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|    rec.arts.sf.movies    |    Discussing SF motion pictures    |    28,343 messages    |
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|    Message 27,504 of 28,343    |
|    jack to Klaus Meinhard    |
|    =?UTF-8?B?UmU6ICJIb3cgS3Vicmlja8ODwqLDou    |
|    19 Mar 18 08:07:41    |
      From: jrs9jrs9@gmail.com              On Friday, March 16, 2018 at 4:23:29 AM UTC-4, Klaus Meinhard wrote:       > > It's a movie (and book) made by 1960's drug-addled loonies ...       > > *THAT* is why it's an incomprehensible mess.       >        > If you don't understand something, somebody else has to be to blame, of       > course.       >        > > It's also not helped by the first half or more (after the monkeys)        > > being mind-numbing boring       >        > So sorry that sequence isn't up to Fast 'n Furious. Probably life was       > pretty boring, during the absence of cave bears at that time. But the       > first encounter of proto-man with an alien artifact and the ensuing       > uplift that this symbolizes could be seen as quite sensational.       >        > The crossfade of that flying bone into a space transporter was seen as       > quite ingenious at the time.       >        > > (including the "two-hour"* docking sequences to nothing but awful        > > ballet music), so everyone has gone to sleep by that point and wake        > > up at the end not knowing what's going on.       >        > It's not ballet music, even if it is a space ballet. And the first and       > best realistically filmed at the time, at that scope, done that way to       > give you a feeling of how it would really be to sit in that shuttle.       >        > So perhaps you should try to keep to Transformers 19.5 and refrain from       > judging films you are obviously not equipped to understand.       >        >        > --        > Mit freundlichen Grüßen,       >        > Klaus Meinhard              The music is The Blue Danube, a waltz by Strauss and probably the most famous       waltz there is. Just like the docking was a dance.              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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