       >> which distinguishes so many of mankind — so many, too, who care not a       >> fig what is thought of them after death, there should not be found one       >> man having sufficient hardihood to write this little book? To write, I       >> say. There are ten thousand men who, if the book were once written,       >> would laugh at the notion of being disturbed by its publication during       >> their life, and who could not even conceive why they should object to       >> its being published after their death. But to write it — there is the       >> rub. No man dare write it. No man ever will dare write it. No man could       >> write it, even if he dared. The paper would shrivel and blaze at every       >> touch of the fiery pen."       >>       >> I chose, while still in my idealistic youth, to become the man who would       >> dare to write that book. But it isn't limited to a single publication.       >> It runs through my collected works of poetry, fiction, drama, and       >> philosophy. But it doesn't stop there. It is present in all of my       >> ephemeral social media posts, personal letters, and everyday       >> conversations. In short: to write the book, one must *become* the book.       >> My heart must be worn upon my sleeve for all the world to see -- i.e.,       >> it must be perpetually "laid bare."       >>       >> You, however, will never see the "real person" for want of the imaginary       >> socks. A real person is too complex, multi-layered, and even       >> self-contradictory a concept for your black & white mind to comprehend.       >> Even your Donkey has demonstrated a better understanding of the       >> complexity of human life than you.       >>       >>       >>>>>> Wynand redeems himself later in the novel, and is last seen having       >>>>>> returned to his original, Ubermenschian self.       >>>>>       >>>>> Yes, that part of the story has a happy ending; Wynand "redeems" himself       >>>>> by shutting down the Banner, giving up his quest for power over others.       >>>>> As you know, Rand began writing /The Fountainhead/ as a Nietzchean, and       >>>>> finished it as an Objectivist; and the story of Wynand symbolizes that       >>>>> transition.       >>>>>       >>>>> Except for that happy ending, Wynand is the character that fits you       >>>>> best. You're still stuck in that quest for power for its own sake.       >>>>       >>>> Just because Rand modified her ideology a bit, doesn't mean that she       >>>> recast Wynand as a one-dimensional representation of something bad.       >>>       >>> I never said she had. Her only one-dimensional character is Toohey.       >>       >> Roark is one-dimensional as well; and none of her characters ever reach       >> beyond two dimensions. They are, after all, merely devices for       >> expressing her philosophical ideas. The closest she comes to a       >> three-dimensional character is with Dagny Taggart in Atlas Shrugged.       >>       >>       >>>> Roark has always struck me (and pretty much everyone else who's ever       >>>> read the book) as being the poster boy for the Nietzschean Ubermensch.       >>>       >>> Not at all; Roark valued his own independence from others, and their own       >>> independence from him. Not only did he not try to control them; he       >>> wouldn't even give them advice beyond "don't take advice, from me or       >>> anyone" (paraphrased).       >>       >> You are a victim of the popular misconception that Nietzsche was about       >> power and dominance -- which shows me that you've never read any of his       >> works. Nietzsche's one fictional character was Zarathustra -- a hermit       >> (inspired by the ancient Persian founder of Zoroastrianism) who lived in       >> the wilderness on top of a mountain. Zarathustra serves as a mouthpiece              [continued in next message]              --- SoupGate-DOS v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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