home bbs files messages ]

Forums before death by AOL, social media and spammers... "We can't have nice things"

   rec.arts.tv      The boob tube, its history, and past and      233,998 messages   

[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]

   Message 233,196 of 233,998   
   The Doctor to All   
   AI/LLM reviews of ST V Remember (1/2)   
   07 Feb 26 14:08:21   
   
   XPost: rec.arts.startrek.misc, rec.arts.startrek.fandom, rec.arts.sf.tv   
   XPost: can.arts.sf   
   From: doctor@doctor.nl2k.ab.ca   
      
   AI/LLM Reviews of Star Trek Voyager Remember   
      
   Goole Gemini   
      
   "Remember" (Season 3, Episode 6) is a haunting, politically charged episode   
   that uses a sci-fi "telepathic" hook to explore the real-world themes of   
   historical revisionism and the Holocaust. It is widely considered one of   
   Roxann Dawson’s finest    
   performances as B’Elanna Torres.   
      
   Based on the transcript from the source provided, here is a review and   
   analysis:   
      
   ### 1. The Premise: Living a Double Life   
      
   While *Voyager* is transporting a group of Enaran passengers, B’Elanna   
   Torres begins having vivid, intensely sensual, and eventually horrific dreams.   
   She soon realizes these aren't dreams, but memories being telepathically   
   projected into her mind by an    
   elderly Enaran woman named Jhamel.   
      
   Through these visions, B’Elanna "lives" the life of a young Enaran woman   
   during a pivotal moment in their history—the "Resettlement."   
      
   ### 2. The Narrative of the Visions   
      
   The episode's strength lies in its non-linear storytelling. We see the Enaran   
   past through B'Elanna’s eyes:   
      
   * **The Romance:** At first, the memories are beautiful, focusing on a romance   
   between the young Enaran girl and a member of a "regressive" minority group   
   called the Regressives (who reject Enaran technology).   
   * **The Radicalization:** We watch as the girl’s father, a high-ranking   
   official, manipulates her into believing the Regressives are a threat to their   
   "utopia."   
   * **The Horror:** The visions culminate in the revelation of the   
   "Resettlement" as a euphemism for genocide. B'Elanna witnesses the Regressives   
   being herded into a building and burned alive—a crime her younger self   
   complicitly helped facilitate by    
   pointing out their hiding spots.   
      
   ### 3. Roxann Dawson’s Standout Performance   
      
   B’Elanna Torres is usually defined by her temper and her engineering skills.   
   "Remember" forces her into a state of extreme vulnerability.   
      
   * **The Physical Toll:** As the memories become more violent, B’Elanna’s   
   physical health declines.   
   * **The Emotional Weight:** Dawson perfectly conveys the trauma of   
   "remembering" a crime she didn't commit, but feels responsible for. Her   
   desperation to make the younger Enarans believe her at the end of the episode   
   is palpable and heartbreaking.   
      
   ### 4. Themes: History and Accountability   
      
   The episode serves as a powerful allegory for how societies "cleanse" their   
   history.   
      
   * **The Enaran Denial:** The modern Enarans on *Voyager* are polite, advanced,   
   and seemingly perfect. They have completely erased the genocide from their   
   textbooks and their collective memory.   
   * **The Burden of Truth:** Jhamel, the elderly Enaran, is dying. She chooses   
   B’Elanna as a "witness" because she knows her own people will not listen.   
   The episode posits that a society that forgets its atrocities is doomed to a   
   hollow existence.   
   * **"Remember Me":** The title refers to the victims. The only way they   
   "exist" is in the memories that the perpetrators try to suppress.   
      
