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|    Message 40,148 of 41,683    |
|    Mike Rivers to glen herrmannsfeldt    |
|    Re: dBFS    |
|    21 Nov 10 08:05:05    |
      XPost: rec.audio.pro, comp.dsp       From: mrivers@d-and-d.com              On 11/21/2010 2:01 AM, glen herrmannsfeldt wrote:              >>> I sometimes record live high-school orchestra concerts.       >>> Because it is hard to know the level, I record 24 bit, then       >>> find the peak and RMS of each track. Then I figure out how many       >>> bits to scale each track by so that peaks stay below FS, and       >>> they should sound about right together.              > Well, the idea is that they should sound about the same level,       > such that one shouldn't want to run up and change the volume       > control for each track.              Oh, you mean mixing in the sense of "mix tape" rather than       mixing a multitrack recording down to stereo. Well, of       course the listener shouldn't have to run up and change the       volume control, but, too, he shouldn't be subject to a flat       program unless he isn't actually listening to it. Elevator       music is good for that. Concerts, and even interesting radio       programming don't work that way, however.              If there's risk of hearing or speaker damage when switching       between songs in a program, sure, that should be fixed, and       normalizing to equal peak level can work. But unless each       piece of the program has very little dynamic range (which       isn't all that unusual in pop music today) you'll still have       differences in perceived loudness.               > I don't think I could do that very       > well just listening to them, trying to memorize the average       > level over a 15 minute track.              That's not the way you do it. You consider how annoyed you       are when going from song to song. This is the money crop for       mastering engineers.                                   --       "Today's production equipment is IT based and cannot be       operated without a passing knowledge of computing, although       it seems that it can be operated without a passing knowledge       of audio." - John Watkinson              http://mikeriversaudio.wordpress.com - useful and       interesting audio stuff              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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