From: mleeper@optonline.net   
      
   I was at my last Toronto International Film Festival--likely to   
   remain my last Toronto International Film Festival ever for a   
   variety of reasons.  In any case, you run into all sorts of film   
   fans not just from Toronto but from all over the world.  I was   
   making notes on the last film I had seen and the man sitting next   
   to me asked me about what films what films the TIFF were featuring.   
    Then he asked what films I had liked and then generally what my   
   favorite film of all time was.  That was a good way to get a lot of   
   information about me and my interests.  But I think that he was   
   expecting me to give him some general popularity film, maybe a   
   Spielberg film.  Without even taking a breath I gave him QUATERMASS   
   AND THE PIT.  My new friend was English (if I am correct about   
   accents), and English fans seem to think that QUATERMASS AND THE   
   PIT is almost unknown in the colonies.   
      
   QUATERMASS AND THE PIT is something of a legend in Britain.  The   
   three Quatermass plays were written for and played on the BBC.   
   Quatermass (which, by the way, is a familiar name in Wales) was the   
   head of the British rocket group.  Each play has Quatermass facing   
   down an alien that represents a threat to humanity, with Quatermass   
   first having to get some understanding of what kind of threat we   
   face.  By the time the series was broadcasting the third play,   
   churches and were changing their schedules because people were home   
   watching Quatermass.   
      
   Director Roy Ward Baker is able to give a deep and frightening   
   atmosphere to this film that is not often found in an urban setting.   
      
   Writer Nigel Kneale skillfully blended several story touches to tie   
   this project with then-current news items, e.g., they are doing   
   work in an underground tunnel at the same time similar things were   
   being done in the real world.  One way to see how good the writing   
   is on this film is how much is it relevant to today.  My   
   observation is that it is extremely relevant.   
      
   And I like the kind of science fiction reasoning when (for example)   
   Colonel Breen and Quatermass discuss the possibility of ancient   
   visits by doomed Martians is what people are interested in science   
   fiction for.   
      
   One goof in either the writing or the art design is that what   
   Quatermass calls a pentacle is not a pentacle.  It might be a   
   hex-something, but not a penta-something.   
      
   It is surprising that nobody figures out that a skull encased in a   
   metal shell would be something very strange.  It's Quatermass who   
   asks the telling question, what has been protecting the skull?  For   
   that matter, it is odd that the surrounding rocks formed a sort of   
   a chamber where fossils would be discovered, especially since there   
   are not too many flat vertical walls in nature.  A bigger goof is   
   that apparently the sinews of the skeleton have not disintegrated   
   or been torn by the rocks.   
      
   Two examples of good art design: The statue of some alien in the   
   lab is visually very similar to one of the workers.  This will be   
   subtly significant later in the story.  There are also many strange   
   curves on the found device which compares impressively against the   
   object's shape in the original television version.  Hammer's set   
   designer also creates a set that is actually nearly believable.   
      
   If you want a good embodiment of confirmation bias, just listen to   
   Colonel Breen as more information is discovered.  He remains in   
   total denial.  Interestingly, Andrew Keir's Quatermass is on the   
   fence as to whether the fossils found are significant.  The real   
   hero of the film is Miss Judd.   
      
   It is a good touch that as the archive reader goes through the   
   Latin text, he has to stop and go back and pick up a word from the   
   previous page because sentence structure and word order is   
   different in Latin than in English.   
      
   I cannot prove, but genuinely believe, that I discovered that the   
   scene on the "mind-reading" visual analyzer was borrowed by Baker   
   from the early Hammer science fiction film FOUR-SIDED TRIANGLE.  I   
   had never noticed it until many years later but I definitely heard   
   people citing it after I mentioned it in an article.   
      
   (This is the one science fiction idea in the film that does not   
   ring true; it is very unlikely that in such a short time one could   
   develop a "visual analyzer".)   
      
   The "alien playback" scene is the one scene that really could use   
   much better special effects.  It seems very amateurish-looking.  If   
   the film is ever remade this should be where the additional effort   
   is put.  Another scene with flawed special effects is the scene in   
   which we first see the telekinetic effects.  It has a heavy use of   
   wire work which is not quite believable.  However, this aspect is   
   clearly one that would look better in a film made today.   
      
   Barbara Shelley (who plays Miss Judd) was one of Hammer films most   
   favored actresses, although this was her last Hammer film, and   
   (except for one film) her last feature film.  (She basically did a   
   lot of television work for the next twenty years.)   
      
   Julian Glover (who plays Colonel Breen) had a very long career,   
   showing up in many later fantasy films, including films in the   
   "Indiana Jones" series, the "Harry Potter" series, and THE GAME OF   
   THRONES, and is still acting.   
      
   Bee Duffell (who plays the lab assistant) was actually in a   
   surprising number of Hammer horror and science fiction films. Her   
   suicide in Fahrenheit 451 is one of that film's memorable touches.   
   She was also in A NIGHT TO REMEMBER, along with nine (!) other   
   actors from QUATERMASS AND THE PIT.  Since Baker directed both   
   films, he may have just decided to use many actors he was already   
   familiar with.   
      
   Duncan Lamont (who plays Sladden, the driller, in an iconic   
   performance) played the monster in THE QUATERMASS XPERIMENT and has   
   been in many films for Hammer and other studios.   
      
   --   
   Mark R. Leeper   
      
   --- SoupGate-Win32 v1.05   
    * Origin: you cannot sedate... all the things you hate (1:229/2)