   ### 5. Critical Analysis   
      
   * **The "Prime Directive" Twist:** This is one of the more frustrating endings   
   for the crew. Because the genocide happened decades ago on a sovereign planet,   
   Janeway cannot officially punish the Enarans or force them to acknowledge the   
   truth.   
   * **The Legacy:** The ending—where B'Elanna passes the memory on to a young,   
   curious Enaran girl—is the only "victory" allowed. It’s a quiet, personal   
   win rather than a grand justice.   
   * **Tone:** The episode is notably dark for *Voyager*, bordering on   
   psychological horror during the fire sequences.   
      
   ### 6. Highlights   
      
   * **The Set Design:** The Enaran "past" has a distinct, romanticized aesthetic   
   that slowly rots away as the truth is revealed.   
   * **The Dialogue:** The chilling way the Enaran father speaks about "cleaning   
   up" their world is a masterclass in the banality of evil.   
      
   ### Final Verdict   
      
   **Rating: 4.5/5**   
   "Remember" is a top-tier *Voyager* episode. It steps away from the "alien of   
   the week" action to deliver a sophisticated, sobering message about the   
   importance of historical truth. It treats its subject matter with the gravity   
   it deserves and proves that    
   B’Elanna Torres is one of the most complex characters on the ship. It is an   
   episode that stays with the viewer long after the "dream" ends.   
      
   ---   
      
   **Would you like to move on to the next *Deep Space Nine* episode, "Looking   
   for par'Mach in All the Wrong Places," or continue with *Voyager*'s "Sacred   
   Ground"?**   
      
   ChatGPT   
      
   Here’s a **review of *Star Trek: Voyager* — “Remember”** (Season 3,   
   Episode 6) based on the *Chakoteya*-style plot you referenced and synthesis   
   from reliable episode summaries and fan/critic reception. ([Wikipedia][1])   
      
   ---   
      
   ## 🪐 Plot Summary   
      
   Voyager is transporting a group of **Enarans** back to their homeworld when   
   **B’Elanna Torres** begins experiencing extremely vivid dreams. These dreams   
   aren’t random — they feel like *lived memories* of a young Enaran woman   
   named **Korenna**,    
   involved in a forbidden love and a brutal sociopolitical conflict on her   
   planet. ([Wikipedia][1])   
      
   Torres learns the dreams are actually **telepathically projected memories**   
   from an elderly Enaran woman, **Jora Mirell**, once Korenna herself. The   
   memories reveal that the Enaran government systematically *executed* a group   
   called the **Regressives**    
    people who rejected technological “progress” — and covered it up,   
   rewriting history. ([Ex Astris Scientia][2])   
      
   Torres, deeply affected, confronts the Enarans aboard Voyager, but they   
   largely deny wrongdoing and insist the Regressives brought their fate on   
   themselves. Captain Janeway declines to intervene directly due to the Prime   
   Directive, though she lets Torres    
   pursue truth in her own way. In the end, Torres connects with another Enaran   
   crew member, **Jessen**, who agrees to share the memories further so the truth   
   cannot be forgotten, subtly passing the responsibility for remembrance onward.   
   ([Wikipedia][1])   
      
   ---   
      
   ## 🎭 Themes & Strengths   
      
   ### 🧠 Memory, Truth & Historical Reckoning   
      
   “Remember” is fundamentally an **allegory about historical suppression**   
   — how societies erase uncomfortable truths and why remembering is vital. The   
   Regressives’ execution and its cover-up mirror real-world genocides and   
   denial movements,    
   intentionally paralleling historical atrocities. ([Ex Astris Scientia][2])   
      
   ### 👩   
   🔧 B’Elanna Torres as Emotional Focus   
      
   Roxann Dawson delivers a **strong, grounded performance** as Torres, whose   
   bewilderment, sorrow, and moral outrage anchor the episode. Many fans and   
   reviewers highlight the emotional weight of her journey from confusion to   
   conviction. ([Wikipedia][1])   
      
   ### 🕊 Moral Ambiguity & Prime Directive   
      
      
   [continued in next message]   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)   

[   << oldest   |   < older   |   list   |   newer >   |   newest >>   ]


(c) 1994,  bbs@darkrealms.ca